Interview with Sean Tobin

By Deaglan Howlett | Posted Sunday, May 22, 2022

Sean Tobin has been writing invigorating Irish folk rock for the past few years and is back with a new full-length June 10th titled Ghost of The Arcade. Following up 2020’s East Coast Artifacts, Tobin’s latest singles showcase his shore town storytelling with his solid backing band. Sean’s music fits in Asbury Park bars just as well as pubs in Galway. Combining traditional Irish instruments with punk ferocity, his music remains exciting and at times nostalgic. I reached out to Sean to talk about his band and their upcoming album just a few weeks away. Thanks again, Sean!

When did you first start releasing your own music?

I released my first single in the winter of 2018, “Winter (In an Ocean Town).” That was one of the first songs I thought might be worthy of putting out into the universe. The other was “This Midnight”, which was the title track to my first album that came out later that same year. Safe to say, production quality and base-knowledge of songwriting has grown since then, but I still put many of those songs into my setlists.

Who is in your current lineup? How do these players influence your sound compared to when you first started?

Drums - David Patiño

Bass - Jack Breslin/Backing Vox

Lead Guitar/Mandolin/Accordion - Jake Garbe

Fiddle (When We Can Lock him Down!) - Sean-David Cunningham

These guys were a hodge-podge of connections that I'd made over the years.

Dave grounds us in the punk-rock beat that I always gravitate toward, but has no problem holding back when the song calls for it. He's also the gear guy. Thank god for that.

Jack is arguably the most "professional" musician we have in the group. He's classically trained and incredibly talented as a jazz bassist. He has his own jazz trio and plays in a bunch of other ensembles around NJ and beyond. He and I do a few duo/trio sets here and there, so we have great chemistry when it comes to banter on the mic and performing live.

Jake is the most recent addition to the group. I tapped him when we were putting out “St. Patrick's Day Forever”, as I'd heard he could play a ton of different instruments. I heard correctly. His diversity instrumentally helps flesh out each song in whatever way it needs, from mandolin to accordion to ripping leads on electric. Jake even learned each guitar solo from before he was in the band note for note overnight. Kid's an animal. He also helps add that Celtic, Americana twang to tracks in a way that I've been searching for for a while.

Sean-David Cunningham is one of the most (if not the most) sought after violinist in New Jersey. Classically trained like Jack, he started playing in rock and folk bands a while back and hasn't stopped since. He's one of those guys that only needs to hear the key of the song to play along.

Basically, I surrounded myself with musicians far more talented than me. I think it's working.

Your latest two singles “Memorial Drive” and “On the Corner of Sunset” are real rockers. How did these songs come together? What is your songwriting process like?

These two were serendipitous. I wrote “Memorial Drive” sitting on my VOX in my old Asbury apartment, trying not to wake the neighbors after a night out. Lucky for them, I wrote the song in under an hour. The best ones always happen that way. I'd already written “Sunset” months prior, but I never really put the two together till much later.

When I was tracking out the album, I wanted to make it flow in a way that all my favorite records do. I love the way one song blends into the next in records like American Idiot, Abbey Road, Kick by Spanish Love Songs... When I was going through the track listing, I paired tracks up by the chord they ended on, and when “Memorial Drive” and “Sunset” matched up, it made too much sense.

I love the Irish influence in your music. Who are some of your favorite Irish artists? What is unique about Irish music to you?

First off, thank you! I grew up on The Wolfe Tones. My mom's family is from Northern Ireland, so rebel music was always on repeat at parties. I joke that my dad had three CDs in his car growing up: Let the People Sing, Born to Run, and Beach House on the Moon. 

RIght now, though, I've gotten into a bunch of up-and-coming Irish rock acts. The Scratch is my favorite at the moment. Palpable high-energy acoustic punk, check them out when you can. I also steer toward Dubliners, Pogues, Clancy Brothers and the rest depending on my mood. But right now, The Scratch, Junior Brother, New Pagans, the list goes on...

The lyricism of Irish music has always resonated with me, as even the most serious of songs often have a few quips inside. I love the Irish sense of humor. Dry as hell. I try to add that to my songs whenever I can.

Your full-length Ghost of The Arcade comes out 6/10. Who did you work with for this album? What can fans and first-time listeners expect?

We worked with Rob Freeman up at Audio Pilot Studio for this one. Rob is a veteran producer, as well as a well-known pop-punk musician of Hidden in Plain View. His studio is decked out with tons of state-of-the-art equipment, instruments, and even analog gear. Most importantly for me, though, it has an apartment upstairs, a fire pit outside the listening room, and tons of acreage to explore. We stayed up there for a week and fully engulfed ourselves in the process. It was a dream.

Do you have a favorite track off the new record? What makes this one special?

The album is so diverse, it's too hard to pick just one. I'd also be lying if I said I had a favorite, but there are a few that have yet to be released that I'm very excited about. "I'll Be Alright," for one, is an absolute foot tapper, and the piano on the track drives the album home. "Unfinished Business" is a love song, one that I sang to my wife on our wedding day, so it'll always have a special spot in my heart. "Eugene" is a song for my grandfather.. that importance goes without saying. So do I have a favorite song? No, but I can absolutely say that this is the best, most enjoyable record I've worked on to date. 

We've got shows coming up to support this album at the end of June.

6/24 in New Hope, PA at John & Peter's

6/25 in Asbury Park, NJ at The Saint

6/26 in Jersey City, NJ at JC American Festival

and a late-summer tour to be announced!

~

You can keep up with all things Sean here and make sure you see him and the band this summer!

Interview with Grin & Bear

By Deaglan Howlett | Posted Friday, May 13, 2022

Grin & Bear has evolved quite a bit since their initial entrance to the scene with 2015’s Range Wars. Following their first release, the project has been spearheaded by singer and guitarist Brian Perrino. He has gone on to release two more records and a handful of singles and EPs under Grin & Bear, as well as appearing on other bands’ records. While lineups have changed, Brian being at the core has kept their self-reflective and self-love messages at the forefront. Their latest release, Naturally Goes, is no exception, and possibly the most heartfelt yet (in my opinion). I reached out to Brian to tell me a bit more about how this record came together and the smattering of talent (including himself) that played throughout the album. Thanks again, Brian!

Before the release of Naturally Goes this year you released the “Forgotten EP.” What did those songs mean to you when you wrote them compared to releasing them? Anything in particular drive you to release them this year?

The “Forgotten EP” consists of two songs that I wrote in/around 2015 and one song I wrote in 2017. The songs “Tree” and “Dead Deer” are very, very similar. Before I get into this: these are very dark and depressing songs from a very dark and depressed time. Although they were true and possibly still remain true, I no longer focus on them because spending too much time in that space can be unhelpful. At some point, it’s very important to look at the darkness and it can be beneficial, but I don’t want to live there or forget that this isn’t the whole story. That’s why we took so long to decide if and when we wanted to release these.

Their theme is: what is the point of destroying everything around me (the environment, crossing deer, marginalized groups of people, etc.) so that I can have a life I’m not even happy with? They were written specifically about me, but I think it’s very weird to realize how much harm a lot of us do just to prolong unfulfilled and depressed lives. This is a very dark way to start the interview haha so I apologize.

“Karate Kid” is a fun and funny song that I just wanted to throw in there to add some lightheartedness to the EP. We recorded it with Connor Hanson and I think it sounds super cool, and I’m glad we put it out. If you listen, just take it with a grain of salt haha.

How did the writing for your newest record differ from 2020's Be Gentle, if at all?

In a lot of ways it remained the same and in a lot of ways we experimented more on this one. If anything, this one was more collaborative. My friend Connor (Sentient Moss) and I booked an Airbnb at a lake and each had our own room to write demos in. In that lake house, I fleshed out and wrote a significant chunk of this album, which is something I’ve never done before. I wrote the basic demos as usual but gave a lot more creative freedom to my friends! On “Grip”, Faye Fadem (Trust Fund Ozu) took my original demo that had no electronics and completely added her own take. On “Make Everyone Feel Bad”, Stephen Kelly (ManDancing) and I wrote letters back and forth to help us figure out what we were trying to say and we even wrote the music together, which was difficult and scary and very fun. Another friend and collaborator Matt Baker took on a huge role on this album: he wrote and recorded a lot of the synths (“I Move Slowly” and “Porch”, to name two) and was there along the way for production help and general support, in addition to playing bass on several songs and playing the “coin flip” on the song “Naturally Goes.” This album wouldn’t be the same without him. The whole album is a giant collaboration and includes 4 different drummers, which we have never done before.

