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"Punk Rock Gatorade" by Shithead's Rainbow (Single Review)

July 10, 2018 Sonia Schnee
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MUSIC VIDEO PREMIERE. Click play to watch!

By Sonia Schnee | Posted Tuesday, July 10, 2018

On June 27th, avant-garde punk band Shithead’s Rainbow (SHRB) released a new music video for their single, "Punk Rock Gatorade," off of their most recent album, Ludlows.  Shithead’s Rainbow recently joined the Mint 400 Records family and has shows coming up on July 14th at the Clash Bar in Clifton with Huge Pupils (from Old Tappan, NJ) and CR & The Degenerates (Montclair), and July 28th at FM Restaurant Bar and Lounge in Jersey City.  The show on July 28th is presented by (The) Rock-It Docket in conjunction with Mint 400 Records.  SHRB will be joined by fellow NJ indie/punk rockers aBIRD (from Bloomfield, NJ), The Components (Jersey City), and Sink Tapes (New Brunswick).  

Ludlows was recorded & mixed by Ed Auletta at North End Recording in Passaic, NJ and mastered by Jesse Cannon at Cannon Found Soundation Recording Studios in Union City, NJ. 

So, who or what is Shithead's Rainbow? 

Their Facebook page may describe them the best:

"A musical 5 course:
Bayonne NJ trash
With Jersey City style
And Ridgewood cheese
And Newark bay broth
Served by our toxic sunset"

Band members include the multi-talented Claire Page (who produced and edited the "Punk Rock Gatorade" music video), Nicholas Maratta, Ryan Treppedi, Dan Nagano-Gerace, and Nick Jorgensen. 

Our take

"Punk Rock Gatorade" is both aurally and visually a force to be reckoned with.  Fresh out of the gate with infectious pulsating percussion and guitars layered over thought-provoking experimental tableaus, the energy builds continuously, with the tribe of SHRB beckoning you to come forth and join them in a wild and unearthly party.  You'll want to rock, mosh, and scream out the chorus all at once.  "Punk Rock Gatorade" is sure to become your fist-raised, calorie-burning "f*ck-it-all" anthem of the year.

Upcoming shows

7/14 at Clash Bar in Clifton NJ with Huge Pupils and CR & The Degenerates
7/28 at FM in Jersey City with A Bird, Sink Tapes, and The Components

Tags Sonia Schnee, Avant-Garde, Punk, Hudson County

Ser Xerri - "The Hype" (EP Review)

June 18, 2018 Sonia Schnee
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By Deaglan Howlett | Posted Monday, June 18, 2018

For fans of: “Weird Al” Yankovic, They Might Be Giants, Barenaked Ladies

Ser Xerri are an eclectic 4-piece alt rock group with a sense of humor.  Based out of Bordentown NJ, the group consists of Ser Xerri, on vocals and guitar, Brandon Broderick on guitar and vocals, Ryan Lesinski on bass and vocals and Tyler Chiara on drums and vocals.  The group’s latest effort, The Hype, is an infectious three-song EP showing how music does not always have to be “serious.”

According to their website:

“Hello, friends!  It has been less than one year since we began sharing our unique brand of Rock and Roll Music with the world, starting here in our own Bordentown, NJ.  From the very beginning, it became clear that we had created something special, and we are very excited to continue this journey with you all!  We have somehow found a way to combine all the things we love, funky grooves, ripping guitar solos, inside jokes, sky-high vocals, harmonized guitar lines, and tight pants, into one weird thing that simply is Ser Xerri.

Ser Xerri told me, “We’ve been a band for just over a year now, and we recently released our debut EP, The Hype.  It’s a 3 song collection of fan favorites.  The title track is a fun and catchy tune that pokes fun at the controversial connection between birds and dinosaurs.  It’s become our most requested song when we play live, and I just found out that it was played last weekend at an 8th-grade formal dance!”

A band for just over a year, they already found the formula for writing catchy tunes.  The group is tight, rhythmic and just as fun to watch perform as it is to listen to their recorded music.  All three songs on The Hype make you want to get up and dance around, a challenging feat for a newer band.  In a world where most bands demand to be taken seriously, I love how Ser Xerri just wants to make fun music that will put smiles on faces young and old.  Listen to the album here, and catch them in a town near you!

Tags Deaglan Howlett, Bordentown, Alternative, Rock, Burlington County

Interview with Dan Amato

June 7, 2018 Sonia Schnee
Listen on Spotify.

Listen on Spotify.

By Deaglan Howlett | Posted Thursday, June 7, 2018

For fans of: Bon Jovi, Paramore, Bleachers

Dan Amato and the Sentimental Gentlemen is a lively group that blends pop and rock in a way that is both captivating yet familiar.  While the music is high energy and original, I hear traces of hometown hero Bruce Springsteen, and relatively newer acts like Paramore.  This makes for an infectious sound, and their latest release, The Big Picture, is no exception.

Lead singer and guitarist, Dan Amato, was kind enough to answer some questions for me.  Thanks again, Dan!

What were your influences for this release?

As for the rest of influences [not listed previously], we made a playlist noting specific songs that had the biggest impact.

Any stories about particular songs?

The interesting thing about this record in terms of stories is that I worked backward in a way.  I had written 3 of the tracks scattered across the year that had all stemmed from a breakup.  I figured I could do something more with them and make them more a part of a broader idea, in this case placing them into stages of a breakup: Shock, Anger, Spite, Sadness, Acceptance, and Hope.

Who did you record with?

We tracked, mixed & mastered one half of the album with Gintas Norvila at Grand Street Recording in Brooklyn, NY and the other half with Adam Vaccarelli at Retromedia Sound Studios in Red Bank, NJ.

What is your songwriting process?

I’m still slightly struggling to call myself a songwriter, so my process is pretty skewed.  I’m super impatient, so I put everything into one song at a time -- whatever gets written gets recorded.  It starts with a horribly sung voice memo on my phone, which then goes into a logic demo session, gets sent to the band, [we] practice it and sometimes play live first, straight to studio.  For whatever reason, I’m only a perfectionist when it comes to writing because I’ve only written one song that has not been recorded.

Who plays what instrument?

I sing and play guitar (sometimes a little piano).
Nicole Govel does backup vocals.
JJ Fabricatore plays Saxophone.
Owen Flanagan plays Drums.
Jon Bass plays bass (funny enough).

Upcoming shows?

We’ve got our release show this Friday night, June 8th, at the Orange Lantern in my hometown of Paramus, NJ. [We're] playing The Chubby Pickle in Highlands, NJ on July 6th, The Soulsational Festival in Bayville, NJ on July 28th, another show at the Orange Lantern on August 11th,  and more to be announced. Show dates will be added to our Facebook, Instagram and Spotify pages!

~

Make sure you listen to Dan Amato and the Sentimental Gentlemen's latest release and see them live!

