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Interview with Artist Jill Carlock

May 25, 2018 Sonia Schnee
Jill Carlock art.JPG

By Nicolas Palermo | Posted Friday, May 25, 2018 

By painting images inspired by the reflections of light on objects, New Jersey-based painter Jill Carlock creates works that are not necessarily representational or non-objective.  Many of the outlines for the paintings come from shapes created by the light-reflections, but the radiant embellishments that layer over the outlines are purely from Jill’s imagination.  

The tropical colors Jill chooses to use coexist in harmony with the patterns and brush strokes to create a sense of rhythm.  But Jill’s paintings don’t all move to the same beat, as evident in the variations in forms and hues from one work to the next.  White paint is used sparingly, but its presence in the composition should not be ignored.

Like the very light that is the inspiration behind so many of Jill Carlock’s pieces, her work shines with energy, evoking memories of being a kid and seeing the colorful shapes that dance behind closed eyelids as you lay down in the sun.

Tell us a little about where you are from in NJ.  Do you enjoy living in that area?  Do you feel like living there has had an effect on your artwork?

I'm from Middletown, right in the center of the state near all the good beach stuff!  It was a really solid place to grow up, mainly because there were so many things to do.  Living here has influenced my work in terms of customizing surfboards and pretty much whatever I could get my hands on.  Driving down the street to a complete view of the NYC skyline also always keeps me motivated to work.  Of course, the beautiful sunrises and sunsets also make for instant inspiration.  Overall it is a great place to come home to, but it is definitely time to broaden my horizons and see what else is out there. 

What are your favorite mediums to work with?

I primarily fluctuate between oil and acrylic paint on canvas.  When I feel that I need to keep things moving and a change of scenery I'll turn to painting on griptape and other found materials at that given time.  I also enjoy playing around in the realm of textile design by using fabric prints of my paintings and incorporating those 3D elements into forms of wearable art.

To me, your artwork has a very free and vibrant personality.  Do you go into a project with an outline in mind for the painting or is it spontaneous?  Do you use a combination of both approaches?

Initially, I started using loose sketches that I made from light reflections on square pieces of plastic, reflective material.  With each painting, I began to develop my own sense of shape and composition, almost like forming my own personal vocabulary for my work.  Lots of trial and error, but eventually learning which shapes or colors go well together.  I'd say I use a combination as of right now, mainly because although there may be some shaped sections planned out, the majority of the time color is what I tend to have more freedom with.

I love the color schemes that you use for your paintings.  Who or what is your color inspiration?  What combinations of colors do you find yourself most attracted to? 

Thank you!  I have lots of inspiration from just being very fond of colorful things my whole life.  Bright color has always represented boldness and confidence to me.  The human eye just cannot resist it -- kind of like sweets.  Fruit, candy and desserts all share that one thing in common -- aside from a few gnarly trips to the dentist.  I find a lot of comfort in a nice, smooth gradient.  Dandelion yellow into a fleshy pink is most likely the most appealing to me at the moment.  I do enjoy more toned down, sexy colors like reddish browns, dark grays and burgundy. ;o

I’d like to know more about your griptape design work.  What was your introduction to skateboarding?  What is it about skateboarding that influences you to incorporate it into your artwork?

Skateboarding was very present while I was growing up, although I never truly stepped on to a board and gave it my all until these past couple years.  My brother was very into it, and we had a halfpipe in our backyard.  I did surf for the majority of my youth into adulthood, which took up most of my time aside from art.  I feel like skateboarding has a direct connotation to my work in more of a conceptual way.  It requires full confidence, commitment, and acceptance of failure.  I feel like that is the exact way that I feel when I am working and feel hesitant to make a big change where there is "no turning back."  It's all just a matter of pushing yourself.

Where can we find and follow your work online?

My website is www.jilliancarlock.com.
Instagram @jillcarlock

In The Arts Tags Nic Palermo, Middletown, Visual Artist, Painter, Monmouth County

Interview with Graphic Designer/Printmaker Tin Vu

May 25, 2018 Sonia Schnee
Tin Vu appropriation.jpg

By Nicolas Palermo | Posted Friday, May 25, 2018

Art and sports are not often discussed together.  However, creating art and playing sports share many similarities.  Sculptors and painters have studied the human figure for centuries.  There is a great deal of grace and beauty in the movements involved in a sport.  Similarly, artists utilize the human body’s physical capabilities when creating.  Look no further than Jackson Pollock wildly (yet equally methodically) flinging paint onto a naked canvas.

With this being said it is no surprise that Tin Vu, a graphic designer and printmaker from Cherry Hill, NJ  is able to blend his love of sports so easily with his art.  I spoke to Tin to get a better understanding of his influences and where he gets the concepts for his work.

Where are you located in NJ?  Do you like that particular area, or are you eager to move out?

I’m from Cherry Hill, NJ, born and raised.  I do actually enjoy this area and don’t mind living here, but I’m willing to explore other possibilities for my career as a graphic designer.

What mediums of artwork do you work in?  Which one is your favorite?

I have experience in painting and charcoal, but I primarily work digitally for my illustrations.  Occasionally, I also turn those illustrations into screen prints. Digital has quickly become my favorite medium because I have a flat color style that is much easier to fill in with on a computer than by hand.

I’ve noticed that you often blend themes of your love for sports (basketball) and music (hip-hop) into your creative output.  Is this something you’ve always done?  Does incorporating sports and music into your work come naturally or is it a conscious decision?

My love for sports and hip-hop leaking into my artwork is definitely something that I have always done just because it feels so natural.  When I’m given a blank canvas to create a piece that I’m passionate about and am truly invested in, my mind always drifts to the subcultures that I am a part of—which also involves breaking, urban dance, esports, and skating.

As a musician, I often gravitate toward certain albums more than others based on the album cover artwork.  Are there any particular album covers that you have always loved?

Some of my favorite album covers of all time include: Unknown Pleasures (Joy Division), The Devil and God Are Raging Inside Me (Brand New), The September Wind (Naoya Matsuoka), Coexist (The XX), Acid Rap (Chance the Rapper), Madvillainy (Madvillain), Wolf Deluxe Edition (Tyler the Creator), All American Trash (BROCKHAMPTON), Currents (Tame Impala), The Low End Theory (A Tribe Called Quest), and My Beautiful Dark Twisted Fantasy (Kanye West).  I could go on forever because I love album covers as an art form so much.

I really enjoy your screen printing work.  I believe that printmaking is an underrated method of creating art.  Is there a particular reason why you often choose to work with screen printing?

I work with screen printing so much because it makes so much sense to add the flat colors of my work layer by layer.  It really is an underrated medium that can go much further than just t-shirts (shout out to Dave).

Where can we find your work and follow you online?

You can find my work at tinvudesign.com, @tinvudesign on Instagram or facebook.com/tinvudesign.

Thanks for the interview, really enjoyed these questions!

In The Arts, Business Tags Nic Palermo, Cherry Hill, Graphic Design, Printmaking, Camden County

Little Man from the Radio - Wasted (EP Review)

May 4, 2018 Sonia Schnee
Wasted Little Man from the Road.jpg

By Deaglan Howlett | Posted Friday, May 4, 2018

For Fans of: Walk The Moon, The Shins, Cigarettes After Sex

Little Man from the Radio is the latest project from Newark, New Jersey’s Dave Barbosa.  The three-song project, Wasted, was released April 27th, 2018, and according to Dave's Bandcamp:

“Little Man from the Radio is the recording project of Dave Barbosa.  Following a rough breakup in late 2017, he pieced the songs on his debut EP as a testament to his experience and an homage to his ex-girlfriend.  Wasted is seven minutes of juxtaposition; exploring the beauty behind the sadness of a failed relationship.”