Brian Perrino. Photography by @littlegreen_pill.

I love that your last two records have been a collaborative effort in the studio. Who did you have play on this record, and how do you choose who plays what on your songs when recording?

Okay, I have

Chris Calabrese: drums

Matt Baker: synth/guitar/bass/backup vocals

Gavin Fischer: bass/backup vocals

Will Avon: bass/guitar

Connor McArthur (Sentient Moss): guitar/vocals

George Saives (Halogens): drums

Faye Fadem (Trust Fund Ozu): drums/synth/production/vocals

Kyle Donavan (Halogens): bass

Stephen Kelly (ManDancing): vocals

Nigel Whitley (Sentient Moss): bass

Nick Timoniere (Nameling): vocals

Alex Brumel: pedal steel

Christina (Orion Lake): vocals

Emily, Chris, Tsian, Janaki: voices on “I Can Handle Anything”

"Put Me in the Back of the Line" was the first single. What is special to you about this song?

This song is special because it outlines an extremely important breakthrough that I had a few years ago: seemingly contradictory things can BOTH be true.

It feels so good to be selfless AND sometimes it makes me resentful.

This is the one from the song but also:

I want to meditate and work on myself AND a lot of days I don’t want to do it.

I care about my health AND I enjoy doing things that are bad for my health.

The album cover rules. Who did the art?

Ahh thank you!

This one was by Courtney Burke and I love it so much! It was the original concept for Be Gentle, but with color. Be Gentle felt very two-dimensional to me (which is why it’s black and white): you are either being gentle, or failing (haha). Now I see it’s not that simple. There’s a lot more depth and color and growth and decay going on (that’s also why it’s so cool that it was burnt into part of a tree trunk). I hope that comes through on the album.

What is your favorite song on the album?

I think it’s the last song: “Thinkin of U”

You're hosting a release show for the record on June 4th at The Saint in Asbury Park. Can you tell us about the bands playing with you?

This show kind of fell into our lap. George Saives (Halogens) (basically our free manager) told us the show was booked and we could hop on and use it as our release show if we wanted. We are playing with our absolute best friends in Halogens, and hopefully some new friends in Carpool and Palamino! The show is 6/4 and I leave for a 4-month meditation retreat on 6/6, so it’s also kind of a great way to see a bunch of friends before I leave!

Brian Perrino

You can keep up with Grin & Bear here and make sure you catch them at The Saint, June 4th!

Interview with Kqhyt Kqhyt

By Deaglan Howlett | Posted Monday, April 25, 2022

Kqhyt Kqhyt has to be one of my favorite bands to emerge from Asbury Park since I started writing for Jersey Indie. Whether you know how to pronounce their name or not, you have no doubt caught them playing their booze soaked rock and roll throughout Asbury Park. Since forming in 2019, their long anticipated first single “Carey Bronson” was released April 8th of this year. Accompanied by a great music video, their self-titled release came out April 22nd and is available to purchase here. I recently reached out to lead guitarist Alex Rosen and the band to talk about the beginnings of the band and their upcoming plans. Thanks again, Alex. <><>

When did you first start making music together? How was the band formed?

In early 2019. It is a bit of a long story, but the short of it is I had gotten Brian and Brendon down to jam. I went to Brendon's house and Bronson came down and asked when practice was. That was pretty much that.

What is your songwriting process like?

Brendon pretty much has a couple albums worth and growing of songs. So he brings some to practice and we just kind of work ‘em out.  Or he has older fully realized tunes and we all just work it to full band. I have contributed some songs and Brian has a few up his sleeve. It is a mostly collaborative effort. You hear this a lot with bands, but it is always cool to see how the idea you had for a song completely transforms when you bring it to other people and jam on it.

Favorite song you have written as a group so far? Why? 

Brendon wrote "Mullica" and I really dig how everyone kind of added their own little mark to it. Brendon had the song already done, but each member added themselves to it. Lyrically, it is great as well.  

Favorite venue to perform at? 

Not sure if we have a favorite of all time since we are pretty new. But places like The Saint, Asbury Park Yacht Club, and Bond St. have always been good to us.

You recorded an album last year. Who did you work with? How was that experience?

We worked with Pete Steinkopf at Little Eden. The experience went great, and I am really so happy with how the tunes sound and how everything came out. Pete knocked it out of the park!

The band name is super unique. How did you end up with it and what does the band name mean to you?

No comment at the moment.

Your first single “Carey Bronson” is accompanied by a great video. Who did you work with for the video and how was that experience?

I went to my bud Mike Brown (Phasor Video) who is a really interesting dude. Does a lot of touring with big musicians as well as has a bit of a cult following in the WWE or wrestling world. I asked him if he would do a music video for us. We just gave him free creative control and that was that. I sent him, I think, three songs, and he picked “Carey Bronson.” It is cool just letting someone have their own vision on something you did. Kind of shows you how a song can mean different things to different people.

Any upcoming plans for the group?

We have a full-length out on vinyl and digital on 4/22. It is self-titled and limited to 100.  In late April, we are going to record our new record with Mike Mobius at Moonlight Mile. We also have a live album recorded, actually the final show at the Brighton Bar, just been slow-moving with it. We have some shows in Buffalo later this year and May 15th at Red Tank brewery. I would like to get a brewery to do a beer for us, get a tattoo gun and maybe give Bronson another nickname. Just try and make up for some lost time.

We have a bunch of merch we are working on and if you would like to grab our record and future items please check out our Bandcamp: kqhytkqhyt.bandcamp.com

Instagram: @kqhytkqhyt

You can find our stuff on Spotify and all that stuff too.

Thanks again.

You can listen to and support Kqhyt Kqhyt here <><>

Interview with Bobby Mahoney (New EP, "We Go On")

By Deaglan Howlett | Posted Friday, April 15, 2022

Bobby Mahoney and the Seventh Son are no strangers here on Jersey Indie, and we are always anticipating their next release. Their work ethic is unmatched and their appetite for songs with big choruses and hooks just seems to grow more and more with each new single. Bobby and his band had been hard at work for their newest release, “We Go On” (which premiered on 4/8), and we can now hear what they have been working on these past few years. To help celebrate this momentous release, they hosted a two-day Release Weekend at The Saint in Asbury Park with a handful of talent from up and down the East Coast. I caught up with Bobby to take a closer look at their latest singles “Moth to the Flame” and “Lay It On Me”, as well as what’s next for the band. Thanks, Bobby!

When did you start writing for your newest release, “We Go On”?

We started writing these songs in fragments in the later half of 2019. They have definitely been a slow-burn. There are other ideas that have been around longer, but I felt strongly about these as they came together, so they got to cut the line a bit. 

How did writing for this record differ from past Seventh Son records? How have you grown as a songwriter? 

This record was collaborative with all four of us, James McIntosh, Andrew Saul, Jon Chang-Soon, and I writing together. I would come up with skeletons/outlines/hooks in acoustic demo form, then I brought them to the others for us to flesh out as a group. The actual pre-production was done remotely, or in-person but masked and socially distanced due to the pandemic. James and I jammed through songs on his electric drum kit, Andrew and I made home pre-production Logic demos, and Jon and I discussed overall “vibe”, soundscape, structure, and arrangement at length ahead of recording as well. We didn’t know if it was going to be an EP, or the first half of a full length, but we felt the five songs we chose really stood on their own, and were a dense, impactful twenty minutes of music. 

“Moth to the Flame” is a rocker, the song also seems autobiographical. What remains to be your favorite thing about playing live shows?