Tags Deaglan Howlett, West Long Branch, Pop, Rock, Soul, Monmouth County

Interview with The Cold Seas

June 6, 2018 Sonia Schnee
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By Sonia Schnee | Posted Wednesday, June 6, 2018

This Saturday, June 9th, Asbury Park-based dark alternative pop band, The Cold Seas, will be performing at the Metuchen Art & Music Festival in downtown Metuchen, NJ.  Then on Wednesday, June 13th, they will be performing with The Parlor Mob at The Saint in Asbury Park.  In March of this year, The Cold Seas released a music video for their newest single, "RETROGRADE."  Learn about the band's musical inspirations and magnetic vibe in our interview with Erik Rudic (guitar/keys), below: 

What's your name, where are you from, where are you based now? 

We're The Cold Seas from and currently located in Asbury Park, NJ.

Tell us about your music.  How would you describe your sound?  Where do you record?  Who are your influences, musically? 

We're an alternative electronic rock band.  We record at our practice space/studio in Asbury Park.  We're influenced by the Beach Boys, The Beatles, Nine Inch Nails, Radiohead, The Cure, MGMT, LCD Soundsystem, and many others.

What's the meaning or inspiration behind some of your songs?  How do you want people to feel when they listen to your music? 

Lyrically, our songs are moody, dark, and introspective and usually inspired by negative events in our lives.  We always try to find a balance between personal experience and relatability.  Musically, our goal is always to create the right vibe for the listener.  Lyrics are an important aspect of our songs but aren't always taken into account when we're working on the instrumentation and production.

How did you get started with music?  What's been your personal journey?  Are there any artists, bands, or producers who you'd love to collaborate with one day? 

We've all been playing music from a young age with the support of our family and friends.  The band has been constantly evolving since we started almost 3 years ago.  The Cold Seas has been a learning experience in many ways, and we've continued to fine tune our vision and goals as a band.  There are plenty of talented people we'd like to work with, but we're working towards being as self-reliant as possible.

What words of advice or encouragement would you give to someone who wants to follow a similar passion, or is maybe facing obstacles similar to what you've faced? 

Keep learning your craft and be persistent.

What's next on the horizon for you?  Do you have any shows coming up?  Plans for your next album? 

For now, our plan is to continue to release singles along with videos and making them available for free online.  We currently have no tours booked, but we're planning on filling our schedule for the summer.

Finally, how can people find you online?  Bandcamp?  Facebook, Twitter, Instagram, Youtube, etc.? 

We are everywhere.

Tags Sonia Schnee, Asbury Park, Alternative, Electric, Rock, Monmouth County

Interview with Artist Lucie Mullen

June 4, 2018 Sonia Schnee
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By Nicolas Palermo | Posted Monday, June 4, 2018

Lucie Mullen is a graphic artist from Middletown, NJ whose work has an animated quality -- both in a stylistic and literal sense.  Drawing inspiration from the movements and techniques of skateboarding, Lucie brings her doodles and tattoo flash-inspired illustrations to life by creating short animated clips that adorn her Instagram profile.

Don’t get it twisted, though -- Lucie is not limited to animation.  T-shirt designs, skateboard graphics, album covers, and posters are only a handful of projects that Lucie has tackled in the past few years.  Common motifs utilized but not limited to: smiling animals, tropical fruits, bones, teeth, and clinking beer bottles.  Ultimately, Lucie’s work exemplifies what many of us often forget is at the core of why we make art: it is limitlessly fun.

Where are you located in NJ?  Do you feel that the area you grew up in has had an effect on your artwork?

I grew up in Middletown.  Being close to the city and the shore is pretty sweet.  I have a few friends that have definitely inspired me to pursue my art as more of a career than a hobby.  Also, being so able to visit the city so often has been a huge inspiration.  I lived in Brooklyn for a summer and was around so many talented artists.  That definitely lit a fire under me at a young age and helped me see that my goals as an artist weren’t unachievable.

I think your use of clean lines and playful color schemes give your art an inviting personality, even if there are no words there to welcome us in.  Is it a conscious decision to create work that is not text-heavy?  Do the icons and little characters hold personal meaning, or are they created out of spontaneity?

Thank you!  I’ve always liked leaving my drawings super open-ended so that anyone could relate to them in any way they choose to.  They are definitely created spontaneously.  Most of the time when I come up with ideas they’re from me sitting around with my sketchbook and thinking of silly stuff that would be fun to draw.  I get a lot of inspiration sometimes from flash tattoo sheets, but I like to create my own spin on designs.

I wanted to talk about your animations.  Is animation a new realm of creating art for you?  What is the process like when making your illustrations come to life?

I learned how to make frame by frame photoshop animations a few years ago.  I put that aside as I really enjoyed just drawing with pencils and pens for a while.  But as of recently, I started to realize the great versatility in animation as a tool for my art.  Being able to make my drawings come to life and change color or explode within seconds has really opened up a new door for me.  They are also so fun to make.  I usually start the same way I do with most of my artwork, by making a bunch of doodles on a page and then thinking about ways they could transform.

I also like to take videos of my friends skating and draw over them to create a new kind of world they’re skating in.  It helps me get better at fluid motion in my animations, and my friends are always hyped on them!

How did your collaboration with Portugal. The Man come to fruition?

I’ve been in love with Portugal. The Man’s music for about 8 years now, so this whole experience has been an amazing ride so far for me.  In December, the Portugal. The Man instagram page started following me (as they did with a bunch of fans back then) and liked a few of my posts on my page.  John Gourley, their lead singer, runs the account.  He is really fantastic at fan interactions on social media.  I direct messaged the account and said I am a huge fan and would love to work for them in some way.  John immediately got in touch with me and was so positive and open to us working together.  Months later, he called me and told me about some ideas he had for animations for their shows.

A few days before their Coachella, I was asked to do some animation loops for their show.  I basically dropped everything (classes/going outside at all) to get my work in on time.  It was crazy seeing my animations on that huge screen, and I’m really excited to keep working with them in the future.  They are the kindest coolest band, and I’m so lucky to have had the opportunities that they gave me.

One thing I notice so often with artists in New Jersey is the importance of merging skateboard culture and visual art.  What is your background with skating?  Are there any skaters that influence you not only to skate but pick up a pencil?

I started skateboarding when I was 9-years-old.  I dropped it for a while as it was hard for me being the only girl out there.  Thankfully, I picked it back up in college and have made so many great friends from it.  Since skateboarding is another hobby that I truly enjoy, I love incorporating it into my artwork.  Art and skateboarding have been coexisting forever.  I’m always excited to see my friends creating new zines or video premieres because I know they are very passionate about their work.  I love the artwork from the skaters/artists Geoff Mcfetridge, Ed Templeton and Mark Gonzales.  They are huge inspirations to me.  Some instagram skater/artists that I also love are @funeralfrench, @cosme and @eloweeese.

Where can we find and follow your work online?

Instagram is my favorite place to post new work -- @lucidmullet.

My website is www.luciemullen.com.