I found this project very interesting.  Unsure what to expect, I put in my headphones and pressed play.  The first track, ”Song for Afternoons,” caught me off guard.  The lyrics read more like a poem, and the samples made me think this was going to be an experimental art project.  However, the second track, “7 (feat. Danny Rascyzk and AGL Sounds)” is a brilliant pop song.  I can honestly see “7” being a hit that you would hear on the radio on a pop station.  While the track is catchy and makes you want to dance, the lyrics are somber.  To me, that makes the song all the more interesting, seeing how he was able to make a song with such sad subject matter a dance song.  The last song, “We (Feat. W0lf),” like the opening track, reads as a poem.  I really like how the opening and closing tracks are abrupt and urgent. The sense of urgency sounds like a run-in with an ex, trying to explain how you feel but not having enough time.

Wasted was tracked and mixed by Doug Gallo (Hodera, Take This To Heart Records) and Mastered by Sarah Register (Brand New, Yaeji, The Shins, Ariana Grande).  Make sure you listen to and buy Wasted here.
 

Tags Deaglan Howlett

Spotlight on Sniffling Indie Kids

May 4, 2018 Sonia Schnee
Sniffling Indie Kids.jpg

By Deaglan Howlett | Posted Friday, May 4, 2018

I was recently hipped to the independent record label Sniffling Indie Kids, based out of New Jersey.  One of their supporters e-mailed me their current roster and links to the music, and I was sincerely impressed.  Wanting to know more about this label and how it started, I reached out to founders Eric, Frank, and Joe, and they were gracious enough to answer my questions.

When was Sniffling Indie Kids founded?

Sniffling Indie Kids was founded in October 2014.  Our first release was Space Jamz: 5 Bands, 1 Practice Space.  It was a compilation of the five bands who shared our practice space in Clifton, NJ, each contributing a song that wasn't available on any other release.  The label was founded in order to put out our own music and some of our friend's music under one banner.  Frank, Joe, and I have all been actively involved in bands since we were kids and that will continue probably forever.  The label has grown organically from that original goal.  We've released a lot of music since then, music that we truly believe is some of the best indie rock to come out in the past few years, even if it doesn't get as much exposure as some of the bigger acts around.

What was your initial mission statement?

Frank came up with the tagline "Tunes You Should Know from Yesterday's Tomorrow," which is just a roundabout way of saying music you should be listening to right now.  Music, like all things, is in a constant state of change.  Bands change and breakup.  If you like something, you should support it now because if it is still there tomorrow or next year, it'll inevitably be different than what it is right now.

Who is on your roster?

Mostly New Jersey bands.  We're an NJ label so we try to support local music as much as possible.  Some records we've released in 2018 include LKFFCT - Cayenne, Haunt Club - Volume One, Secretary Legs - Cool Myths, and Subtitles - Modicum.

What do you do for the bands (i.e. help with touring/press/physical copies, etc.)?

We provide digital and physical distribution (mostly CDs and tapes), radio campaigns, and press support as opportunities arise.  We don't promise bands the world and try to keep it realistic.  The artists that we work with understand DIY culture and get what we're trying to do.

What do you look for in bands?

All we really look for is the music.  If you're making music that the three of us (Joe, Frank, and I) enjoy or we think shows potential, then most likely we'll put it out.  If a band wants to work hard to promote it and tour a lot, that is greatly appreciated.  If not, we believe in the long run, the recordings are what counts.  If the music stands for itself, then that's really all you need to connect with people.  Great records can build up recognition over time, even if they are basically ignored upon release.

How can a band submit to be on your label?

They can reach out to us via email or Facebook.  At the moment, we're pretty jam-packed with releases plus the three of us work day jobs, but we try to listen to everything that comes through.

~

Make sure you check out their roster here, and support this quality, DIY record label.

Tags Deaglan Howlett

Interview with Artist Jenna Corso

May 4, 2018 Sonia Schnee
Shop online at Etsy 

Shop online at Etsy 

By Nicolas Palermo | Posted Friday, May 4, 2018

Jenna Corso is a visual artist from Belmar, NJ who channels her love of all things Mother Nature into hand-made jewelry and paintings. 

Art truly does imitate life, but in Jenna’s case, “life” isn’t used to define “life events” or “existence” but rather “life” in its most literal sense.  That is, things that are living, such as insects, snakes, and vegetation. 

There is a great deal of beauty in Jenna’s work.  Her eye for detail allows her insect-inspired jewelry to glow with a quality that resonates with art and nature-lovers alike.  I spoke to Jenna to get an insight into her inspirations, childhood and artistic process. 

Tell us about where you live in NJ.  Do you enjoy the environment you live in?  Do you think it has an effect on your creativity?

I live in Belmar, NJ.  I grew up 5 minutes from the beach.  Living in New Jersey has had an immense impact on my art since most of my subjects focus around nature.  You can go from hiking in the mountains to watching the sunset at the beach in the same day.  It’s the vast scenery and landscapes like this that continue to inspire me every day.

I have absolutely no experience with jewelry-making and very little experience with sculpture.  I am very curious to know what the process is when making your insect-shaped necklaces and rings.  What is the first step?  Where do you go from there?

Once I have my insect, I start by making a mold of it using a Jeltrate substance.  Once I have the mold, I can begin to pour melted wax into it.  When that hardens, I can cast the wax insect into any metal using the lost wax method and from there it becomes a piece of jewelry with some cleaning and polishing and final details.

I remember as a little kid I was obsessed with nature.  If I wasn’t outside catching bugs I was watching Animal Planet on TV.  I think that very young kids often gravitate toward things related to insects and animals because it sparks curiosity, and I find it inspirational that your love for living creatures is still a part of your life, as demonstrated by your artwork.  Did you have a similar experience growing up?  Has the general aesthetic of animals and insects always been something you take inspiration from?

Yes.  When I was younger I loved being outside.  I used to catch crickets in my backyard with my brother and turn over bricks to find roly-polys.  I always had a fascination with nature.  As I grew older I lost that interest in bugs until one day, while I was walking to work, I found a dead cicada.  I remember standing on the sidewalk with a dead bug in my hand thinking how underrated its beauty was.  While most people are repulsed by bugs, it became my mission to show just how beautiful they can be.  I thought, “how can I repurpose this and give it a new life?” and that is how it all got started.

Do you own any pets?  Have they been the subject of any of your works of art?

I do.  I have a pug who is the subject in many of my photos.  He sits so patiently in front of the camera.      

Where can we find your artwork online? 

My website is https://thelemunhed.wixsite.com, and I’m selling on Etsy @thelemunhedjewelry.  I post photos of what I’m currently working on @thelemunhed on Instagram. 

In The Arts, Business Tags Nic Palermo

Lowlight - Born to Run (EP Review)

May 4, 2018 Sonia Schnee
Listen on Spotify | Bandcamp

Listen on Spotify | Bandcamp

By Deaglan Howlett | Posted Friday, May 4, 2018

For fans of: The Pretenders, Bob Dylan, The War On Drugs

Born To Run is the latest, well-anticipated release from Asbury Park’s Lowlight.  Since its release in March, the group has received rave reviews on the EP, and they have even gone on to tour with The Pretenders.  I immediately fell in love with the release, especially having seen some of these songs played live before its official release.  Born To Run is a trip, blending country, folk and synthpop into one emotionally charged release.

I will admit, Lowlight’s use of “Born To Run” for this release initially threw me off.  Being a massive Bruce Springsteen fan myself, I was borderline offended.  “How dare they take the title from one of MY favorite albums!” I yelled to myself, all alone, like an idiot.  It was not until I put in my headphones and sat down with the album and gave it the time it deserves that I began to understand the ode to such a magic title.

Like Springsteen’s Born To Run, this EP has a similar escapist mentality.  “Can't Stop Now” is a perfect example of the group’s unbreakable spirit.  The passion singer Renee Maskin is putting forth is absolutely intoxicating.  The band’s energy on this track is relentless, steadily building up until the last 40 seconds.  When the song finishes you can finally catch your breath, grab your keys, and get in your car and start driving, with no real destination in mind.