”Moth to the Flame” is extremely autobiographical! It is about our need to create, despite all the factors that try to deter us from doing so. My favorite thing about playing live is when all the hours of practice and prep come together so I don’t have to think, I can feel. Which sounds silly, but I think there is a Keith Richards quote about something like that. When the four of us lock in, we can ride the energy, follow gut/instinct, and do what we know we can do. There are so many hours of things that are NOT playing the guitar that go into being a musician, so when we get to actually do what we signed up for for 20-60 minutes, and connect with people who care about what we do, it makes it all worth it. 

You’ve been playing shows for quite some time. How do you feel shows have changed if at all since the pandemic? 

I think it would have been a nice change to come back to shows with people being a bit more respectful of other audience members and the performers, but I don’t necessarily think that has happened. I think if anything, we are all now less likely to take it all for granted, at least I would really hope so. Before the pandemic, I caught myself taking live music for granted, and after losing it for over a year, I am extremely thankful for any chance I have to go see a performance or to perform myself. In a lot of ways, nothing has changed, yet everything has changed. We are still in weird times, but things are healing.

Who did you record “We Go On” with? Did you and the group do anything differently from previous recordings that you’re excited about?

We recorded “We Go On” with our good pal Joe Pomarico in his parents' basement in Holmdel, NJ. Aside from home demos and some pre-production phone meetings, we actually only rehearsed these songs a handful of times as a unit before we began tracking in Fall 2020. I wanted the songs to feel fresh, live, real, and given the circumstances, I wanted to capture the basic sound of people playing music in a room together. We tracked drums, bass, and rhythm guitars live over one weekend, and then spent a year overdubbing when we were able to get together, and doing Zoom editing/mixing/production meetings remotely! It was a weird way to make a record, but for this record — these songs, at this moment in time — it worked and I am very proud of what we were able to create.

The songs are “classic Seventh Son” — catchy with loud guitars and drums — but they have a new spin with this current line-up working together that led to some of the most exciting and unique songs we have ever recorded. We definitely wanted to push ourselves in every aspect to put out an EP that we felt represented what we do, and where we would like to go. 

What were you influenced by for your latest single “Lay It On Me”? How did that song come together?

I started taking notes for what became “Lay It On Me” while visiting Paris in August 2019. In the lobby of a hotel, they had old American Western movie posters on the wall, and I wrote some titles and taglines down. Many of our favorite songs were inspired from cinema, and many of the best songs are movies in themselves. Incident at Phantom Hill was too good not to note, and Fistful of Dollars is a classic. The irony of going all the way to France to be inspired by the American “West that never was” isn’t lost on me.

“Flower power and violence” is directly about the protests we saw in 2020 for the murder of George Floyd, the fights many Americans have had to wage on our own soil in order to secure their own rights/freedom in our history — painfully recent history — and present. Who the fuck is anyone to deny another human being the same rights they themselves desire and demand? “Will we find redemption?/Tune in next week.”

The song ultimately is about recognizing our own boundaries, and how much each of us can take on at once without being burnt out, burned, or burnt alive.

Musically, I wanted to focus on dynamics- starting very quiet and then gradually getting louder and louder, until it becomes one of the heavier moments on the EP. 

Thanks to everyone who has supported myself and this project over the years. We are excited to share with you all, and excited to see what the future holds! 

~

You can keep up with Bobby Mahoney and the Seventh Son here. 

Interview with Lightheaded

By Deaglan Howlett | Posted Friday, October 1, 2021

Lightheaded is a three-piece dreamy power pop trio based out of Long Branch, New Jersey. Since first forming in 2017, more recently the band has moved in together and started hosting all ages shows at their house. This has proved to help strengthen a scene that has been affected by the pandemic and also encourage creativity in a safe, inclusive space. Having seen Lightheaded live a few times over the summer, I recently reached out to the group to learn more about them and find out when we can expect some new music. Thanks again, gang! 

When did Lightheaded first form?

Lightheaded was first formed in 2017. The bands we had been playing in were coming to a natural conclusion. We met during what ended up being one of the last handful of shows for both of our bands... it made sense. We have a really similar music taste and vision for what our band should be. 

Who are the group's main influences ?

Lightheaded’s main influences are countless. We love The Pastels, mark that down first. Probably the reason we started the band. They set the template. The Feelies, New Jersey legends. Got to mention them. Stephen used to live in the same town as Stan! Dwight Twilley and Phil Seymour, we love all the sorta one-off power pop bands! Felt are very special to us. Belle and Sebastian. The Clientele’s first couple records... The Go-Betweens never missed... just cut us off now, we’ll take up the whole interview.

How would you describe your music? 

Lightheaded’s music sounds like people who care about music. Listen to us or watch us and you can tell. We take writing interesting arrangements with literary lyrics very seriously. All of our songs develop their own unique direction over time. Some might be based very much off of synth or a delayed guitar and sound almost shoegaze, but the next might be rooted in French pop and an acoustic guitar. Album #2’s got a tune inspired by Devo. It’s overwhelming how much we want to do and how many hats we want to try on. 

Photo by Emma Murphy

How has the pandemic affected the group's songwriting, if at all?

The pandemic affected our songwriting a bunch of different ways, but most obviously, we all moved in together lol. Anthony has a reel to reel and we spent months working on tape demos when we couldn’t be in public spaces. Not much really went anywhere spectacular, but it was important. That period allowed us time to incubate and think of where our ideas were headed. Those demos afforded us a platform to sketch those ideas into meaningful songs we’re proud of.  

Where has your inspiration been coming from lately?

Lately, our inspiration comes from our community. We have been throwing monthly gigs at our house and the artists that we have met have made the process comforting and satisfying. To play with new artists like Teen Idle, or 2nd Grade, a band building one of the best discographies in the game... It's proof that what’s happening right here in New Jersey is going to be stronger than it’s ever been. It’s fertile ground at the Jersey Shore. We want to be a part of the next new memorable NJ scene, like The Feelies were in Hoboken or Screaming Females in New Brunswick.  

Favorite show you’ve played?

Our favorite show we’ve played... was in front of Susan Sarandon. Twice. Our hearts could only beat so hard...

Who did you work with for your upcoming debut EP?

For our upcoming debut EP, we worked with Adam over at Retro Media Studios in Red Bank. Sometimes, it’s hard for us to be in a room with people, but Adam has been beyond accommodating and flexible to our studio anxiety. If we want to sound good, we need to be in a good head space. 

You can keep up with all things Lightheaded here!

Photo by Emma Murphy

Upcoming plans for the group?

Plans, plans, plans... we’re schemers. Always trying to have stuff cooking. #1 is the Season of the Lost EP. We couldn’t be more excited to show everyone the first batch. We are going to continue throwing monthly shows, throughout this year and next. 

But seriously, most importantly, we just want to get our songs out to the public in an official form. We’ve been a band for awhile now and have a ton of songs that we’re really happy with, so we figure to release the full-length sometime in 2022 and play an out-of state tour, too. We are also looking for someone who slaps the keyboard around, so if you know anyone... send ‘em our way.

Interview with Teen Idle

By Deaglan Howlett | Posted Thursday, September 30, 2021

Teen Idle is the moniker under which Sara Abdelbarry writes, records and performs her own music. Since the release of her first EP in June of 2020, she has released a handful of singles, and even performed her first show this past August. When I saw Teen Idle, I was enthralled by the atmospheric guitar playing and mood she set with just her vocals and a guitar. Since her recordings include some more studio work, I recently asked Sara about her project, her recording and songwriting process. Thanks again, Sara! 

When did you first start writing your own music?

I’m pretty sure I wrote my first song when I was 15. At the time, I was taking lessons at Lakehouse Music Academy in Asbury and being introduced to and surrounded by so much music. Plus, most of my teachers were in touring bands of their own, so being in such a creative musical environment like that definitely sparked my interest in songwriting. I also owe a lot to the show American Idol, which I used to watch all the time with my family and cousins, for introducing to me a lot of classic ‘70s and ‘80s artists which piqued my interest in songwriting.

Who were your influences when you first started and how have they changed?