Tags Nic Palermo, Middletown, Graphic Artist, Monmouth County

Just 6 Hours - Sober (EP Review)

June 2, 2018 Sonia Schnee
Listen on Spotify.

Listen on Spotify.

By Deaglan Howlett | Posted Saturday, June 2, 2018

For fans of: Yellowcard, Switchfoot, 3 Doors Down

Just 6 Hours are an alternative rock band based out of Lawrence Township, NJ.  They first caught my attention when MOTO Records sent me their latest release, Sober, which came out March 14th.  I really love what MOTO Records is doing right now, signing a lot of up-and-coming talent out of New Jersey.  MOTO Records' roster is made up of truly impressive bands, and Just 6 Hours is no exception.  Sober is a strong release that deserves attention.

According to their website:

“Just 6 Hours is an alternative rock band originally formed in 2014 by bassist Gordon Sine with fellow students from Music and Arts in Lawrence Township, NJ.  Lead vocalist/guitarist Seth Barnett joined the group in June of 2015 and the band is now based out of Asbury Park, NJ.  A shakeup in the band just before a gig at the Saint in Asbury Park resulted in the addition of Nick Marrotta and Anthony Giordano on lead guitar and drums in the spring of 2017.  With only three 2-hour rehearsals leading up to the Saint show, the reinvented band took the stage and performed a powerful set with only six hours of rehearsal.  Since that first show at the Saint, Just 6 Hours has performed at major venues across NJ including Boontunes, The Brighton Bar, The House of Independents and the Stone Pony.  Just 6 Hours' musical influences include Nirvana, Green Day, Yellowcard, Pierce the Veil, Black Sabbath, Metallica, and The Red Hot Chili Peppers.  The J6H sound includes lyrics that are thoughtful and emotional along with a combination of powerful rhythms supporting aggressive guitar driven melodies.”

In four short years, Just 6 Hours defined a sound that definitely sets them apart from the rest of their labelmates on MOTO Records.  Barnett’s voice sounds worn-in and like he has been singing his whole life, something that takes most vocalists a lifetime to achieve.  Marrotta’s leads are melodic and totally compliment Barnett’s vocals and rhythm guitar.  Giordano and Sine are as tight as can be as the rhythm section and provide the perfect backdrop for Marrotta’s leads and Barnett’s voice.  My personal favorite track is “Dan.”  This song really showcases Marrotta’s personal lyrics and the variety of dynamics the band is able to achieve.  Sober is a fantastic release for a group that has not been around very long.  I look forward to hearing what Just 6 Hours has in store for us in the future. 

Tags Deaglan Howlett, Lawrence Township, Alternative, Rock, Mercer County

Interview with The Mighty John Caseys

June 1, 2018 Sonia Schnee
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By Deaglan Howlett | Posted Friday, June 1, 2018

The Mighty John Caseys are a supergroup duo comprised of Joey Affatato of The Carousers and Johnny Ott of The Cryptkeeper Five.  Both Joey and Johnny are the frontmen of raucous punk bands, but with The Mighty John Caseys they decided to pick up their acoustic guitars and try their hand at folk music.  The sheer power of both of their voices together in a stripped down setting is everything fans of their respective bands could have hoped for.  The group was gracious enough to answer some questions of mine about their new project.  

How did you two decide on the name?

JOHNNY: My grandfather, Joey's great-grandfather’s, name was John Joseph Casey.  We were both named after him... John Joseph Ott & Joseph Casey Affatato

What were your influences for this acoustic project?

JOEY: For me, definitely singer/songwriters like Elliott Smith, The Everly Brothers, and Langhorne Slim.  Although, I love hearing punk bands like The Menzingers do stripped-down acoustic versions of their songs.  That On The Impossible Past acoustic record they have is pretty great.

JOHNNY: I agree with all of Joey;s choices... hmm... geez.

I think most of times I play with an acoustic act, it influences me somehow or another... AND there’s a lot of great local acoustic acts like Doug Zambon and Sammy Kay and Keith Monacchio and Brian Rothenbeck... I could go on forever...

Lately, I’ve been on an Avett Brothers-Brandi Carlile-Johnny Cash/American Recordings kick

What made you want to do an acoustic project?

JOHHNY: I like hearing songs in their rawest, purest form.  You can’t get more stripped down than a dude/or dudes and acoustic guitars.

JOEY: I’ve been on a “folk music” binge now for a while.  Listening to a lot of singer/songwriters and thinking how cool it would be to do something similar.  Specifically, though, I remember Johnny told me to watch that movie Inside Llewyn Davis.  He showed me a scene where it was just Oscar Isaac playing a folk song on stage at a bar.  I was pretty inspired, and it's when I knew him and I should start jamming.

JOHNNY: Such a great movie.

Do you prefer playing live in a loud punk band (i.e. The Carousers), acoustic, or are they two different worlds you can’t compare?

JOEY: It’s hard to compare.  I really enjoy having both projects since they’re so different.  It’s cool to be able to take influences of mine and apply them to both bands!

JOHNNY: I agree, I truly love doing both... I love all the bands I play in... but my heart lies with The Cryptkeeper Five.

What is it like to play acoustic music on a punk bill?

JOHNNY: It’s fun.  I guess as long as the crowd is good, any show is fun.

When can we expect recorded music?

JOHNNY: Soon?  I think?  We’re in the demoing stage right now.

Where can everyone see you live next?

JOEY: No upcoming shows yet, but stay tuned for more content online soon!

JOHNNY: We’re always down to play.  Hit us up at...

JOEY: themightyjohncaseys@gmail.com!

~

Make sure you like The Mighty John Caseys on their Facebook here to stay updated!

 

Tags Deaglan Howlett, Trenton, Acoustic, Folk, Punk, Mercer County

Interview with Artist Jill Carlock

May 25, 2018 Sonia Schnee
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By Nicolas Palermo | Posted Friday, May 25, 2018 

By painting images inspired by the reflections of light on objects, New Jersey-based painter Jill Carlock creates works that are not necessarily representational or non-objective.  Many of the outlines for the paintings come from shapes created by the light-reflections, but the radiant embellishments that layer over the outlines are purely from Jill’s imagination.  

The tropical colors Jill chooses to use coexist in harmony with the patterns and brush strokes to create a sense of rhythm.  But Jill’s paintings don’t all move to the same beat, as evident in the variations in forms and hues from one work to the next.  White paint is used sparingly, but its presence in the composition should not be ignored.

Like the very light that is the inspiration behind so many of Jill Carlock’s pieces, her work shines with energy, evoking memories of being a kid and seeing the colorful shapes that dance behind closed eyelids as you lay down in the sun.

Tell us a little about where you are from in NJ.  Do you enjoy living in that area?  Do you feel like living there has had an effect on your artwork?

I'm from Middletown, right in the center of the state near all the good beach stuff!  It was a really solid place to grow up, mainly because there were so many things to do.  Living here has influenced my work in terms of customizing surfboards and pretty much whatever I could get my hands on.  Driving down the street to a complete view of the NYC skyline also always keeps me motivated to work.  Of course, the beautiful sunrises and sunsets also make for instant inspiration.  Overall it is a great place to come home to, but it is definitely time to broaden my horizons and see what else is out there. 