If you love this album as much as I do (and I’m sure you will), you have to make sure you get out and see these songs performed live.  Their live shows add an entirely new element to these songs, and there isn’t a band I look forward to performing in Asbury Park more than them.  When I asked lead singer and guitarist, Renee Maskin, what Lowlight had in store for summer, she told me, “We're working on our summer show and touring schedule, and we're also writing the next record which we hope to start recording this summer.”  Make sure you check out Lowlight live this summer and keep your eyes peeled for a new release!

You can stream Born To Run here or purchase it here.


 

Tags Deaglan Howlett

Interview with Artist Zachary Cavaluzzi

May 4, 2018 Sonia Schnee
Zac Cavaluzzi Art.jpg
Tales From My Dad's House.jpg
Zac Cavaluzzi Art.jpg Tales From My Dad's House.jpg

Copyright Zachary Cavaluzzi

By Nicolas Palermo | Posted Friday, May 4, 2018

         For decades, comic book art was considered “low brow” -- that is, the artwork used in comic books, no matter how beautifully drawn and inspiring, is not “real art.”  This mindset has (sort of) changed over the years, largely in part due to authors and artists like Allen Moore, R. Crumb and Art Spiegelman who displayed the brilliance of telling stories through the medium of comic books, or graphic novels.  Still, art historians constantly ignore the importance of comic book art in the grand scheme of art history.  To these art snobs, I say: your loss!

         Something tells me local comic illustrator/author and multi-media artist Zachary Cavaluzzi would agree.  Being able to tell a story -- a GOOD story -- through both words and art is not an easy task, but to Zac, it seems to come naturally.  I spoke to Zac about his creative process, his inspirations and what we can expect to see from him next.

Where are you based in New Jersey?  Does that particular area inspire you or are you eager to relocate?

Middletown is a low-key suburban commuter town that has frequently influenced my art.  I see lots of really interesting stuff happening in Middletown, like a growing art and music community and a pop cultural vibe that fluctuates between love for Kevin Smith movies and Bruce Springsteen.  In my comic, Exodus 420, I used Middletown as a motif to emphasize the characters' current situation of being in the "Middle."  The story is a coming-of-age horror slasher reflecting on technology and drug dependency.  I might relocate to the city eventually but until the graphic novel is done I don’t plan on leaving.  Exodus 420 is part 1 of 4, and I’ve just finished up the inks for part 2.

Talk a little about your comic creating process.  What is the first step after you come up with an idea?  What comes after that?

The idea usually starts as a demented joke that goes way too far and develops arms and legs and learns to walk on its own.  Eventually, it learns to talk, and that’s when I start to see things.  First, I like to start with rendered character designs/style pages, then structure/rough-write a story and draw.  After that, it’s a dance with Photoshop.

I tend to get turned off by comics that are overly text heavy -- but funnily enough, reading comics can get boring if they rely solely on the artwork.  You work has a great balance of these two elements.  Is this a conscious decision?  Do you prefer the writing process or creating the illustrations?

Thank you, it was something I was very conscious of.  I never really considered myself a writer until I started drawing comic books.  It has made me very conscious of integration of text and image because it's arguably the most important part.  While drawing out the main inks, I usually leave out the speech bubbles but leave breathing room in the panels.  This allows me to fuss with the positioning of speech bubbles while not locking me into a must-follow script.  Once the first writing draft is done, I begin writing a visual narrative that follows the writing based on structure, but the dialogue is mostly separate and changeable.  I so much enjoy the drawing/coloring part more than writing, but when they come together, that’s the best feeling.

I remember reading MAD Magazine as a kid and thinking “this is so weird, and funny, and gross.”  That was my “light bulb” moment.  I had never seen artwork like that, and I was immediately hooked.  Did you have a similar moment growing up with comic books?  What were the first comics you became engrossed in?

Mad Magazine is a monumental influence on me.  In many ways, it was also a light bulb for me as well.  Mad introduced me to pop-culture through movie satire strips and political criticism, in addition to structural themes of duality in Spy vs. Spy and existential crisis gags in the Lighter Side/Darker Side strips.  Those Mad compilation books were the first comics I became obsessed with, followed by Calvin and Hobbes and The Tick.  In middle school, to better understand the comic’s flow and develop my visual eye, I would rip off funny miscellaneous strips from Mad, draw them out, and put them in the school newspaper.  It wasn’t until I read the works of Allen Moore and Frank Miller that I understood the strength comics can have with storytelling and how similar it is to cinema.

What projects are you currently working on?

I am currently in the midst of the first illustrated/word draft of a series (to be turned into a graphic novel) called Tales From My Dad’s House.  The title is a spin-off of Tales From The Crypt, another huge inspiration.  I released part 1 (Exodus 420) in October of 2017 and will release part 2 (Void) in October 2018.  I’m also working up new large-scale tape art pieces to be displayed.  I will be showing my work at the Restart the Arts Festival on April 21st, Ocean Academy.

Where can we find your work online? 

I have an online comic and a gallery viewer of most of my tape art on my website as well as a 5-page preview of Exodus 420.  Thanks for the interview, Nic.

Website: bardotnj.com

Instagram: @bardotnj // @snapchatisevil

Etsy: bardotnj

In The Arts Tags Nic Palermo

Interview with Stylist Pamela Etzin

April 25, 2018 Sonia Schnee
Pamela Etzin.jpg
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Pamela-7.jpg
Pamela Etzin.jpg Pamela-4.jpg Pamela-7.jpg

By Sonia Schnee | Posted Wednesday, April 25, 2018

Northern New Jersey wardrobe stylist Pamela Etzin is the owner of An Eye for Detail.  Pam dedicates herself to helping women and men look and feel their best, through clothing choice and closet organization.  To learn more about Pam's services, her personal journey, and words of advice, see our interview below. 

What's your name, where are you from, where are you based now? 

Pamela Etzin.  I am from Buffalo, NY, and I live in Morristown, NJ. 

Tell us about your business. Who do you serve? How would you describe your approach? How do you want people to feel when they've used your services? 

I am a Wardrobe Stylist, and I offer closet edits.  I dress and teach women and men how to feel more confident in their clothing by learning what styles suit them best, based on their lifestyle, body type, comfort level and budget.  My approach is very simple and not fussy: we all want to feel the best we can when we put ourselves out there, and of course, 1st impressions matter a lot. 

I also believe in having the right clothing in a well-organized stress-free closet, so I begin with editing closets to bring into vision what a client truly likes and feels good in, and we create from there.  The things we never wear are negative messages to ourselves, so I believe in getting rid of and creating the new.  There is no need to keep stuff that is never worn. 

We live in a visual world and how we present ourselves speaks volumes in terms of strength, confidence, tidiness/details and self-esteem.

How did you get started? What's been your personal journey?

My story with clothing started as a child in a household that always dressed well and looked professional.  Even as a little girl, I learned how to gain respect and admiration by always being neat and properly dressed (sometimes even too much. However, my father knew the "power of perception and the role clothing played.)  I moved to NYC to work on 7th Avenue in the garment center at age 20 and knew how much I loved fashion and seeing what a role it played in people's lives.  I worked in many showrooms with all different clothing types, but my favorite parts were the relationships I created with my clients and customers when I performed trunk shows throughout the country.  My passion has always been style and empowerment, so doing this I was able to bring both passions together.

Are there any other businesses, artists, entrepreneurs, or style icons who you personally/professionally look up to? 

I adored Natalie Wood and Audrey Hepburn for I think obvious reasons.

What words of advice or encouragement would you give to someone who wants to follow a similar passion, or is maybe facing obstacles similar to what you've faced? 