My biggest influence was and will always be Fleetwood Mac. All three songwriters in that band are impeccable, the production is intricate and smart, and the songs are super emotional in the best way. I know people who listen to my music might not hear Fleetwood Mac as an obvious influence, given my music sounds quite different from theirs, but I think each member of that band influenced my approach to writing music in a big way: Stevie’s lyricism, Lindsey’s production, and Christine’s melodies and affinity for jazz chords. Sometimes I’ll write something and feel later on that band was a subconscious influence, even if just for the groove and feel of a song. I find myself drawn to the dancy nature of many of their songs in my recent songwriting.

If we’re talking direct sonic influences for my releases as Teen Idle, that’s all over the place just like my music taste. For my first EP and most of the stuff I was writing at that time (2018-2019), there’s a heavy shoegaze and almost slowcore-ish influence. At the time I was really into bands like Beach House, Alvvays, and Slowdive, so the music bears a slight sonic resemblance. That kind of reverb-drenched, dreamy sound with shrouded vocals suited the subject matter I was writing about at the time, like heartbreak, so that just happened naturally. Now, though, I don’t really have an interest in that particular shoegaze sound anymore and want to focus more on lyricism and letting vocals shine. The new stuff definitely still has a ‘90s type influence and dreamy guitars, but I’d say recently I’ve been influenced by artists like Mitski, SASAMI, Japanese Breakfast, and Sharon Van Etten. 

How did last year's lockdown affect your songwriting if at all?

In the beginning, around March, I was super productive and even managed to curate this pandemic compilation with the intention of donating the money to COVID-relief efforts. I ended up getting artists from I think 10 countries on it, made some new international music friends, and contributed a song I wrote at that time, called “When Yr Gone”. That was probably my favorite stretch of the lockdown, if one had to choose. But towards November, I stopped writing songs entirely or even listening to new music really, which wasn’t intentional but just happened. I’m usually always writing and interacting with music, so it was a super weird and depressing time for me. 

Like a lot of us were, I was feeling very down about the fact that I couldn’t be out in the world anymore. I like to be out and about, I like to travel and explore, and I’m a pretty social person who loves to meet new people and go out, so I feel like that part of my life was stolen away, making it hard to feel inspired. My writing typically comes from real life experiences, encounters, or other people’s stories I hear, so in a way I didn’t feel I had anything to write about. I was also more focused on maintaining my mental health than songwriting at that point. It was difficult to get myself out of that place mentally because I felt like I was in a hole for so long. I’m so glad that stuff is all over, and that my mental health is back to being as good as it used to be now that normal life has basically resumed. I did end up writing one or two songs I’m very proud of last winter, so I do cherish those.

What is your songwriting and recording process like?

This will probably be a long-winded answer — usually I’ll start a song with guitar or piano. I’ll usually be noodling around on either instrument, or on rare occasions the bass too, sometimes with the intention of writing a song if I’m feeling a certain way, other times just fiddling around. Then I arrive at a progression I really like and make sure to record it on my voice memos. Once I have that basis, I’ll keep building on the progression. When I feel that I have something there, I’ll start singing random words over the instrument to figure out where I want the melody to go. I’ll work on the melody for each part of the song, sometimes starting with the bridge, sometimes starting with the verse. It also varies because sometimes I’ll have an idea for a bridge that I want to write with strings in it or something and then build the song from there. 

As for lyrics, a lot of the time I’ll keep some of the random words I was singing while figuring out the melody, or just use words that rhyme because they match syllabically. Then once I know exactly what I want the song to be about, I’ll chip away at the lyrics, usually writing them all at once or over a span of a few days. I usually will refine the lyrics until I feel like they get the message across exactly how I intended. 

For production, that doesn’t happen typically until I have a finished demo of a song on guitar or piano on Voice Memos. I have the structure of the song laid out in a demo, I’ll start building it in Logic from the ground up. I like to start with the bare bones: drums, demo vocals, and then guitar and bass. From that point, it happens rather serendipitously and without explanation. I address each part of the song — verse, chorus, bridge, very likely cinematic outro — separately, working to make each part flow into the other and match the emotions the song conveys. I play and record all the live instruments at home myself, except drums which I let a very talented friend do in a separate studio, and use analog sounds with a combo of virtual instruments, synths, and weird Logic presets and effects to get the sound I want. Songwriting is more calculated, whereas in production I feel like it’s more divine intervention, where I let myself go wherever the song takes me. Sometimes I come across sounds I never expected by making mistakes or putting effects in a chain that engineers would scoff at. Then I do a rough mix and send the songs off to a mixing engineer because they do that better. 

What does your project name mean to you?

Teen Idle is a name I had in my back pocket since freshman or sophomore year of high school, I think, after I saw a Marina and the Diamonds song with the same name. I never even listened to the song, but I remember thinking it was an amazing pairing of words, so I never forgot it. I always kind of knew I wanted that to be my band name if I had one in the future. But now that I think about it, I was kind of an idle teenager; not by design, but I didn’t go out of my way to get good grades in high school, never studied, and never really went out either because I was super shy at the time. So the name for me reflects how I was a late bloomer in life, basically blossoming in and after college and coming into my own then.

What is your favorite song you've written? Why?

This is hard to answer, so I won’t answer directly. I think out of the stuff I’ve released, I’m pretty proud of “Dreaming” because it was the first song I ever released. And it was written rather randomly after jazz practice in college one day, but I’m proud of the lyrics and how the song builds based on the same chord progression. I am also really proud of “In the Morning” because I think it’s the most different from the songs on the EP, and “Sometimes” for the build up to the outro at the end.

Plans for the future?

I’m hoping to keep playing gigs in the area and NYC, building my audience locally, and just continuing to release albums I’m proud of and show my growth in my craft.

I just also started producing for other artists, so I‘d like to keep doing that as well as write for more artists I believe in, maybe even producing full albums for artists. In the long term I’d definitely love to write the score for a movie soundtrack, or have a song be in a TV show or movie. I also have some future plans to start a record label.

You can keep up with all things Teen Idle here and listen on Spotify here ! 

The DT's - "You With Me" (MUSIC VIDEO PREMIERE)

By Deaglan Howlett | Posted Friday, August 20, 2021

The DT’s are a power pop group hailing from central New Jersey. Having released their first single, “You With Me” in June, the group is now back to share their music video for the catchy single. Since the release, The DT’s played their first full band show at House of Independents in Asbury Park, NJ, and have been hard at work at new content for their fans. I recently spoke with Dave and Tom about their past year, playing shows again and their new music video. Thank you Dave and Tom!

The DT’s live at House of Independents

How was your first full band show at House of Independents? 

Tom: Our first show was really special and was really a magical night! It meant the world to be on that stage especially after such a long time and just battling a lot of adversity over the past 18 months. Both of us hadn't played in a full band setting live for quite some time and to debut at one of our favorite venues was a great experience. It almost felt like a Twilight Zone episode, like was this actually happening? It went really well and our buddies Lou Panico (Natalie Farrell Band, Levy & The Oaks, Solo) & Frank Lettieri (The Paper Jets, Dust Of Days) really did such an excellent job. They are true professionals! 

Dave: It was such an exciting experience. We were very happy when Bobby Mahoney reached out to us, and asked us if we wanted to play. It had been so long since we played in a full band setting, and it felt so good to be back out there on stage. Our talented friends Frank Lettieri (The Paper Jets, Dust Of Days) and Lou Panico (Natalie Farrell Band, Levy & The Oaks, Solo) helped us out that night, and they were extremely professional. We only practiced the four of us collectively one time, but I think that made the show more fun and lively! We were able to hang out with some friends that we have not seen since the start of the pandemic, have fun with the crowd, and play some new originals at an awesome venue. 

What can fans expect at a DT’s concert now that shows are coming back around?

Tom: In this new project, we really like to keep it fun, loose, engaging and entertaining with the audience. We work very hard at our craft but we also really like to keep the audience involved in a variety of settings. I also enjoy having freedom in this project where we are an acoustic duo some nights, other times full band electric, all while mixing in different instruments we play. At the end of the day, we just want to make sure the crowd is having fun and that we are spreading some joy. I think we all could use some after the past year.

Dave: Anyone that comes to one of our shows can expect a good time! We are always trying to have fun at our shows by throwing in some covers, getting the crowd involved, and telling some jokes on stage. We just like to have fun while providing a high energy rock and roll experience!