What are your favorite mediums to work with?

I primarily fluctuate between oil and acrylic paint on canvas.  When I feel that I need to keep things moving and a change of scenery I'll turn to painting on griptape and other found materials at that given time.  I also enjoy playing around in the realm of textile design by using fabric prints of my paintings and incorporating those 3D elements into forms of wearable art.

To me, your artwork has a very free and vibrant personality.  Do you go into a project with an outline in mind for the painting or is it spontaneous?  Do you use a combination of both approaches?

Initially, I started using loose sketches that I made from light reflections on square pieces of plastic, reflective material.  With each painting, I began to develop my own sense of shape and composition, almost like forming my own personal vocabulary for my work.  Lots of trial and error, but eventually learning which shapes or colors go well together.  I'd say I use a combination as of right now, mainly because although there may be some shaped sections planned out, the majority of the time color is what I tend to have more freedom with.

I love the color schemes that you use for your paintings.  Who or what is your color inspiration?  What combinations of colors do you find yourself most attracted to? 

Thank you!  I have lots of inspiration from just being very fond of colorful things my whole life.  Bright color has always represented boldness and confidence to me.  The human eye just cannot resist it -- kind of like sweets.  Fruit, candy and desserts all share that one thing in common -- aside from a few gnarly trips to the dentist.  I find a lot of comfort in a nice, smooth gradient.  Dandelion yellow into a fleshy pink is most likely the most appealing to me at the moment.  I do enjoy more toned down, sexy colors like reddish browns, dark grays and burgundy. ;o

I’d like to know more about your griptape design work.  What was your introduction to skateboarding?  What is it about skateboarding that influences you to incorporate it into your artwork?

Skateboarding was very present while I was growing up, although I never truly stepped on to a board and gave it my all until these past couple years.  My brother was very into it, and we had a halfpipe in our backyard.  I did surf for the majority of my youth into adulthood, which took up most of my time aside from art.  I feel like skateboarding has a direct connotation to my work in more of a conceptual way.  It requires full confidence, commitment, and acceptance of failure.  I feel like that is the exact way that I feel when I am working and feel hesitant to make a big change where there is "no turning back."  It's all just a matter of pushing yourself.

Where can we find and follow your work online?

My website is www.jilliancarlock.com.
Instagram @jillcarlock

In The Arts Tags Nic Palermo, Middletown, Visual Artist, Painter, Monmouth County

Interview with Graphic Designer/Printmaker Tin Vu

May 25, 2018 Sonia Schnee
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By Nicolas Palermo | Posted Friday, May 25, 2018

Art and sports are not often discussed together.  However, creating art and playing sports share many similarities.  Sculptors and painters have studied the human figure for centuries.  There is a great deal of grace and beauty in the movements involved in a sport.  Similarly, artists utilize the human body’s physical capabilities when creating.  Look no further than Jackson Pollock wildly (yet equally methodically) flinging paint onto a naked canvas.

With this being said it is no surprise that Tin Vu, a graphic designer and printmaker from Cherry Hill, NJ  is able to blend his love of sports so easily with his art.  I spoke to Tin to get a better understanding of his influences and where he gets the concepts for his work.

Where are you located in NJ?  Do you like that particular area, or are you eager to move out?

I’m from Cherry Hill, NJ, born and raised.  I do actually enjoy this area and don’t mind living here, but I’m willing to explore other possibilities for my career as a graphic designer.

What mediums of artwork do you work in?  Which one is your favorite?

I have experience in painting and charcoal, but I primarily work digitally for my illustrations.  Occasionally, I also turn those illustrations into screen prints. Digital has quickly become my favorite medium because I have a flat color style that is much easier to fill in with on a computer than by hand.

I’ve noticed that you often blend themes of your love for sports (basketball) and music (hip-hop) into your creative output.  Is this something you’ve always done?  Does incorporating sports and music into your work come naturally or is it a conscious decision?

My love for sports and hip-hop leaking into my artwork is definitely something that I have always done just because it feels so natural.  When I’m given a blank canvas to create a piece that I’m passionate about and am truly invested in, my mind always drifts to the subcultures that I am a part of—which also involves breaking, urban dance, esports, and skating.

As a musician, I often gravitate toward certain albums more than others based on the album cover artwork.  Are there any particular album covers that you have always loved?

Some of my favorite album covers of all time include: Unknown Pleasures (Joy Division), The Devil and God Are Raging Inside Me (Brand New), The September Wind (Naoya Matsuoka), Coexist (The XX), Acid Rap (Chance the Rapper), Madvillainy (Madvillain), Wolf Deluxe Edition (Tyler the Creator), All American Trash (BROCKHAMPTON), Currents (Tame Impala), The Low End Theory (A Tribe Called Quest), and My Beautiful Dark Twisted Fantasy (Kanye West).  I could go on forever because I love album covers as an art form so much.

I really enjoy your screen printing work.  I believe that printmaking is an underrated method of creating art.  Is there a particular reason why you often choose to work with screen printing?

I work with screen printing so much because it makes so much sense to add the flat colors of my work layer by layer.  It really is an underrated medium that can go much further than just t-shirts (shout out to Dave).

Where can we find your work and follow you online?

You can find my work at tinvudesign.com, @tinvudesign on Instagram or facebook.com/tinvudesign.

Thanks for the interview, really enjoyed these questions!

In The Arts, Business Tags Nic Palermo, Cherry Hill, Graphic Design, Printmaking, Camden County

Little Man from the Radio - Wasted (EP Review)

May 4, 2018 Sonia Schnee
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By Deaglan Howlett | Posted Friday, May 4, 2018

For Fans of: Walk The Moon, The Shins, Cigarettes After Sex

Little Man from the Radio is the latest project from Newark, New Jersey’s Dave Barbosa.  The three-song project, Wasted, was released April 27th, 2018, and according to Dave's Bandcamp:

“Little Man from the Radio is the recording project of Dave Barbosa.  Following a rough breakup in late 2017, he pieced the songs on his debut EP as a testament to his experience and an homage to his ex-girlfriend.  Wasted is seven minutes of juxtaposition; exploring the beauty behind the sadness of a failed relationship.”

I found this project very interesting.  Unsure what to expect, I put in my headphones and pressed play.  The first track, ”Song for Afternoons,” caught me off guard.  The lyrics read more like a poem, and the samples made me think this was going to be an experimental art project.  However, the second track, “7 (feat. Danny Rascyzk and AGL Sounds)” is a brilliant pop song.  I can honestly see “7” being a hit that you would hear on the radio on a pop station.  While the track is catchy and makes you want to dance, the lyrics are somber.  To me, that makes the song all the more interesting, seeing how he was able to make a song with such sad subject matter a dance song.  The last song, “We (Feat. W0lf),” like the opening track, reads as a poem.  I really like how the opening and closing tracks are abrupt and urgent. The sense of urgency sounds like a run-in with an ex, trying to explain how you feel but not having enough time.