My advice is to find your niche in your passion.  I am very different from most stylists because I truly sense who someone is through my exceptional intuition, and I want them to really grasp what works, and how to build a wardrobe from the bones to the body and always try something new because most often the only thing that is stopping them is fear.  You must be open and try things on.

What's next on the horizon for you? Do you have any events coming up? 

I have speaking engagements coming up.  Always looking for more!

Finally, how can people find you online? 

Website: eyefordetailnj.com 
Facebook: AnEyeForDetailNJ
Instagram: @AnEyeforDetailNJ
Pinterest: https://www.pinterest.com/aneyefordetail1

In Business, Services Tags Pam Etzin, wardrobe stylist, personal stylist, personal shopper, fashion

24 Hours of Live Music - South Orange, NJ

April 19, 2018 Sonia Schnee
24 Hours of Live Music South Orange NJ.jpg

By Gregory Burrus | Posted Thursday, April 19, 2018

LiveMusicBender - 24 Hours of Live Music Festival in South Orange New Jersey

From Noon on May 5th Until Noon on May 6th

Join us for 24 Hours of Creating Live Music Across South Orange NJ.  Musicians of various musical genres across Northern Jersey will converge upon South Orange, NJ and join in making music, having fun, all day, all night while supporting the ArtBender weekend.  ArtBender is a series of creative events that raise funds for Arts Unbound programs and promote art in our daily lives. This 24 Hours of Music Festival of Live Music is a Voluntary Event where you are invited to come on out and make Live Music in the heart of Downtown South Orange, New Jersey. If you are interested in playing, it can be a half hour. an hour, 2 hours or help us out and play from 2AM to 5 AM, You let us know what you are thinking and what time you want to play.  We will use a few selected locations around town, it’s purely voluntary and you will help raise funds for a worthy cause.

Invite your friends and neighbors and have an overnight party in Spiotta Park or join our Karaoke party during the day in Spiotta Park. Want to sing along with a DJ and showcase your talents, your band then this is for you? Want to conduct a drum circle, sing outdoor early Sunday morning with your choir? You can also sing solo with your tracks.  Want to sing a tune outside your favorite South Orange store? All ideas and genres of music are a possibility. We will have a few venues, or you suggest a venue to use.

Contact Gregory Burrus via FB Msg or Send an email to 24hoursofmusicsouthorange@gmail.com

 

Tags Gregory Burrus, Gregory Burrus 2, Gregory Burrus April 2018

Designing a New World, Opening Reception (April 19, 2018)

April 15, 2018 Sonia Schnee
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PRESS RELEASE

DESIGNING A NEW WORLD • SENIOR THESIS EXHIBITION
Opening Reception: Thursday, April 19, 2018, 2:30 - 4PM
Fine Arts Gallery, Mac Mahon Student Center, Fifth Floor
Exhibition April 19 – May 10, 2018
Saint Peter’s University
Jersey City, New Jersey 07306

Saint Peter’s University is the Jesuit University of New Jersey. Saint Peter’s Campus is
conveniently located near the PATH Trains and can easily be reached by public transportation.

DESIGNING A NEW WORLD exhibition showcases Saint Peter’s University’s finest 2018
Graphic and Visual Arts Seniors. The works exhibited are created in computer programs, Digital
Photography and Natural Media.

Brigitte Arroyo is a dedicated graphic designer, web designer and illustrator. She loves to learn
new techniques to improve her designs. She hopes to one day pursue a career in animation and
bring to life her vivid imagination.

Aaliyah Closs is a driven artist who loves to stand out with her art. She inspires to be versatile in
her art by using both natural media and graphic design. Her insight on art is unique and her
future is bright.

Pabel De Jesus is an excellent photographer and graphic designer, who excels in portraits and
layout design. He is currently laying out for Saint Peter’s University publication The Pauw Wow
and worked on production and creative design for The Pavan. His goal is to pursue a career in his
love in both photography and graphic design.

Jessica Dominguez is an upcoming graphic designer that is hoping to experiment with different
types of design such as branding, advertising, as well as the wedding and music industry. She
aspires to grow and meet new people that will be able to broaden her passion for design.
Leonardo Flores is an ambitious graphic designer and artist who is obsessed with thinking
outside of the box. From branding, designing, and layout, he enjoys viewing things through an
abstract lens. He aspires to work in the arts department within a large corporation gaining
experiences, knowledge, and skills to further his style and image as an artist.

Christian Guzhnay is inspired by many cartoons from his youth which led him to decide in a
career in art. He would like to use all he has learned to make the world see what he is capable of
with his camera. He would like to impact the gaming industry and the world with his work. He
wants to grow, improve his art, and learn more from many people he meets.

Celina Marzullo is an aspiring graphic designer who is enthralled by layout design.
She takes on any and all projects with curiosity and excitement, hoping to make a mark in the
competitive art world. Her aspiration is to work in layout design for well-known fashion brands,
combining her love for design and fashion.

The press and the public are cordially invited to attend.
The Gallery is free of charge and open to the public everyday from 9 AM to 5 PM. For more
information contact Professor Mady at bmady@saintpeters.edu, 201.761.6484.

Interview with Ben Morss (Ancient Babies)

April 15, 2018 Sonia Schnee
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By Sonia Schnee | Posted Sunday, April 15, 2018

Last month, northern NJ "prog-theater-dance-indie-rock" band Ancient Aliens released their new album, Put Me back in the Sunshine, on Mint 400 Records.  Check out our interview with mastermind Ben Morss below to learn more about their unique style, the inspiration behind some of their songs, and more! 

What's your name, where are you from, where are you based now?

My name is Ben, but my friends simply call me “Ben.”  I was born and raised in a little place called Hades, and believe me, it was Hell.  I’m now based somewhere off the Islets of Langerhans, just south of your pancreas.

Tell us about your music. How would you describe your sound?

Our songs are an unholy alliance between the spirit of punk rock, a pile of analog synths, and the need to stand up and scream while experiencing great beauty.  We have a determined belief that quality eventually wins over easy stylistic pandering and a secret hope that once in a while we succeed in creating that quality.  We know some people crave music that yearns to be smart -- that’s packed with lyrical and musical details that reveal themselves gradually, over many listens.

What's the meaning or inspiration behind some of your songs? How do you want people to feel when they listen to your music?

“Get Me out of this Party” is an industrial-strength dance song about other annoying dance songs.

“Rolling like the River” is our reaction to the rise of well, You-Know-Who.  It’s an old-fashioned protest song that depicts our movement as something whose success is inevitable, which I think it is.  I do think a small band of racist right-wingers have succeeded in duping a bunch of somewhat decent people into voting against their self-interest, but this is the last gasp of an old way of thinking, which will soon fall into the dustbin of history.  Just look at what happened with Pete Wilson and the Republican Party in California in the 90s.  Diversity’s here to stay.

Generally, we’re hoping our songs will open your mind and your heart, not necessarily in that order.

Tell us a little bit about yourself. How did you get started with music? What's been your personal journey? 

Ancient Babies is a supergroup started by five seasoned session musicians who cut their molars laying down beats for superstars like Selena Gomez, Kanye West, the Beatles, and Mozart.  They met on the International Space Station while foiling a plot to kill rock 'n' roll.  The Babies draw inspiration from Baltic flugelhorn chants, late poems by Hafiz, and the quadratic formula.  Led by noted lumberjack Ben Morss, their sophomore effort “Freshmen No More” rocketed to the top of the charts a week before it was released or recorded.

What words of advice or encouragement would you give to someone who wants to follow a similar passion, or is maybe facing obstacles similar to what you've faced?

Follow your dream vigorously and fearlessly -- but there’s no shame in having a backup plan :)  Don’t obsess, but if you aren’t spending at least a month writing your song, you aren’t trying hard enough.

What's next on the horizon for you? Any upcoming shows, singles, music videos, or plans for the next album? 