This video accompanies your latest single “You With Me.” What does this song mean to you as a group?

Tom: This was a really special song for Dave and I as it was one that came really quickly and naturally for us. Our emotions and feelings really lined up at the time and the song both structurally and lyrically came together in one night. We really didn't try and over think many parts and allowed ourselves to explore while keeping the song refined into a pop format. It was really neat sharing parts from our own songs and mashing them together melodically. 

Dave: To me the song means a lot. Lyrically, it references some personal/emotional setbacks we have experienced in the past few years. It was the first song that Tom and I wrote collaboratively from scratch. We started with a drum idea, and then layered on top of that. We both brought different elements to the song that we were able to blend cohesively, which gave it a unique sound. I am extremely proud of us for making this track because we also produced everything in Tom’s basement. We were then lucky enough to have our friend Frank Lettieri record drums and Joe Pomarico (Telegraph Hill Records) Mix/Master the final track.

Who did you work with for this music video?

Tom: We worked with Tom Garrigan, an old friend who is a photographer/videographer from our hometown. Tom is nationally known for his photography work shooting abandoned settings, and he really did an excellent job getting the footage for this shoot. He really had a lot of our visions behind the song come to life in a really simplistic way. All the editing work was done by Frank Lettieri who also plays drums for us live! 

Dave: We worked with our good friend Tom Garrigan. Tom Garrigan is a very talented photographer who has gained a following on Instagram under the handle “moldy_lungs” taking photographs of abandoned places. You have to check his page out!  So it was interesting to work with him because he is normally a photographer, not a videographer. So he himself was a little reluctant of how the final product would be, but we all think it came out great. Frank Lettieri then took all of the videos that we got with Tom G and made it a cohesive piece. Working with these talented two individuals was extremely easy, and we could not have been happier with how it came out.

What’s next for the DT’s?

Tom: We are truly having a blast doing this, and the past 3 months have been a huge reaffirment for us. We have many more singles lined up and some really awesome shows on the docket. Recording has also really turned into a passion for us, so more writing and experimentation in the fall will be happening for sure. It's been such a great year connecting with new artists, old friends and just letting our passions in this project flow. It's been such a great vehicle for expression for us and I'm so grateful for my friendship with Dave. 

Dave: Not stopping! The only things that are next for us include more music, more shows, more merch and more content. I am also so grateful for my friendship with Tom, and we would like to thank everyone who has supported us so far!

Interview with Latewaves

By Deaglan Howlett | Posted Tuesday, May 18, 2021

Latewaves are a rock and roll band from Asbury Park, combining sweet melodies reminiscent of 90’s favorites with thoughtful lyrics and a heavy rhythm section. Their latest singles have been accompanied by fantastic music videos to promote their full length release out on Know Hope Records June 4th, 2021. Latewaves have been hard at work this past year, despite the obstacles bands were confronted with due to the pandemic. They will also be one of the first bands to break in the new Basie Plaza venue in Red Bank, NJ on 6/26 (Sold ! Out !). I reached out to the group to see how the last year has treated them and to reminisce on tour stories. Thanks again, Howie! Long live Latewaves!

When was your last show before the lockdown/switch to the year of the livestream? Did you anticipate a year off?

I think it was in February at the Wonder Bar. Well you were there, haha. That was a cool split 7” release show and we raised money for Wag On Inn Rescue. I had actually just adopted a dog from them just a few weeks prior, so that’s definitely a cool memory pre-COVID/year of the livestream. We had a week-long tour booked for the end of last March. The “postponements'' started rolling in the first week of March. We totally understood why, wanted to play things safe, but didn’t think too much of it. Figured we’d be playing those dates just a few months later once everything got better. Obviously, like everyone else, we had no idea how long this would last.

How has the pandemic affected your songwriting and overall process as a band?

I wouldn't say too much has changed. We all live within walking distance of each other. Our practice space is a few miles away. We write at home alone, we write together in the space. We did spend a few months not playing together or really seeing much of each other at all, to stay safe. Once we started to practice and write again (with precautions) it just felt the same. Definitely made writing new things even more exciting after not getting to play together for so long.

Your new video for "Enough is Enough" is great. Who did you work with? How did you all come up with the concept?

Hey, thanks! That video was our first experience working with our now amazing friend Kris Khunachak. I think we might have caught wind of him from the AP2 crew. A total cold-call-fingers-crossed-hoping for the best situation reaching out to him to get this video done. We gave him the song, and then a couple weeks later met up to hash out a concept. Kris had the “cable” idea (watch the video to find out what the hell that means) and we just kept rolling with it. It was a super fun video to make, and we’ve got a couple more things that Kris filmed and directed coming out soon! He’s so damn talented and we would not be in the position we are now without his help. It’s crazy to think we actually filmed that back in January of 2020, thinking our record would be out later that summer.

Your new album Hell to Pay comes out June 4th. Who did you record this record with? How did it affect your writing process, if at all?

We recorded Hell to Pay at The Barber Shop Studios in Lake Hopatcong, NJ. Brett Romnes engineered/mixed/produced and Vinnie Caruana was also a producer (both members of I Am The Avalanche, The Movielife). We went in there with a hell of a lot of songs. While we thought all of them were pretty much ready to go, they certainly helped us do a lot of re-working, trimmed some fat, and it really improved us as both writers and players. They are both masters of their craft and writing with them came so naturally. I’d like to think that you can hear that in the record. There’s some songs that we didn’t think would even make the cut that are now probably our favorites to play. I guess that’s a common thing band people say, but it’s the truth.

Do you have a favorite tour moment now that shows are coming back?

Wow, just reading “shows are coming back” gives ya chills nowadays. Personally, something I will never forget is the first night of our first tour. We were playing “The Shed” in Alabama. It was… a shed. We rolled up after driving straight from Jersey to said shed. A girl popped out of the house next door and said “You in latewaves? She’s closed. You’re playing in the kitchen. Come help me move the table.” So, yeah. We moved that table, and then played probably the best and most welcoming house show any of us have experienced. Shawna and I proceeded to get too drunk to blow up the air mattress so we slept in the van. We just never plugged the air mattress in. Mike woke up comfortably sleeping on a couch next to an open window. Then a bird landed on his chest and was just chillin’ inside. Perfect first night and first morning for our first tour.

Did you ever anticipate such a long break from shows? Have there been any positives with the time off?

I guess I kinda said it before, but no we never thought that it would go this long. I don’t think anybody did. Unless you’re literally an expert in pandemics (we are not). It definitely hit us hard, but we know we are very lucky. We’re coming out of this on the other side with our health and a record to put out. Just knowing the amount of friends and people overall in the music industry alone that don’t or won’t have work to go back to breaks our hearts. We’re in a good spot, and we hope that shows (safely) return and we can get the live music machine running again.

It’s hard to find the positives in all this time off, but we know that they are there. It gave us a chance to really put all of our efforts into making sure this record comes out in the way we intended. That’s tough to do from the road when you don’t have major label budgets and people. I mean, it took us a couple years just to make the record. It wasn’t because we wanted to stop and go home after a week. We had tours to go on, jobs to show up to in order to pay rent/go on tour, that whole thing. And we didn’t have to sleep on any strangers' beer soaked floors. But, I do miss that, too. Hopefully one day again soon!

You can keep up with all things Latewaves here and make sure you preorder the record HERE.

Interview with Christian Sparacio. New Music "About Time" and "I Melt With You"

By Deaglan Howlett | Posted Friday, April 23, 2021

Christian Sparacio is a singer-songwriter hailing from Marlboro, New Jersey. Since first releasing music on SoundCloud back in 2017, Sparacio has released ten new singles, playing shows to support the tunes. The two latest singles include an original, “About Time”, and a cover of the Modern English hit “I Melt With You”. I got to speak with Christian about his songwriting, producing a music video, and the talented musicians who worked on these tracks with him!

Who did you work with on your newest song “About Time”?

For About Time I worked with Rob Chiarappa at The Barbershop Studios in Hopatcong, NJ! Rob is a mad scientist producer with a crazy ear for pulling the potential out of a stripped down song like “About Time” and making it a production masterpiece. 

When did you write this song? 