Wasted was tracked and mixed by Doug Gallo (Hodera, Take This To Heart Records) and Mastered by Sarah Register (Brand New, Yaeji, The Shins, Ariana Grande).  Make sure you listen to and buy Wasted here.
 

Tags Deaglan Howlett

Spotlight on Sniffling Indie Kids

May 4, 2018 Sonia Schnee
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By Deaglan Howlett | Posted Friday, May 4, 2018

I was recently hipped to the independent record label Sniffling Indie Kids, based out of New Jersey.  One of their supporters e-mailed me their current roster and links to the music, and I was sincerely impressed.  Wanting to know more about this label and how it started, I reached out to founders Eric, Frank, and Joe, and they were gracious enough to answer my questions.

When was Sniffling Indie Kids founded?

Sniffling Indie Kids was founded in October 2014.  Our first release was Space Jamz: 5 Bands, 1 Practice Space.  It was a compilation of the five bands who shared our practice space in Clifton, NJ, each contributing a song that wasn't available on any other release.  The label was founded in order to put out our own music and some of our friend's music under one banner.  Frank, Joe, and I have all been actively involved in bands since we were kids and that will continue probably forever.  The label has grown organically from that original goal.  We've released a lot of music since then, music that we truly believe is some of the best indie rock to come out in the past few years, even if it doesn't get as much exposure as some of the bigger acts around.

What was your initial mission statement?

Frank came up with the tagline "Tunes You Should Know from Yesterday's Tomorrow," which is just a roundabout way of saying music you should be listening to right now.  Music, like all things, is in a constant state of change.  Bands change and breakup.  If you like something, you should support it now because if it is still there tomorrow or next year, it'll inevitably be different than what it is right now.

Who is on your roster?

Mostly New Jersey bands.  We're an NJ label so we try to support local music as much as possible.  Some records we've released in 2018 include LKFFCT - Cayenne, Haunt Club - Volume One, Secretary Legs - Cool Myths, and Subtitles - Modicum.

What do you do for the bands (i.e. help with touring/press/physical copies, etc.)?

We provide digital and physical distribution (mostly CDs and tapes), radio campaigns, and press support as opportunities arise.  We don't promise bands the world and try to keep it realistic.  The artists that we work with understand DIY culture and get what we're trying to do.

What do you look for in bands?

All we really look for is the music.  If you're making music that the three of us (Joe, Frank, and I) enjoy or we think shows potential, then most likely we'll put it out.  If a band wants to work hard to promote it and tour a lot, that is greatly appreciated.  If not, we believe in the long run, the recordings are what counts.  If the music stands for itself, then that's really all you need to connect with people.  Great records can build up recognition over time, even if they are basically ignored upon release.

How can a band submit to be on your label?

They can reach out to us via email or Facebook.  At the moment, we're pretty jam-packed with releases plus the three of us work day jobs, but we try to listen to everything that comes through.

~

Make sure you check out their roster here, and support this quality, DIY record label.

Tags Deaglan Howlett

Interview with Artist Jenna Corso

May 4, 2018 Sonia Schnee
Shop online at Etsy 

Shop online at Etsy 

By Nicolas Palermo | Posted Friday, May 4, 2018

Jenna Corso is a visual artist from Belmar, NJ who channels her love of all things Mother Nature into hand-made jewelry and paintings. 

Art truly does imitate life, but in Jenna’s case, “life” isn’t used to define “life events” or “existence” but rather “life” in its most literal sense.  That is, things that are living, such as insects, snakes, and vegetation. 

There is a great deal of beauty in Jenna’s work.  Her eye for detail allows her insect-inspired jewelry to glow with a quality that resonates with art and nature-lovers alike.  I spoke to Jenna to get an insight into her inspirations, childhood and artistic process. 

Tell us about where you live in NJ.  Do you enjoy the environment you live in?  Do you think it has an effect on your creativity?

I live in Belmar, NJ.  I grew up 5 minutes from the beach.  Living in New Jersey has had an immense impact on my art since most of my subjects focus around nature.  You can go from hiking in the mountains to watching the sunset at the beach in the same day.  It’s the vast scenery and landscapes like this that continue to inspire me every day.

I have absolutely no experience with jewelry-making and very little experience with sculpture.  I am very curious to know what the process is when making your insect-shaped necklaces and rings.  What is the first step?  Where do you go from there?

Once I have my insect, I start by making a mold of it using a Jeltrate substance.  Once I have the mold, I can begin to pour melted wax into it.  When that hardens, I can cast the wax insect into any metal using the lost wax method and from there it becomes a piece of jewelry with some cleaning and polishing and final details.

I remember as a little kid I was obsessed with nature.  If I wasn’t outside catching bugs I was watching Animal Planet on TV.  I think that very young kids often gravitate toward things related to insects and animals because it sparks curiosity, and I find it inspirational that your love for living creatures is still a part of your life, as demonstrated by your artwork.  Did you have a similar experience growing up?  Has the general aesthetic of animals and insects always been something you take inspiration from?

Yes.  When I was younger I loved being outside.  I used to catch crickets in my backyard with my brother and turn over bricks to find roly-polys.  I always had a fascination with nature.  As I grew older I lost that interest in bugs until one day, while I was walking to work, I found a dead cicada.  I remember standing on the sidewalk with a dead bug in my hand thinking how underrated its beauty was.  While most people are repulsed by bugs, it became my mission to show just how beautiful they can be.  I thought, “how can I repurpose this and give it a new life?” and that is how it all got started.

Do you own any pets?  Have they been the subject of any of your works of art?

I do.  I have a pug who is the subject in many of my photos.  He sits so patiently in front of the camera.      

Where can we find your artwork online? 

My website is https://thelemunhed.wixsite.com, and I’m selling on Etsy @thelemunhedjewelry.  I post photos of what I’m currently working on @thelemunhed on Instagram. 

In The Arts, Business Tags Nic Palermo

Lowlight - Born to Run (EP Review)

May 4, 2018 Sonia Schnee
Listen on Spotify | Bandcamp

Listen on Spotify | Bandcamp

By Deaglan Howlett | Posted Friday, May 4, 2018

For fans of: The Pretenders, Bob Dylan, The War On Drugs

Born To Run is the latest, well-anticipated release from Asbury Park’s Lowlight.  Since its release in March, the group has received rave reviews on the EP, and they have even gone on to tour with The Pretenders.  I immediately fell in love with the release, especially having seen some of these songs played live before its official release.  Born To Run is a trip, blending country, folk and synthpop into one emotionally charged release.

I will admit, Lowlight’s use of “Born To Run” for this release initially threw me off.  Being a massive Bruce Springsteen fan myself, I was borderline offended.  “How dare they take the title from one of MY favorite albums!” I yelled to myself, all alone, like an idiot.  It was not until I put in my headphones and sat down with the album and gave it the time it deserves that I began to understand the ode to such a magic title.