Along with this album, we just recorded a cover of “The Heart Will Go On,” but without once listening to the original or using most of the original lyrics, chords, melody, or arrangement.  This was fun and we’re planning a whole EP full of similar non-cover covers.

Finally, how can people find you online? 

Do not attempt to find us!  But if you must, then here are some ways:
http://ancientbabies.com
https://www.facebook.com/ancientbabiesmusic/
http://twitter.com/ancient_babies

And you might also like http://onwardchariots.com.

Interview with Neville's Quarter

April 15, 2018 Sonia Schnee
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By Sonia Schnee | Posted Sunday, April 15, 2018

Earlier this year, urban folk fiddle/guitar duo Brian Moyer and Lex Headley, known as Neville's Quarter, released a new single entitled "This Little Old Home."  While currently based in North Carolina, both artists have NJ roots.  Check out our interview with Brian and Lex below to learn about their travels, musical style, and the inspiration behind some of their songs. 

What's your name, where are you from, where are you based now? 

Brian Moyer:  I grew up in Medford, NJ in the pine barrens and went to college at Montclair State University where I first started playing guitar at the age of 20.  In 2014, I moved to Chapel Hill, NC.  I was drawn to NC for many reasons, specifically for the lower cost of living, the beautiful weather, and for the music-friendly culture there.  The music scene in Chapel Hill was exactly what I needed to revitalize my own music.  I still am deeply tied to New Jersey.  I visit friends and family there as often as I can and try to play there as often as possible.  

Lex Headley:  My tag for the ‘where are you from’ question is usually “Hi, I’m Lex from Lexington, MA.”  I moved to New Jersey in 2005, however, and then back to Massachusetts, and from there bounced around New York during my college years.  So I haven’t lived in Lexington, MA for over a decade now.  My Master's degree in Nutrition from Columbia University took me to the University of North Carolina where I live now.  I moved to Chapel Hill to start a path to obtain a Ph.D. in Nutrition, but then I met Brian and started being more involved in music.  It took me into a reawakening of how important music performance and composing is to me.

Tell us about your music. How would you describe your sound? Where do you record? Who are your influences, musically? 

We most often hear from people that Brian sounds like Cat Stevens.  Lex has a classically-trained voice but has geared herself into more of a folk style of singing.  We try hard to make each song sound a little different, but when asked, we like to say that we are Urban Folk music.  Right now we are working on fine tuning our weekly live show, and we currently do all our recordings at home.  We are releasing one single at a time, on a monthly basis.  As far as influences go, we obsess over Punch Brothers music, but our writing has been deeply influenced Bob Dylan, Sara Bareilles, and Old Time & Bluegrass Tunes.  As far as inspiration goes, Brian leads a songwriter's circle in Carrboro, NC which is sponsored by the NC Songwriters Co-op.  We have found that many of our current goals and music ideals have been shaped and influenced by the people and music of that songwriter's circle.

What's the meaning or inspiration behind some of your songs? How do you want people to feel when they listen to your music? 

To give a very specific example, Brian has written a song called "It's A New Day" after attending a convocation speech for his work as a Teacher Assistant at a local elementary school.  The song is meant to reflect what the convocation was about; putting courage in others and believing in one another.  The song came very easily because it is a song that a lot of our music, as Neville’s Quarter, also represents.  A good portion of our songs is about finding courage, chasing your dreams, and getting people inspired. You’ll even find inspiration for gardening and housekeeping!

We have one song that is very important to us called “This Little Old Home,” written about the house that Lex’s parents in New Jersey have recently inherited.  It is situated on many acres of farmland in the middle of suburbia New Jersey.  Originally, the land had a beautiful orchard of apple trees, grapes, raspberries, and a huge lush flower garden. The farm was full of life with buzzing beehives and crowing chickens at one point.  This family home and the garden still stands today, but it is all beginning to fall apart due to relentless aging and an inability to maintain the grounds.  The song is about bringing it back to its glory days, back to how it was when the grounds were maintained and so full of life.  The main farm is still operational and we love to take walks around the grounds when we visit.  So, you’ll find a lot of songs like these from us.  We enjoy the thought that we may be giving light and hope to those who might need it most through our music.

Tell us a little bit about yourself. How did you get started with music? What's been your personal journey? Are there any artists, bands, or producers who you'd love to collaborate with one day? 

Lex:  I have been studying music since my mother (and mother’s students) permitted me to stay-in on lessons, cradled in a bassinet by the piano.  I was playing Bach Minuets on the piano by Kindergarten, started violin lessons by 4th Grade, and joined an opera company in high school.  Theatre and music have been an important recreational activity throughout my life, and it brought me to audition as a vocal performance student at Syracuse University in 2007.   I will cherish those years I had as a music student there, at the Setnor School of Music, forever and ever.  The knowledge I gained there, of stage performance, music theory, and ear training have proved to be incredibly helpful as a songwriter today.  I am a bit ashamed to admit that I dropped out of my music program in 2009 to pursue a career in health sciences.  Of course, I didn’t have it in me to stop the private voice lessons or piano lessons while still in college, but it did take me in an entirely different direction.  It has been quite a journey for me to return to music as a career choice, but I am so relieved to return to it.  Feeling now more prepared and matured to face its challenges, I am giving it everything I’ve got.  Ironically, I am finding ways to combine both my Nutrition degree and music.  Through my podcast Keeping the Triangle In Tune, for example, I am aiming to ultimately start an educational program for kids incorporating music full of nutrition lessons.

Brian:  I have always had a love for music and lyrics; though perhaps more for lyrics than the music, at first.  I was critically obsessed with rap and hip hop music growing up and then in my late teens and early twenties, I started opening up and listening to other genres of music.  When I started listening to other music, I was kind of surprised by how much I already knew because of the amount of sampling that Hip Hop and Rap uses.  In college, I learned how to play the guitar so I could start putting lyrics to music.  That also was when I started down the Bob Dylan rabbit hole that has essentially guided me to the wide spectrum of music genres that I listen to today.  

Both:  We would both ecstatically jump the stratosphere if Billy Strings ever appeared to lay down some guitar licks to some Neville’s Quarter tunes.  We are a huge fan of his music and have been following him on YouTube.  Also, as mentioned above, we are obsessed with the Punch Brothers band, which also has brought us to never miss a Live From Here show.  So, naturally, it goes without saying that we dream of one day collaborating with Chris Thile and the Live From Here band.  We already are enjoying collaboration with all our musical friends here in Chapel Hill though; we envision building our own scene here that people talk about, ultimately to bring more people together for collaboration.

What words of advice or encouragement would you give to someone who wants to follow a similar passion, or is maybe facing obstacles similar to what you've faced? 

Making a music career is a hustle for sure… one can’t ever be afraid to step up to the plate and just make it a priority to actually do what it takes.  A person needs to send 20 e-mails to get one or two responses; welcome the rejections, at least the attempt was made!  Just contact them again a month or two later and keep hustling.  Find open-mic and music circles.  Jam with people everywhere you can, make music with other people at least once a week.  Find others to play music with, in whatever way you can.  Musicians need these types of interactions; it will widen the perspective of your music-world and improve your performance ability.

What's next on the horizon for you? Do you have any shows coming up? Plans for your next album?

We have a busy summer ahead of us.  We are mainly performing around North Carolina at a bunch of the local venues, cafes, festivals, etc... We will be spending some time in New Jersey and Cape Cod, MA this summer and hope to line up a gig or two while we are there.  Our plan for recording plan is to continue to do our home studio recordings.  We’re saving all our money from live performance to put out an official album in the next year.  So if you know anywhere we should be booking in NJ and NC let us know!  Send us an email here: NevillesQuarter@gmail.com

Finally, how can people find you online? 