I wrote “About Time” about 2 years ago between sessions of watching the movie About Time. About halfway through I got super inspired and wrote it, then about a month before recording I wrote the bridge section which was a cool testament to letting songs grow on the back burner. 

Did you approach this song differently from past releases?

I approached this song a bit differently because it was the first that I went all out on a music video for, and also had a way more experimental experience producing it. I sort of let my eclectic production taste speak in. this one and I am super happy with it. 

Who did you work with for the video? How did you find them?

I worked with Chantel Erin and Peter Dolshun on the video. I found Chantel via an Instagram ad for her production company, and met Peter through Chantel. We all quickly became friends and our creative processes meshed super well. Then we enlisted Clotilda Demauro as an actor through backstage.com and she, too, quickly became a friend. 

Who did you work with for the Modern English cover?

For the “Melt with You” cover, I stayed in the family and worked with Rob's brother Mike Chiarappa at DIMM Studios in Freehold, NJ! We wanted a more live sounding track, and I knew the simpler set up at DIMM and Mike's ear for feel would be perfect.  

What made you choose that song in particular to cover?

Well, I actually grappled and experimented with covers for a few months before settling on this one after my friend Jimmy suggested it. He put it perfectly when saying that the original song has heartfelt lyrics disguised by an upbeat 80's rock arrangement. This was my opportunity to match the music to the lyrics and deliver an authentic reimagination to pack a punch to the feels. I am super proud of this one. 

You can keep up with Christian Sparacio on his website.

Interview with MilkMan. Debut Single "Tuna For Dinner (FMHA)"

By Sonia Schnee | Posted Monday, March 22, 2021

If you’re looking for a catchy garage pop tune to carry you through the day, look no further than "Tuna For Dinner (FMHA)”, the debut single from indie artist MilkMan. MilkMan is the solo project of Eric Schwartz of the West Long Branch alternative rock band Malibu. Check out our interview with Eric (MilkMan) below, to learn how he’s been keeping busy during these unusual times.

What is your name, where are you from, and what do you do?

My name is Eric Schwartz, I'm from Maryland, and I'm currently a student at Monmouth University.

For first-time listeners, how would you describe your sound?

While I think I'm still trying to nail down my sound, it's currently kinda a mix of garage rock and indie pop. I call it garage pop, but genre names are meaningless so call it whatever you want.

Who are your musical influences?

I draw influence from garage bands like The Strokes and The Libertines along with more indie pop acts like Rex Orange County and Her's.

Congrats on the release of your debut single, "Tuna For Dinner (FMHA)"! Where did you record/who produced it?

FMHA was all recorded and produced by myself in my house. I dedicated a spare room to make a small studio setup which is where I recorded vocals, guitars, keys, bass, etc.

What's the inspiration behind the song?

I didn't really have any direct inspiration for making the song. One day I just wrote a chord progression, decided to record it, then it all went from there.

What inspired you to start this side project of “MilkMan”? How does it compare/contrast with your work as a member of the band Malibu?

While I love working with Malibu and making the music we put out, I've always wanted to dive a little more into the indie side of things. I also always wanted to challenge myself by self-producing and releasing my own music. MilkMan's music is a little more garage rock and indie, while Malibu's music tends to be poppier and more modern alternative rock.

What is your songwriting process like?

I start off almost all my songs just by messing around until I find a nice chord progression. Then I gradually add layers until I have a full instrumental. The lyrics usually come afterwards based on the vibe/sound I've created. Having said that, I do have a note in my phone full of lyrical one-liners I always pull from. My songs are usually based on personal experiences and emotions that I go through. Having said that, the "fuck my heart again" lyric was a reference to the final scene in The Sopranos, where Tony has a heart attack and utters those words as the screen cuts to black.

Do you come from a musical family or are you a trailblazer?

My family has always loved music, but I've really been the first to play multiple instruments and create my own music. When I was three and heard "Tomorrow Never Knows" by The Beatles, I decided right then and there that I wanted to become a musician.

What have been some of the highlights that you’ve experienced so far as an artist?

I'd say putting out my debut single was definitely a highlight. Not much else has happened after that.

What’s next on the horizon for you? What are you most looking forward to in 2021?

I'm currently working on producing my second single, which should be out around May (hopefully). I'm really looking forward to putting out more music as well as collaborating with others to expand my production portfolio.

If you could collaborate with any artist, producer, or musician -- living or dead -- who would it be and why?

I would collab with Scott Joplin, the king of ragtime. I've been looking to incorporate more ragtime into my music.

What words of advice or encouragement would you give to other artists — or really anyone — who’s trying to make it through and stay mentally healthy during this pandemic?

To quote Lance Armstrong, "Viva la Loca Vida"

Finally, where can people find you online?

Instagram: @milkmanmusic_ twitter: @eschwartz99. I have really good tweets.

Interview with Via Ripa. New EP "While It Lasts"

By Deaglan Howlett | Posted Wednesday, March 17, 2021

Via Ripa are a four piece rock outfit based out of Long Branch, New Jersey. Forming in summer of 2019, Via Ripa already has two EPs out; their latest “While It Lasts” was released 2/14/2021. Their blend of influences lead to a unique, energetic sound, with a familiar New Jersey attitude. Unfortunately due to the pandemic, after Via Ripa’s first three shows, venues were shut down and the group was forced back to their practice space. Luckily for us, the group has been hard at work and are showing no signs of stopping. I reached out to the band to see how they have been keeping busy in the wake of their latest release, as well as what is next for Via Ripa.

When did Via Ripa first form? 

Via Ripa: Mike and two of our friends (Sam Macpherson and Kyle Kieper<333) had started writing songs together and posting them on YouTube in like 2015/2016, and they called that Via Ripa, but only did that for about a year. Fast forward to the summer of 2019, and Matt, Mike and I (Sean) started jamming together and eventually got our drummer Nick in the mix. We got the okay from Sam and Kyle to use Via Ripa as our name in the beginning of 2020, but I guess you could say Via Ripa has been around for a little while. 

Who were your influences when starting the band, have those influences changed?

As far as influences go, all four of us come from varying backgrounds with varying interests in genres and artists.  Personally, mine (Nick) range from jazz artists like Louis Prima, Art Blakey and Benny Greb to bands and artists like Streetlight Manifesto, Jack Johnson, PUP, Vulfpeck and Led Zeppelin.  Sean was listening to a lot of Slaughter Beach Dog, Skeggs FIDLAR, bands like that, and Mike was on a big Jimmi Hendrix and The Smiths kick. Matt is more into blues and progressive, like Ariel Posen. That said, we feel that our sound is a result of all of these bands and evolves due to the wide variety of our own personal influences

When did you start writing for your latest release, "While It Lasts"?

Over the summer we sat down and kind of just wrote whatever popped in our head. I think in total we wrote 11 songs and ended up recording 10 of them in a two day span, with some over dubbing sessions in the following weeks. “Summer is Dead” was a reworked version of the song Mike wrote in 2015, but all of the writing for the “While It Lasts” was done in the summer.

How has the pandemic influenced how the band functions (i.e. practices, songwriting, recording)?

We had our first three shows in a two week span before COVID shut down live music, so it really sucked going from full steam ahead to doing nothing. We didn’t have practice for the first few months, but we slowly got back into playing and writing. I think the time away from practice for a little allowed us to write material in our own space and bring it to the band and then have it take a whole new shape and sound. The live music shutdown also changed the way we feel about releasing music. We could have put out a ten song album, or two five track EPs, but staggering our releases and creating anticipation for our next songs, that has really been the best way for us to present our music to people. 

Any bands you are looking forward to playing with once shows come back around? Venues in particular?

Sean — Loveseat Pete!!!!!!!!! And I would love to get back to The Saint and The Brighton [Bar], but House of Independents and any 4333 Collective show would be really cool, too. 

We would also love at some point to start branching out to NY, Philly, and Boston. Nick’s got a bunch of friends and bands out there from touring and school, which is pretty great.

How have you all been maintaining your sanity throughout the past year?

We haven’t. This band is full of neurotic basket cases who cannot be saved from themselves. 

Future plans/releases?