Like Springsteen’s Born To Run, this EP has a similar escapist mentality.  “Can't Stop Now” is a perfect example of the group’s unbreakable spirit.  The passion singer Renee Maskin is putting forth is absolutely intoxicating.  The band’s energy on this track is relentless, steadily building up until the last 40 seconds.  When the song finishes you can finally catch your breath, grab your keys, and get in your car and start driving, with no real destination in mind.

If you love this album as much as I do (and I’m sure you will), you have to make sure you get out and see these songs performed live.  Their live shows add an entirely new element to these songs, and there isn’t a band I look forward to performing in Asbury Park more than them.  When I asked lead singer and guitarist, Renee Maskin, what Lowlight had in store for summer, she told me, “We're working on our summer show and touring schedule, and we're also writing the next record which we hope to start recording this summer.”  Make sure you check out Lowlight live this summer and keep your eyes peeled for a new release!

You can stream Born To Run here or purchase it here.


 

Tags Deaglan Howlett

Interview with Artist Zachary Cavaluzzi

May 4, 2018 Sonia Schnee
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Copyright Zachary Cavaluzzi

By Nicolas Palermo | Posted Friday, May 4, 2018

         For decades, comic book art was considered “low brow” -- that is, the artwork used in comic books, no matter how beautifully drawn and inspiring, is not “real art.”  This mindset has (sort of) changed over the years, largely in part due to authors and artists like Allen Moore, R. Crumb and Art Spiegelman who displayed the brilliance of telling stories through the medium of comic books, or graphic novels.  Still, art historians constantly ignore the importance of comic book art in the grand scheme of art history.  To these art snobs, I say: your loss!

         Something tells me local comic illustrator/author and multi-media artist Zachary Cavaluzzi would agree.  Being able to tell a story -- a GOOD story -- through both words and art is not an easy task, but to Zac, it seems to come naturally.  I spoke to Zac about his creative process, his inspirations and what we can expect to see from him next.

Where are you based in New Jersey?  Does that particular area inspire you or are you eager to relocate?

Middletown is a low-key suburban commuter town that has frequently influenced my art.  I see lots of really interesting stuff happening in Middletown, like a growing art and music community and a pop cultural vibe that fluctuates between love for Kevin Smith movies and Bruce Springsteen.  In my comic, Exodus 420, I used Middletown as a motif to emphasize the characters' current situation of being in the "Middle."  The story is a coming-of-age horror slasher reflecting on technology and drug dependency.  I might relocate to the city eventually but until the graphic novel is done I don’t plan on leaving.  Exodus 420 is part 1 of 4, and I’ve just finished up the inks for part 2.

Talk a little about your comic creating process.  What is the first step after you come up with an idea?  What comes after that?

The idea usually starts as a demented joke that goes way too far and develops arms and legs and learns to walk on its own.  Eventually, it learns to talk, and that’s when I start to see things.  First, I like to start with rendered character designs/style pages, then structure/rough-write a story and draw.  After that, it’s a dance with Photoshop.

I tend to get turned off by comics that are overly text heavy -- but funnily enough, reading comics can get boring if they rely solely on the artwork.  You work has a great balance of these two elements.  Is this a conscious decision?  Do you prefer the writing process or creating the illustrations?

Thank you, it was something I was very conscious of.  I never really considered myself a writer until I started drawing comic books.  It has made me very conscious of integration of text and image because it's arguably the most important part.  While drawing out the main inks, I usually leave out the speech bubbles but leave breathing room in the panels.  This allows me to fuss with the positioning of speech bubbles while not locking me into a must-follow script.  Once the first writing draft is done, I begin writing a visual narrative that follows the writing based on structure, but the dialogue is mostly separate and changeable.  I so much enjoy the drawing/coloring part more than writing, but when they come together, that’s the best feeling.

I remember reading MAD Magazine as a kid and thinking “this is so weird, and funny, and gross.”  That was my “light bulb” moment.  I had never seen artwork like that, and I was immediately hooked.  Did you have a similar moment growing up with comic books?  What were the first comics you became engrossed in?

Mad Magazine is a monumental influence on me.  In many ways, it was also a light bulb for me as well.  Mad introduced me to pop-culture through movie satire strips and political criticism, in addition to structural themes of duality in Spy vs. Spy and existential crisis gags in the Lighter Side/Darker Side strips.  Those Mad compilation books were the first comics I became obsessed with, followed by Calvin and Hobbes and The Tick.  In middle school, to better understand the comic’s flow and develop my visual eye, I would rip off funny miscellaneous strips from Mad, draw them out, and put them in the school newspaper.  It wasn’t until I read the works of Allen Moore and Frank Miller that I understood the strength comics can have with storytelling and how similar it is to cinema.

What projects are you currently working on?

I am currently in the midst of the first illustrated/word draft of a series (to be turned into a graphic novel) called Tales From My Dad’s House.  The title is a spin-off of Tales From The Crypt, another huge inspiration.  I released part 1 (Exodus 420) in October of 2017 and will release part 2 (Void) in October 2018.  I’m also working up new large-scale tape art pieces to be displayed.  I will be showing my work at the Restart the Arts Festival on April 21st, Ocean Academy.

Where can we find your work online? 

I have an online comic and a gallery viewer of most of my tape art on my website as well as a 5-page preview of Exodus 420.  Thanks for the interview, Nic.

Website: bardotnj.com

Instagram: @bardotnj // @snapchatisevil

Etsy: bardotnj

In The Arts Tags Nic Palermo

Interview with Stylist Pamela Etzin

April 25, 2018 Sonia Schnee
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By Sonia Schnee | Posted Wednesday, April 25, 2018

Northern New Jersey wardrobe stylist Pamela Etzin is the owner of An Eye for Detail.  Pam dedicates herself to helping women and men look and feel their best, through clothing choice and closet organization.  To learn more about Pam's services, her personal journey, and words of advice, see our interview below. 

What's your name, where are you from, where are you based now? 

Pamela Etzin.  I am from Buffalo, NY, and I live in Morristown, NJ. 

Tell us about your business. Who do you serve? How would you describe your approach? How do you want people to feel when they've used your services? 

I am a Wardrobe Stylist, and I offer closet edits.  I dress and teach women and men how to feel more confident in their clothing by learning what styles suit them best, based on their lifestyle, body type, comfort level and budget.  My approach is very simple and not fussy: we all want to feel the best we can when we put ourselves out there, and of course, 1st impressions matter a lot. 

I also believe in having the right clothing in a well-organized stress-free closet, so I begin with editing closets to bring into vision what a client truly likes and feels good in, and we create from there.  The things we never wear are negative messages to ourselves, so I believe in getting rid of and creating the new.  There is no need to keep stuff that is never worn. 

We live in a visual world and how we present ourselves speaks volumes in terms of strength, confidence, tidiness/details and self-esteem.

How did you get started? What's been your personal journey?