The first place you should go is our website www.NevillesQuarter.com and sign up for e-mail alerts.  The other option is to follow us on Facebook.  We do a Facebook Live show every Wednesday at 6pm where we perform a few of our tunes and invite a guest to join us.  Those are the places we are most active, but you can also find us by searching @NevillesQuarter on Twitter, Neville’s Quarter on YouTube, or nevillesquarter on Instagram.

Interview with DBM

April 15, 2018 Sonia Schnee
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By Sonia Schnee | Posted Sunday, April 15, 2018

Last month, Newark, NJ indie emcee/lyricist DBM a.k.a. Dane The Beautiful Monster debuted his new single, "Slow Money," off of his upcoming album, From Ashes Rose A King (#FARAK).  Produced by Youseesounds, this "blue collar hip-hop anthem" premiered on Ghettoblaster Magazine.  Check out our interview with DBM below to learn about his personal journey, musical influences, and the inspiration behind his music. 

What's your name, where are you from, where are you based now? 

DBM™, I am born and raised in little lovely America.  I currently reside in sunny Newark, NJ aka Babylon.

Tell us about your music.  How would you describe your sound?  Where do you record?  Who are your influences, musically? 

My music is a cocktail of sonically rich, motivational sermons, shaken up vigorously with the sour of my socio-political outlooks and the sweet succulence of my truth-telling charm.  I record at the SMOKEHOUSE studio in Newark and at various other studios within the 5 boroughs.  Musically, I am inspired by Michael Jackson/Bob Marley/Jay Electronica/Beastie Boys/Rakim/Bobby Blue Bland/Nas/Lauren Hill/Mos Def/George Clinton/DMX/Amy Whinehouse/Jay-Z/Sam Cooke/Master P/Otis Redding/Currency/Ron Isley/Childish Gambino. 

What's the meaning or inspiration behind some of your songs?  How do you want people to feel when they listen to your music?

My new album #FARAK (From Ashes Rose A King) is a mixture of war songs & love songs.  The inspiration is to create a dialogue about life and death and modern times on Earth 🌏.  When people listen to it, I want them to feel a sense of what the fuck is this shit, as they ingest my sonic secretions.  I am here for the greater good, and I am going to do horrible things to see that good manifest itself.

Tell us a little bit about yourself.  How did you get started with music?  What's been your personal journey?  Are there any artists, bands, or producers who you'd love to collaborate with one day? 

Music came to me in the womb.  My mother & father were playing that soul for 9 months.  I started this the day I was born.  With Hip-Hop as a medium, I realized early on I could make people listen.  I have a rare charm, and it plays well over a break beat.  My journey is like many American, brown-skinned males.  It plays out like an 80s action film.  I seen some shit, it tried to kill me, I lived, now I am pissed and hell-bent on revenge.  I am open to collaborating.  No one really inspires me like Jay Electronica.  He makes music for thinkers and flips the bird to dumbasses that don't get it.  He is a Hero.  The rest a these fuckas is ok.

What words of advice or encouragement would you give to someone who wants to follow a similar passion, or is maybe facing obstacles similar to what you've faced? 

Little muthafucka don't kill yourself!!!!! After the suffering comes enlightenment, wait for it young Homie, wait for it.

What's next on the horizon for you?  Do you have any shows coming up?  Plans for your next album? 

New Album #FARAK this year.  Touring shit hole bars, death trap clubs with metal detectors that don't work, as well promiscuous, young, rich people parties.  You know, doing my community service.

Finally, how can people find you online? 

Twitter - @TheACRCFounder
IG - Danethebeautifulmonster
SoundCloud- Soundcloud.com/Thebeautifulmonster

Interview with Alexis Pellegrino (Lex Rex and the Dragons)

April 13, 2018 Sonia Schnee
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By Sonia Schnee | Posted Friday, April 13, 2018

NJ's Alexis Pellegrino, aka Lex Rex (Lex Rex and the Dragons), just release a new music video for her song, "Ain't Nothin," from her EP Tides (you can listen to Tides on Spotify, iTunes, Tidal, Google Play, and Amazon).  Check out our interview with Lex, below, to learn about her style, musical influences, and the inspiration behind her new EP. 

What's your name, where are you from, where are you based now?

I am Alexis Pellegrino aka Lex Rex.  I'm originally from Northern NJ.  I am now based in Ocean County.

Tell us about your music.  How would you describe your style or sound?  Where do you record?  Who are your influences, musically?

Last year, I released a Hip-Hop single.  I don’t think people were expecting Tides to sound the way it does.  I went from spitting bars to singing.  It definitely put me out of my comfort zone for sure, but I’ve been writing pop music since I was in elementary school.  I finally decided to go with it.  I love writing melodies over some smooth synth or a nice beat. 

I recorded Tides at Eight Sixteen/Traxx East Studio in South River, NJ.  I absolutely love them there, they are like family. 

My musical influences are pretty wide ranged (I’d like to think).  Frank Ocean, MJ, Earth Wind and Fire, The Internet, Led Zeppelin, The Stones, Stevie Wonder, Madonna, The Weekend, Kanye West, The Stooges, Nirvana.  Growing up my dad would play Disco/Motown/Jazz/R&B…. so I would like to think I started off on the right foot as a kid ;). 

Directed by Christian Cordes. 

Congrats on the new music video! 

Thank you!  Because Tides has a throwback kind of feel, I’ve been figuring out ways to tie in retro design/film with modern day design/film.  I love it, mostly because you learn a lot about how far we have come in design, technology, etc. from studying the past.

What's the meaning or inspiration behind some of your newest songs?  How do you want people to feel when they listen to your music?

Honestly, the EP is about an Ex-lover.  A friend told me that this is “The saddest happiest sounding EP they have ever heard.”  The music is upbeat for the most part, but if you listen to the lyrics, they are rather deep/emotional/sad or coming from a place of hope for the future.  I hope people connect with my music.  I think there is a song for everyone on the EP, and I love how diverse it is.  It was honestly very challenging but super rewarding to hear the finished product.  I honestly wanted people to feel like there was hope for them even in a place of feeling worthless, low, and stuck in a bad place.

Tell us a little bit about yourself.  How did you get started with music?  What's been your personal journey?  Are there any artists, bands, or producers who you'd love to collaborate with one day?

I started getting into doing live music through dance/theater.  I fell in love at an early age.  Started dancing at age 3, and then it just took off from there! 

Current bands or artists I’d love to collaborate with would be Frank Ocean/SZA.  Both of them together would be ideal.  I am heavy on the R&B, always. 

What words of advice or encouragement would you give to someone who wants to follow a similar passion, or is maybe facing obstacles similar to what you've faced?

Keep doing YOU!  NEVER give up and NEVER second guess yourself.  Also, push yourself out of your comfort zone at least once a day, you’ll find you grow from stepping out of your own zone! 

What's next on the horizon for you?  Any upcoming shows, singles, music videos, or plans for the next album?

I will continue to release new music videos to go with the songs on the EP as well as some future live performance dates, TBA ;). 

Finally, how can people find you online? 

I am on Facebook, Instagram, Twitter, and Youtube!

Links:
Facebook: https://www.facebook.com/lexrexandthedragons/
Twitter: https://twitter.com/LXRXNDTHDRGNS
Instagram: https://www.instagram.com/lexrexandthedragons/?hl=en
Youtube: https://www.youtube.com/channel/UCsNZq756vBPGmbwSVAHwGiw?view_as=subscriber

Tags Pop, R&B, Indie Pop, Dance, Hip Hop, Rap, Reggae, Ocean County

Quality Living - "Alcohol Store" (Single Review)

April 10, 2018 Sonia Schnee
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By Deaglan Howlett | Posted Tuesday, April 10, 2018

For fans of: Real Estate, The Apples In Stereo, Pavement, Phoenix

I was recently hipped to the independent record label Sniffling Indie Kids, based out of New Jersey.  One of the bands on their roster that immediately caught my attention was the group Quality Living.  Quality Living is a group of six friends hailing out of Ringwood, New Jersey in Passaic County.  Their first release was 2016’s self-titled full length, and since then singles have followed every year.  2018’s release “Alcohol Store” is a song I have been listening to for weeks.