We have a direct-to-vinyl session with Leesta Vall on April 3, and we will be putting out another EP, 5 songs, in the near future.  We are also always writing and pumping out new songs, so at some point or another we will record those, too! But definitely give our new EP, “While It Lasts”, a listen.

Via Ripa is
Nick Marinelli — Drums
Michael Pinckney — Voc/ Guitar
Matt Smentkowski — Vox/ Guitar
Sean Cuddy — Bass 

Interview with Jonathan Francis. New EP "Borrowed Songs, Vol. 1"

By Deaglan Howlett | Posted Tuesday, March 16, 2021

Jonathan Francis is a singer songwriter based out of Asbury Park, New Jersey. Having cut his teeth in the New Brunswick punk scene with his band, The Moms, their 2019 split led Jon to start working on music under his own name. Jonathan released his “Borrowed Songs, Vol. 1” EP on March 10th, a mix of covers as well as an original, stripped down version of his own track, “Borrowed Song.” This first release is just a fraction of what is to come from Jonathan Francis, having recorded a full band release as well last year with his trusty producer Pete Steinkopf. Jon was kind enough to let me in on the process of making the “Borrowed Songs” EP and the importance of working harder despite the current circumstances. 

When did you first start releasing music under your name?

JF: The first official release was on November 2nd, 2020.  It was my version of Woody Guthrie’s “Tear the Fascists Down” which is part of my new EP, “Borrowed Songs.” I kind of pushed this track ahead of other stuff I’ve been working on because of what was going on in the world.

What was the songwriting process like for your new release "Borrowed Songs"?

The title track, “Borrowed Song” is one that I’ve had forever. I put together this EP which includes 3 covers that resonate loudly these days.

Woody Guthrie, a big influence on the “Borrowed Songs” EP. Listen to “Tear the Fascists Down” on Spotify.

Who did you work with on this release? How did they influence your process?

This one was just myself and Pete Steinkopf (The Bouncing Souls). It was Pete’s idea to turn the whole thing up and ditch the acoustic for the 335, and I’m glad we did.

How has the pandemic affected your songwriting process, if at all?

I’ve been keeping with it and trying to constantly expand my approach, but at the same time feel like I’m just drifting without progress. I know that’s not true, but it’s definitely easy to feel like time is stalled. We don’t do anything the same these days, so the milestones I used to make in my mind with a track are not the same as they once were. Additionally, the lyrical content has been focused in a different direction, naturally, as nothing is the same as it was pre-pandemic.

You released a cover of Woody Guthrie's "Tear the Fascists Down" late last year. Did you plan on digging up older songs for this project, or was that a spontaneous decision due to the state of our country at that point?

It just kind of happened. The songs are all from different decades. I guess they were just resonating with me particularly heavily due to the state of things. The idea to make an EP out of the songs came later. Each of the covers was its own endeavor when I started putting them together.

How have you been maintaining your sanity as a musician over the past year?

Well, I’ve been TRYING to maintain my sanity, but it doesn’t always feel like it’s working. It’s been hard but the three W’s help.... Weed, Water, & Willie. No, but for real, getting outside (even though the Jersey winter is no fun) and playing music with the same intention that I’d have if tomorrow was a show. It was easy to get lost for a while, time seemed even more fleeting, but staying focused on what I love doing makes it feel like there’s light at the end of the tunnel. Now, if I could just remind myself that every morning haha.

Any bands/venues you are looking forward to playing with when shows come back?

Too many bands to name, but where we will play is the bigger question. Punks are resilient, like cockroaches. There will be places to play, but it is a bit anxiety-inducing to wonder where, knowing that so many places have already and will close. It’s pretty scary to say the least. But we’ll be okay.

Photo by Abby Clare.

Idle Wave - "Party Guy" Album Release. Interview with Guy Battaglia

By Deaglan Howlett | Posted Wednesday, February 24, 2021

After their self-titled debut in 2018, Idle Wave are back with their latest release, aptly titled “Party Guy.” While the project remains spearheaded by singer-songwriter Guy Battaglia, he enlisted a new cast of fantastic musicians to help bring his ideas to fruition. This record includes the catchy melodies listeners will remember from their first release, adding a focus on Battaglia’s lyrics and vocals with the track's sometimes sparse instrumentation.  After a delay with the original release date due to the pandemic, “Party Guy” was officially released to the world February 19th, after much anticipation. I recently reached out to Guy to ask him about the creation of this new record and releasing music during a time where live shows are unfeasible.  

When did you first start writing for “Party Guy”? Are these all new songs?

“Party Guy” first began with the song “Home.”

In the Spring of 2019, I’d go for regular walks around my neighborhood, that of which were often accompanied by my own voice, humming along to the spontaneous melodies crafted in my mind. Sometimes these melodies would follow me all the way home, so I’d repeat them out loud and then store them as voice memos in my cell phone. Curating these melodies not only became as habitual as my daily walks, but a way to process my life experience during that time.

Having recently left a suffocating job, I was without a doubt relieved, yet perplexed by what was to come; the next chapter of my life dawned on me as an unsettling and haunting mystery. Through these revelations, I gathered my senses, sat myself down on my bed and pressed record on my phone. Beginning with a two-chord progression and an improvisation of lyrics, one of the spontaneous melodies came adrift. This voice memo would ironically be saved as “Home 44”, as it was one of the many drafts that my voice memo app would default the title name as my phone’s location.

After recording a raw acoustic version of “Home”, I sent the “Home 44” memo to Erik Kase Romero (The Front Bottoms, Stillhungry) and asked him to cut the track with me. Since we were overdue to work on a record together, Erik kindly accepted the project and I began gathering new material. Throughout the Summer, Erik and I reworked the two most Pop-Punk influenced tracks on the record (“Happy” and “Stay”) which were first demoed with Idle Wave’s former band members and respected friends — Joseph Enright, Matthew Herman, Kevin Houston, and Chris Russo. Even though these two songs were originally demoed elsewhere, they needed to be completely reconstructed with Erik to the styles of “Home” and the new Indie-Alternative genre that we were naturally gravitating towards. (You can hear the original demos of “Happy” and “Stay” when you download the deluxe version of “Party Guy,” only on Bandcamp).

By the Fall, most of “Diet”, “All Night”, “My End”, “Sex/Tape”, and “Space” were mapped out or tracked with Erik, and it only took a few more sessions into the Winter to finalize the album. In the several months that carried the recording process from Fall to Winter, we experimented with tape loops, shuffled between guest musicians, and even changed studio locations. Anyhow, as  “Happy” and “Stay” constitute as new songs, despite of their original format, “Sex/Tape” does not. “Sex/Tape” was borrowed from my former Alternative project “Flammable Animals” and was instrumentally reimagined to create a darker and deeper experience then it’s original counterpart, “American Counterpoint.”

For those who are interested, “My End” was the last song to be written for the album. Beginning as just another melody on the acoustic guitar, “My End” startled my own thoughts with feelings of nostalgia. I foresaw “the sounds of my childhood”, and reflected on the sounds of Indie-Rock bands from the 90’s. After listening to the final instrumentation back for the first time, I felt something indescribably large about the song; I knew I’d make it “track 7” on the album from that moment on.

Who did you work with when recording “Party Guy”? Have you worked with these people before? How did that affect the music?

This was my first time collaborating with Erik on my own music. For years I have sat in on sessions with him during college classes or when I was just hanging out at his studio and playing shows with him.

Erik and I were both determined to enter a realm of sounds I’ve never been a part of before. I was particularly inspired by Neutral Milk Hotel’s “In the Aeroplane Over the Sea” and how it was an acoustic driven record with distorted bass and raw drums that just took you away lyrically to a bizarre fantasy land. Although I went in not knowing what to expect, one thing was for certain; I wanted this to be a full-length record.

Featured musicians included either close friends of mine or other talented musicians that I had crossed paths with in the Asbury Park scene. Not only did Erik produce this record with me, but he helped craft bass lines, piano embellishments, and drum machines. I hired two incredibly talented drummers (one of which is a longtime friend of mine), and even did a vocal feature with my friend Brittany Byrne (singer of Skyeline). My long-term friend Samir Bunty Tawalare played drums on the latter half of the record while Chris Donofrio (formerly of Deal Casino), was commissioned during the early Summer sessions. 