My story with clothing started as a child in a household that always dressed well and looked professional.  Even as a little girl, I learned how to gain respect and admiration by always being neat and properly dressed (sometimes even too much. However, my father knew the "power of perception and the role clothing played.)  I moved to NYC to work on 7th Avenue in the garment center at age 20 and knew how much I loved fashion and seeing what a role it played in people's lives.  I worked in many showrooms with all different clothing types, but my favorite parts were the relationships I created with my clients and customers when I performed trunk shows throughout the country.  My passion has always been style and empowerment, so doing this I was able to bring both passions together.

Are there any other businesses, artists, entrepreneurs, or style icons who you personally/professionally look up to? 

I adored Natalie Wood and Audrey Hepburn for I think obvious reasons.

What words of advice or encouragement would you give to someone who wants to follow a similar passion, or is maybe facing obstacles similar to what you've faced? 

My advice is to find your niche in your passion.  I am very different from most stylists because I truly sense who someone is through my exceptional intuition, and I want them to really grasp what works, and how to build a wardrobe from the bones to the body and always try something new because most often the only thing that is stopping them is fear.  You must be open and try things on.

What's next on the horizon for you? Do you have any events coming up? 

I have speaking engagements coming up.  Always looking for more!

Finally, how can people find you online? 

Website: eyefordetailnj.com 
Facebook: AnEyeForDetailNJ
Instagram: @AnEyeforDetailNJ
Pinterest: https://www.pinterest.com/aneyefordetail1

In Business, Services Tags Pam Etzin, wardrobe stylist, personal stylist, personal shopper, fashion

24 Hours of Live Music - South Orange, NJ

April 19, 2018 Sonia Schnee
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By Gregory Burrus | Posted Thursday, April 19, 2018

LiveMusicBender - 24 Hours of Live Music Festival in South Orange New Jersey

From Noon on May 5th Until Noon on May 6th

Join us for 24 Hours of Creating Live Music Across South Orange NJ.  Musicians of various musical genres across Northern Jersey will converge upon South Orange, NJ and join in making music, having fun, all day, all night while supporting the ArtBender weekend.  ArtBender is a series of creative events that raise funds for Arts Unbound programs and promote art in our daily lives. This 24 Hours of Music Festival of Live Music is a Voluntary Event where you are invited to come on out and make Live Music in the heart of Downtown South Orange, New Jersey. If you are interested in playing, it can be a half hour. an hour, 2 hours or help us out and play from 2AM to 5 AM, You let us know what you are thinking and what time you want to play.  We will use a few selected locations around town, it’s purely voluntary and you will help raise funds for a worthy cause.

Invite your friends and neighbors and have an overnight party in Spiotta Park or join our Karaoke party during the day in Spiotta Park. Want to sing along with a DJ and showcase your talents, your band then this is for you? Want to conduct a drum circle, sing outdoor early Sunday morning with your choir? You can also sing solo with your tracks.  Want to sing a tune outside your favorite South Orange store? All ideas and genres of music are a possibility. We will have a few venues, or you suggest a venue to use.

Contact Gregory Burrus via FB Msg or Send an email to 24hoursofmusicsouthorange@gmail.com

 

Tags Gregory Burrus, Gregory Burrus 2, Gregory Burrus April 2018

Designing a New World, Opening Reception (April 19, 2018)

April 15, 2018 Sonia Schnee
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PRESS RELEASE

DESIGNING A NEW WORLD • SENIOR THESIS EXHIBITION
Opening Reception: Thursday, April 19, 2018, 2:30 - 4PM
Fine Arts Gallery, Mac Mahon Student Center, Fifth Floor
Exhibition April 19 – May 10, 2018
Saint Peter’s University
Jersey City, New Jersey 07306

Saint Peter’s University is the Jesuit University of New Jersey. Saint Peter’s Campus is
conveniently located near the PATH Trains and can easily be reached by public transportation.

DESIGNING A NEW WORLD exhibition showcases Saint Peter’s University’s finest 2018
Graphic and Visual Arts Seniors. The works exhibited are created in computer programs, Digital
Photography and Natural Media.

Brigitte Arroyo is a dedicated graphic designer, web designer and illustrator. She loves to learn
new techniques to improve her designs. She hopes to one day pursue a career in animation and
bring to life her vivid imagination.

Aaliyah Closs is a driven artist who loves to stand out with her art. She inspires to be versatile in
her art by using both natural media and graphic design. Her insight on art is unique and her
future is bright.

Pabel De Jesus is an excellent photographer and graphic designer, who excels in portraits and
layout design. He is currently laying out for Saint Peter’s University publication The Pauw Wow
and worked on production and creative design for The Pavan. His goal is to pursue a career in his
love in both photography and graphic design.

Jessica Dominguez is an upcoming graphic designer that is hoping to experiment with different
types of design such as branding, advertising, as well as the wedding and music industry. She
aspires to grow and meet new people that will be able to broaden her passion for design.
Leonardo Flores is an ambitious graphic designer and artist who is obsessed with thinking
outside of the box. From branding, designing, and layout, he enjoys viewing things through an
abstract lens. He aspires to work in the arts department within a large corporation gaining
experiences, knowledge, and skills to further his style and image as an artist.

Christian Guzhnay is inspired by many cartoons from his youth which led him to decide in a
career in art. He would like to use all he has learned to make the world see what he is capable of
with his camera. He would like to impact the gaming industry and the world with his work. He
wants to grow, improve his art, and learn more from many people he meets.

Celina Marzullo is an aspiring graphic designer who is enthralled by layout design.
She takes on any and all projects with curiosity and excitement, hoping to make a mark in the
competitive art world. Her aspiration is to work in layout design for well-known fashion brands,
combining her love for design and fashion.

The press and the public are cordially invited to attend.
The Gallery is free of charge and open to the public everyday from 9 AM to 5 PM. For more
information contact Professor Mady at bmady@saintpeters.edu, 201.761.6484.

Interview with Ben Morss (Ancient Babies)

April 15, 2018 Sonia Schnee
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By Sonia Schnee | Posted Sunday, April 15, 2018

Last month, northern NJ "prog-theater-dance-indie-rock" band Ancient Aliens released their new album, Put Me back in the Sunshine, on Mint 400 Records.  Check out our interview with mastermind Ben Morss below to learn more about their unique style, the inspiration behind some of their songs, and more! 

What's your name, where are you from, where are you based now?

My name is Ben, but my friends simply call me “Ben.”  I was born and raised in a little place called Hades, and believe me, it was Hell.  I’m now based somewhere off the Islets of Langerhans, just south of your pancreas.

Tell us about your music. How would you describe your sound?

Our songs are an unholy alliance between the spirit of punk rock, a pile of analog synths, and the need to stand up and scream while experiencing great beauty.  We have a determined belief that quality eventually wins over easy stylistic pandering and a secret hope that once in a while we succeed in creating that quality.  We know some people crave music that yearns to be smart -- that’s packed with lyrical and musical details that reveal themselves gradually, over many listens.