According to Quality Living’s website, 

“At a loss for the hype-speech that typifies band bios, the members of Quality Living have provided the following 'elevator pitch' for your perusal:

We are not especially fond of describing ourselves.  What we do love, unconditionally, is the idea of beloved musical icons engaged in blood sport.  So, if we may: Davids Bowie and Byrne are clashing with the boys of Pavement in a gladiatorial death-duel.  It’s a stalemate.  Michael Jackson is the tiger.  Britt Daniel is the emperor (thumbs down).  Imperial Prince Ben Gibbard sulks in the stands with a wilted rose strewn on his lap.  Rivers Cuomo, recently appointed as chancellor, doesn’t care what anyone thinks.  Vampire Weekend have already been eaten, but they were around for a minute.  Daft Punk and Phoenix are getting the band back together.  Isaac Brock calls the plays on NBC.”

Their bio, while humorous, truly encapsulates the sound of the band.  You can tell Quality Living was influenced by the rhythms of new wave artists and the lyricism and melodies of 90’s indie darlings, especially in their latest release “Alcohol Store.”  The track’s bouncy rhythm fits perfectly behind Norrell’s soft and effortless vocals.  While the track contains that “careless” sound perfected by Pavement, the song itself is well constructed and unbelievably catchy.  I hope this single leads to a full length later this year.

Tags Deaglan Howlett

Philly's The Soft Spots to Perform at Brighton Bar (Wed., April 11, 2018)

April 9, 2018 Sonia Schnee
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PRESS RELEASE

Philadelphia Shoegaze Outfit, The Soft Spots, Release Debut Album, Accompanied By North American Tour

Performance Alongside NJ's The Paper Jets and Alpha Rabbit
Brighton Bar, Long Branch, NJ
Wednesday, April 11, 2018

Philadelphia, PA local act, The Soft Spots, recently released their debut full-length album, Rainy Daze, accompanied by a North American tour. 

Created in 2012, The Soft Spots started out as a duet, featuring vocalist, guitarist, and founder, Shane Gallagher, and their drum machine, named “Dr. Deadbeat.”  The band then grew into the quartet (quintet, if you include “Dr. Deadbeat”) featured on their upcoming debut album.  They have experienced a great deal of local and global notoriety, including “Artist of the Month” on The Deli - Philadelphia’s website, multiple features on member-supported radio station, WXPN, and radio plays on DKFM, Ynot Radio, The Reverb and Lost in Radio in the UK, and Crystal Daze web radio stations.  Several reviews of their material have appeared on such blogs as Little Indie Blogs, Right Chord Music, The Key, and Destroy//Exist.  The band also boasts a successful Kickstarter campaign, which raised over $1,000 in funds to finance their debut music video. 

The Soft Spots just completed work on their upcoming debut full-length release entitled, Rainy Daze.  All tracking was done at the home studio of guitarist, Truong Ta, who also mixed and engineered the sessions.  Final mixing of the album was done by producer/engineer and musician, Jeff Zeigler (Relay, Arc in Round, Valley Exit) at Uniform Recording in Philadelphia, and mastering done by Frank Arkwright at legendary Abbey Road Studios, London.

“We wanted to give people the perfect soundtrack for those lazy, hazy rainy days,” said Shane Gallagher, vocalist and founder of The Soft Spots about the motivation behind all of the hard work on their upcoming debut.

They will follow this release with a North American spring tour.

Get the latest news on releases and tour dates from their Bandcamp page.

CONTACT

Eric Ramirez, Director of Public Relations
Bread and Circuses Inc.

Tags Press Release

The Open Minds (Album Review)

April 8, 2018 Sonia Schnee
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By Deaglan Howlett | Posted Sunday, April 8, 2018

For fans of: Sublime, 311, Red Hot Chili Peppers

The Open Minds recently released their album Sex For Breakfast on February 24th.  This is their first full-length release, having released a few singles in the past.  Since starting in 2012, the group has spent their time honing their craft and perfecting their sound for this full-length album.  The four-piece consists of Evan Kohlmayer on Lead Guitar/Vocals, Josh Tyler Ramos on Rhythm Guitar/Vocals, Ryan Hawley on Drums/Vocals and Ryan Fenyak playing Bass Guitar.

According to their Facebook:

“Formed within the quiet dome of suburbia a la New Jersey in 2012, what once existed as an engine for cannabis-fueled jam sessions and restless teenage disillusionment had completed it's transmutation, spitting forth in its wake a reverberation of bouncing melodies, splitting rhythms, positive energy, and the balance lying beneath it all.  While the band may have taken an extended hiatus from their original 2012 run until the closing chapters of 2017, their change in function as result of this pause begs more of a question than the answer given.

Since their second convergence, not a moment has gone without use for The Open Minds, having already crossed twelve shows off of their list in the first thirty days of rebirth.  With their debut EP on the threshold of a boiling point, an album soon to follow, and a multitude of appearances visible in the near distance, one can rest assured that the group shows no signs of stopping.  The hiatus is indeed over.”

When listening to Sex for Breakfast, I hear a true maturity which I imagine came from their time apart.  It seems to me that during this time they truly grew as musicians and as individuals.  Tracks like “For Life” and “Under Your Spell” demonstrate their understanding of the reggae rock genre and how they incorporate that sound into their music.  The Open Minds hit the ground running after their hiatus, playing an impressive amount of shows in their first month back.  Now that the group is back, it seems they show no signs of stopping any time soon.  Their first full length is strong, and I am sure the music that will follow can only get better.  You can listen to Sex for Breakfast here and make sure you catch The Open Minds when they play a show near you.

Tags Deaglan Howlett

Interview with Hysteria

April 8, 2018 Sonia Schnee
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By Deaglan Howlett | Posted Sunday, April 8, 2018

Hysteria is a four-piece ukelele post-punk/hardcore band based out of Red Bank, New Jersey.  The group consists of Michelle on Ukulele/Vocals, Lance on Guitar, Matt on Bass/Vocals and Nick on Drums.  The group has recently released their first single “New Wave” which is available on Spotify.  Having known Lance for a while, he was kind enough to send me Hysteria demos while they were in the studio, and I loved what I heard.  Now that “New Wave” is out, I reached out to Hysteria to see how this eclectic group works and what inspires them.

How does your songwriting work?

When it comes to writing songs our process varies, but it usually starts with one of us writing a riff or a full song, and then from there we expand on it as a full band.  The lyrics are always the last step of our writing process and are meant to compliment the music.

What's your overall message? Why are you doing this?

The band doesn’t really have a purpose other than making music that we would want to listen to, and if other people can relate to that music as well then that’s all we could hope for.  Our songs are our way of expressing how we feel at that moment in time that we are writing it.  All of the songs on our first upcoming EP “6 songs" have been inspired by mental health and political current events.

What bands were you basing your sound off of when you started?  Do you feel you achieved that?

When we transitioned into Hysteria, we definitely are inspired by a lot of 80’s and 90’s bands.  I think we all would agree our biggest inspirations are bands like Sonic Youth, Fugazi, Slint, and The Cure.  Overall, you could describe our sound as a mixture of post-punk, post-hardcore and new wave.  Our goal has never been to achieve a certain sound or genre.  For us, we just write songs that we think go together.  We also like to create a emotion-driven auditory journey, whether it be our record or our live performances.

How did Hysteria start?

The band originally started under the name Dad Party back in May of 2016 with the original line up being Lance (guitar), Michelle (ukulele and vocals) and Nick (drums and mouth sounds).  At the time, we were playing Ramones-meets-Riot-Grrrl ukulele punk.  After about six months of being a four-chord punk band, we decided to change our sound completely.