How has the pandemic affected your songwriting process?

I’ve spoken to a number of songwriters I look up to who have been cursed with “writer’s block” this year. I am happy to say that has not happened to me (knock on wood). In fact, once we were given a go on proper public safety precautions, my friend Connor Hanson and I began meeting up to work on a follow up record over the summer.  

What has it been like setting up a virtual release show opposed to one in person? Any benefits/drawbacks you feel strongly about?

Honestly, nothing will ever beat a live show. In this Black Mirror era of civilization, live shows are where I meet the people that see the world eye to eye with me; the ones who don’t mind being alone on a Friday night and aren’t afraid to scream their heart out to their favorite songs.

I feel eternally grateful to all who have tuned in to our previous livestreams, and we are making a point to deliver this time; four 4K cameras, a new studio space, a full five-piece band, and some of the most exceptional musicians and engineers I have ever worked with.

Nobody is satisfied with the current state of things, but I’m beyond lucky and thankful for being able to get in a room with people and track 11 songs in one day for this supportive community to experience. I am not exaggerating when I say it blows away some of our previous streams.

Who will be joining you/playing with Idle Wave at the release shows?

For the upcoming ”Party Guy” release show, my extraordinary band will feature:

Connor Hanson (Cloud Hands)

Jon Chang-Soon (J C Soon)

Samir Tawalare (Talk to Plants)                                                            

Brittany Byrne (Skyeline)

Erik Kase Romero (Stillhungry, The Front Bottoms)

Personal favorite part of the record to you? 

I do love all eight of the songs, but “Diet” and “Space” are the ones I’m most excited for people to hear.

You can purchase “Party Guy” by Idle Wave here!

Interview with Andrew Gialanella of Shore Points Records, Asbury Park

By Sonia Schnee | Posted Wednesday, February 10, 2021

On January 29th, Shore Points Records, a new independent record label based in Asbury Park (housed at Lakehouse Recording Studios), released a compilation called “Shore Points Records: Locals Only Vol. 1” which features 10 NJ-based artists and bands - Sonic Blume, Lance Ambrose, 8dayzstr8, Drew the Recluse, stillhungry, Rick Barry, Jackson Pines, Phoneboy, Shoobies, and Georgia Owen.

Check out our interview with Andrew Gialanella, Manager, A&R of Shore Points Records, below, to learn about the label’s mission, how you can get a hold of their new compilation, and words of advice for aspiring artists.

What inspired the formation of Shore Point Records? What's your mission?

Shore Points was founded by Jon Leidersdorff (Lakehouse Music owner) and Rich Christina (SVP of A&R at Warner/Chappell Music). Jon, Rich, and I are all proud NJ residents, and we strongly believe in the musical talent here. The label's mission is to elevate local talent, and help up and coming artists of all types to grow and achieve their goals professionally and creatively.

Congratulations on the release of your “Locals Only Vol. 1" compilation! Where can people listen to it?

Thank you! You can listen to the compilation on all streaming services such as Spotify, Apple Music, Amazon, etc. There is also limited vinyl pressed.

How did you find the bands that are on it?

We found these artists through our personal networks, word of mouth recommendations from music professionals in our community, and through A&R research focused on NJ talent.

Do you plan on releasing more compilations in the future?

We plan to do more projects like this in the future, as well as put out new music from some of the great artists we've discovered since the label's formation.

What are you looking forward to in 2021?

I'm definitely looking forward to continuing to discover and meet more artists from the area, and hopefully continue to bring the NJ music community together.

What words of advice would you give to someone who wants to start their own record label?

My advice to anyone planning to start a record label would be to really gain a broad understanding of today's recorded music industry. Take a look at other independent artists and labels that are succeeding. How are they connecting with their listeners? And what is it about their release strategies that seem to be working? And most importantly, be patient and form relationships with great artists. As a brand new label, you have to invest a tremendous amount of time and effort into a select few artists who are just starting out.

What words of advice would you give to artists who are trying to survive and grow in NJ?

To any artists who are working to make a career out of music, just remember that you have more power today than you ever would have in the past. With digital distribution and streaming, the playing field is actually more level than it ever was. And you have more freedom to take risks, release more music, and connect with fans more directly. Take advantage of it! And of course, strive to make great music every day. Finding someone who will give you honest feedback on your work is invaluable (as uncomfortable as it might make you feel at first).

Finally, how can people connect with you?

People can follow us on Instagram, subscribe to our YouTube channel, and stream our compilation "Shore Points Records: Locals Only Vol. 1" on Spotify, Apple Music, Amazon, and more.

Interview with David Ross Lawn. New EP, "Nocturnes"

By Sonia Schnee | Posted Tuesday, February 2, 2021

“Contemplative composer & performer with a penchant for the ethereal” David Ross Lawn (Asbury Park) is about to release his newest EP, entitled “Nocturnes.” We interviewed David a little over a year ago about his debut release, “Songs of the Sun,” and got an introduction to his influences and aesthetic. Check out our interview with David, below, to learn about his newest collection of compositions as well as his hopes for the future.

You have a new EP coming out. What can you tell us about the title and the meaning and inspirations behind it?

Indeed! I appreciate the opportunity to discuss my upcoming project with you. Thanks so much! “Nocturnes” are compositions that evoke & interpret feelings of the night. Many composers (such as Satie, Liszt, Mendelssohn, Debussy and Chopin) created collections of nocturnes, often employing notably beautiful melodies on the right hand, with timbral and rhythmical elements on the left. I decided to compose & release a small collection of nocturnes this year as a creative response to the COVID-19 pandemic. The world feels like it is on pause, and now (more than ever) I feel it is our time to go deeper inside ourselves, to answer all of the questions in the silences of our solitude. Our time to find light when all else feels dark. The current situation in the world has led to the motivation and inspiration of this release.

Where did you record / who did you record with?

I enlisted the help of Connor Hanson to record and master my performances of the collections.

Each piece was recorded on a beautiful Yamaha grand piano in the Palaia Theatre of Ocean Grove.

How does your new collection compare/contrast with your debut EP “Songs of the Sun” (2018)?

Throughout the “Songs of the Sun” collection, I was exploring and composing about the architectures of the human condition with four abstract (yet vivid to me) interactions that all have a somewhat “daylight” approach to them — “rising” and “flying, floating, falling” taking place under dreamy morning skies, “sanctuary” exploring the notion of a safe place to awaken, and “a conversation between lovers” as something present and bright. This is a pretty stark contrast to this next release, since “nocturnes” are pieces inspired by “the night” — so naturally these have a darker tonality and approach. For instance, there was a storm happening while Connor & I were recording, and I couldn’t hold back my excitement to get organic moments of “the dark windy night” in my recordings. With the nocturnes. I’m hoping people can feel a similarity in the timbral qualities of my performance aesthetics, but also can resonate with the “change in seasons,” musically-speaking.

Can you explain the meaning behind one of your songs?

Certainly! The opening track titled “Luna” is a waltz, meant to be almost like basking in soft moonlight — whether with a lover, or with yourself & nature. It is an open-ended piece that has such subtle & delicate movement. Not necessarily “happy” or “sad,” it is what one feels when they are in vast open space with the beauty of nature, perhaps loneliness; perhaps feeling slightly more vulnerable and ultimately smaller in the world. This piece came into my musical awareness after a long walk on the Asbury Park boardwalk during the lockdowns. I took a late night walk to clear my head, and I found myself humming the melody (which oftentimes is part of my creative process for “finding the sound” — a lot of the time it will come to me while I’m in the shower or on a walk!)

What are you looking forward to in 2021? Personally and/or professionally?

I hope we regain some semblance of normalcy in the world. If and when that happens, I am excited to perform again in-person rather than via a live stream. I’m excited to teach my students in physical form rather than over Zoom. I’m incredibly excited to be able to get back into entering composition competitions when they start back up again, too, as my heart and head are very much artistically ready for new opportunities and moments.

Finally, where can people find your music?

My solo piano collections can be found at “David Ross Lawn” on all major streaming platforms!