After trying various styles of music including 90’s screamo, in May of 2017, Matt (bass and vocals)  joined the band and we began experimenting, and we landed on our current sound.  Eventually, we all decided that the name Dad Party didn’t fit our current style of music, so we became Hysteria.

How did you end up with the name Hysteria?

I (Lance) always like to look at songs that mean a lot to me as inspiration for a band name.  The name Hysteria came from when I was listening to the first track off of Ceremony's record Zoo, entitled "Hysteria."  I always love the punchiness of the song.  And I always thought the term "hysteria" was always interesting and relatable, "uncontrollable emotion amongst a group of people."  And every single band that I've been in, that has always been the attitude of the band. Just to be as wild as possible and really let your emotions play out through the music.  Then when I brought it to the rest of the band they all agreed that Hysteria would be our new name.

What does success mean for Hysteria? When will you all feel like you have succeeded?

We don't really care about success.  We just write songs to help us get out or emotions, our anger, our depression...  We just put our all into the songs.  And if people dig it along the way that's really awesome, and it's really a special thing.  So far, we've had two people that I've told us that our lyrics off of our only single means a lot to them.  And that's a really cool feeling that's quite indescribable.  However, at the end of the day, our success is based on if and when we get on an episode of Hot Ones by First We Feast with Sean Evans.

~

Make sure you listen to “New Wave” on Spotify and catch them next time they play near you.

Tags Deaglan Howlett

Bobby Mahoney and the Seventh Son (EP Review)

April 8, 2018 Sonia Schnee
Bobby Mahoney and the Seventh Son album cover.jpg

By Deaglan Howlett | Posted Sunday, April 8, 2018

For fans of: The Menzingers, The Gaslight Anthem, The Scandals

Bobby Mahoney and the Seventh Son’s newest self-titled album is the fourth to come from the East Brunswick punk band.  Despite some lineup changes, The Seventh Son has been fronted by the ever-persistent Bobby Mahoney whose songwriting gets stronger every release.  While it is rare enough for a local band these days to have even one full-length album under their belt, Bobby Mahoney and The Seventh Son have four full-length albums, which is insanely impressive.  Their latest, self-titled release, is the strongest out of their catalog, and I think Bobby found his permanent lineup.

According to Bobby Mahoney, when asked about the new album: “We went into the studio last summer with a handful of new songs, and some new ideas for a few older tunes, with the goal of capturing a clear example of what we do as a band.  I wanted the songs to speak for themselves, and to convey our live energy, and I think we were successful.  We loved writing and playing these songs, and I think you can hear that on the record.”

Having seen Bobby Mahoney and The Seventh Son live countless amounts of times, they definitely achieved what they set out to do with this new release.  The reworkings of older songs on this new album breathe new life into the tracks.  The production quality is better and there have been certain structural changes that have led to overall more impressive tracks.  Their sound on this album is now consistent with what you expect to hear after seeing them in concert, with loud guitars and passionate vocals.  While there are straight ahead punk songs like “Empty Passenger Seats,” the album also includes a newly recorded version of “Black and Milds” off of 2016’s Shot in The Dark album.  This track perfectly encapsulates the differing dynamics the group is able to achieve with this epic EP.

Bobby Mahoney and The Seventh Son seem to be gaining more steam with more shows and new songs every few months and I cannot wait to see what they have in store for the rest of 2018.

Read more: Bobby Mahoney and the Seventh Son - "Empty Passenger Seats" (Single Review)

Tags Deaglan Howlett

Interview with October Rose

April 6, 2018 Sonia Schnee
October Rose Closer.jpg
October Rose.jpg
October Rose Closer.jpg October Rose.jpg

Photos by LDO Photography.

By Sonia Schnee | Posted Friday, April 6, 2018

TODAY, Northern NJ country-rock duo, October Rose, released their new single, "Closer," on iTunes, Spotify, Apple Music, and Amazon Music, to name a few.  Learn about Leanne Weiss and Derek Allan's journey to becoming "October Rose," their musical influences, and the inspiration behind their hits, in our interview below: 

What's your name, where are you from, where are you based now?

We are country music duo October Rose, Leanne Weiss and Derek Allan.  Leanne is a native North Jerseyan while Derek is a Pittsburgh transplant to the NYC area.  We are based out of Northern New Jersey.

Tell us about your music. How would you describe your sound? Where do you record? Who are your influences, musically?

Our sound is modern country with a rock edge.  We consider our musical influences to be a combination of Jason Aldean and Carrie Underwood with some 80’s hair metal.  We’ve created a musical sound that we feel is unique, and contribute that to our producer, Chris Badami, at Portrait Recording Studios in Pompton Plains, New Jersey.  We admire the sounds of so many musical artists, namely Lady Antebellum and Florida Georgia Line, but growing up were influenced by Celine Dion and Bon Jovi.

What's the meaning or inspiration behind some of your songs? How do you want people to feel when they listen to your music?

We want our fans to feel a whirlwind of emotions from listening to our music.  We wrote these songs based on experiences or emotions we’ve had, which we feel are universal, like heartbreak, uncertainty in a relationship, taking a chance on love, and escaping the day-to-day grind.  For instance, “Bonfire” was written after a weekend trip to rural upstate New York, where we found ourselves sitting around a firepit singing for guests at our hotel.  “Heartbreak Song,” the first song we ever wrote together, was written from the point of view of two people starting a new relationship.  “All In” is our duo’s anthem, highlighting the passion we feel about pursuing our dream together.

Tell us a little bit about yourself. How did you get started with music? What's been your personal journey? Are there any artists, bands, or producers who you'd love to collaborate with one day?

Leanne: We’ve both been involved in musical endeavors for the majority of our adult lives, but started our musical journey around 2013, way before our paths crossed.  Derek was working in finance in Pittsburgh, PA, while performing in and around the city.  He recorded and released a solo EP and opened for local country acts like The Stickers.  Meanwhile, in New Jersey, I had recorded and released a solo EP and was performing with my band around the New York City area.

Derek: In January 2016, I moved to New Jersey, not knowing anyone in the country music scene.  A little online searching led me to Leanne’s Facebook page, where I came across her music video and thought “this girl’s legit.”  I saw she was performing at Maxwell’s Tavern in Hoboken and messaged her that I would stop by.  At the show, I got to talking to her Mom, who as you would imagine talked her up pretty good, and after her performance, Leanne and I met.  We decided after that to hang out and write songs, but we discovered that God had a plan to bring us together to form a duo.  The minute we started singing together, we were in harmony.

We decided to form a duo in October of 2016, and since then, we’ve gotten some great opportunities, like opening for country acts like Jordan Davis and Russell Dickerson.  Our single “Heartbreak Song” is gaining momentum on country radio as well.  We’d love to collaborate with Carrie Underwood or Jason Aldean in the future.

What words of advice or encouragement would you give to someone who wants to follow a similar passion, or is maybe facing obstacles similar to what you've faced?

We know what it’s like to face rejection, so we’d say “never quit.”  We believe in having a plan, having goals, and taking action, and we’ve shared that advice with others.  Also, playing your music in front of people is an excellent way to test whether it’s well-received or may need work.

What's next on the horizon for you? Do you have any shows coming up? Plans for your next album?

We are releasing our first EP “All In” on May 4, promoting the EP, and continuing to perform shows in New Jersey, Pennsylvania, New York, and Florida this Spring and Summer.  While we continue to write new songs frequently, we don’t have any plans to record a new album in the near future.

Finally, how can people find you online? Bandcamp? Facebook, Twitter, Instagram, Youtube, etc.?

Facebook: facebook.com/octoberrosecountry
Instagram: @octoberrosecountry
Twitter: @octoberrosectry
YouTube: https://www.youtube.com/channel/UCNtd-mpgqMG1N4pkCl8c0kA

Tags Sonia Schnee
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