What's the meaning or inspiration behind some of your songs? How do you want people to feel when they listen to your music?

“Get Me out of this Party” is an industrial-strength dance song about other annoying dance songs.

“Rolling like the River” is our reaction to the rise of well, You-Know-Who.  It’s an old-fashioned protest song that depicts our movement as something whose success is inevitable, which I think it is.  I do think a small band of racist right-wingers have succeeded in duping a bunch of somewhat decent people into voting against their self-interest, but this is the last gasp of an old way of thinking, which will soon fall into the dustbin of history.  Just look at what happened with Pete Wilson and the Republican Party in California in the 90s.  Diversity’s here to stay.

Generally, we’re hoping our songs will open your mind and your heart, not necessarily in that order.

Tell us a little bit about yourself. How did you get started with music? What's been your personal journey? 

Ancient Babies is a supergroup started by five seasoned session musicians who cut their molars laying down beats for superstars like Selena Gomez, Kanye West, the Beatles, and Mozart.  They met on the International Space Station while foiling a plot to kill rock 'n' roll.  The Babies draw inspiration from Baltic flugelhorn chants, late poems by Hafiz, and the quadratic formula.  Led by noted lumberjack Ben Morss, their sophomore effort “Freshmen No More” rocketed to the top of the charts a week before it was released or recorded.

What words of advice or encouragement would you give to someone who wants to follow a similar passion, or is maybe facing obstacles similar to what you've faced?

Follow your dream vigorously and fearlessly -- but there’s no shame in having a backup plan :)  Don’t obsess, but if you aren’t spending at least a month writing your song, you aren’t trying hard enough.

What's next on the horizon for you? Any upcoming shows, singles, music videos, or plans for the next album? 

Along with this album, we just recorded a cover of “The Heart Will Go On,” but without once listening to the original or using most of the original lyrics, chords, melody, or arrangement.  This was fun and we’re planning a whole EP full of similar non-cover covers.

Finally, how can people find you online? 

Do not attempt to find us!  But if you must, then here are some ways:
http://ancientbabies.com
https://www.facebook.com/ancientbabiesmusic/
http://twitter.com/ancient_babies

And you might also like http://onwardchariots.com.

Interview with Neville's Quarter

April 15, 2018 Sonia Schnee
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By Sonia Schnee | Posted Sunday, April 15, 2018

Earlier this year, urban folk fiddle/guitar duo Brian Moyer and Lex Headley, known as Neville's Quarter, released a new single entitled "This Little Old Home."  While currently based in North Carolina, both artists have NJ roots.  Check out our interview with Brian and Lex below to learn about their travels, musical style, and the inspiration behind some of their songs. 

What's your name, where are you from, where are you based now? 

Brian Moyer:  I grew up in Medford, NJ in the pine barrens and went to college at Montclair State University where I first started playing guitar at the age of 20.  In 2014, I moved to Chapel Hill, NC.  I was drawn to NC for many reasons, specifically for the lower cost of living, the beautiful weather, and for the music-friendly culture there.  The music scene in Chapel Hill was exactly what I needed to revitalize my own music.  I still am deeply tied to New Jersey.  I visit friends and family there as often as I can and try to play there as often as possible.  

Lex Headley:  My tag for the ‘where are you from’ question is usually “Hi, I’m Lex from Lexington, MA.”  I moved to New Jersey in 2005, however, and then back to Massachusetts, and from there bounced around New York during my college years.  So I haven’t lived in Lexington, MA for over a decade now.  My Master's degree in Nutrition from Columbia University took me to the University of North Carolina where I live now.  I moved to Chapel Hill to start a path to obtain a Ph.D. in Nutrition, but then I met Brian and started being more involved in music.  It took me into a reawakening of how important music performance and composing is to me.

Tell us about your music. How would you describe your sound? Where do you record? Who are your influences, musically? 

We most often hear from people that Brian sounds like Cat Stevens.  Lex has a classically-trained voice but has geared herself into more of a folk style of singing.  We try hard to make each song sound a little different, but when asked, we like to say that we are Urban Folk music.  Right now we are working on fine tuning our weekly live show, and we currently do all our recordings at home.  We are releasing one single at a time, on a monthly basis.  As far as influences go, we obsess over Punch Brothers music, but our writing has been deeply influenced Bob Dylan, Sara Bareilles, and Old Time & Bluegrass Tunes.  As far as inspiration goes, Brian leads a songwriter's circle in Carrboro, NC which is sponsored by the NC Songwriters Co-op.  We have found that many of our current goals and music ideals have been shaped and influenced by the people and music of that songwriter's circle.

What's the meaning or inspiration behind some of your songs? How do you want people to feel when they listen to your music? 

To give a very specific example, Brian has written a song called "It's A New Day" after attending a convocation speech for his work as a Teacher Assistant at a local elementary school.  The song is meant to reflect what the convocation was about; putting courage in others and believing in one another.  The song came very easily because it is a song that a lot of our music, as Neville’s Quarter, also represents.  A good portion of our songs is about finding courage, chasing your dreams, and getting people inspired. You’ll even find inspiration for gardening and housekeeping!

We have one song that is very important to us called “This Little Old Home,” written about the house that Lex’s parents in New Jersey have recently inherited.  It is situated on many acres of farmland in the middle of suburbia New Jersey.  Originally, the land had a beautiful orchard of apple trees, grapes, raspberries, and a huge lush flower garden. The farm was full of life with buzzing beehives and crowing chickens at one point.  This family home and the garden still stands today, but it is all beginning to fall apart due to relentless aging and an inability to maintain the grounds.  The song is about bringing it back to its glory days, back to how it was when the grounds were maintained and so full of life.  The main farm is still operational and we love to take walks around the grounds when we visit.  So, you’ll find a lot of songs like these from us.  We enjoy the thought that we may be giving light and hope to those who might need it most through our music.

Tell us a little bit about yourself. How did you get started with music? What's been your personal journey? Are there any artists, bands, or producers who you'd love to collaborate with one day? 

Lex:  I have been studying music since my mother (and mother’s students) permitted me to stay-in on lessons, cradled in a bassinet by the piano.  I was playing Bach Minuets on the piano by Kindergarten, started violin lessons by 4th Grade, and joined an opera company in high school.  Theatre and music have been an important recreational activity throughout my life, and it brought me to audition as a vocal performance student at Syracuse University in 2007.   I will cherish those years I had as a music student there, at the Setnor School of Music, forever and ever.  The knowledge I gained there, of stage performance, music theory, and ear training have proved to be incredibly helpful as a songwriter today.  I am a bit ashamed to admit that I dropped out of my music program in 2009 to pursue a career in health sciences.  Of course, I didn’t have it in me to stop the private voice lessons or piano lessons while still in college, but it did take me in an entirely different direction.  It has been quite a journey for me to return to music as a career choice, but I am so relieved to return to it.  Feeling now more prepared and matured to face its challenges, I am giving it everything I’ve got.  Ironically, I am finding ways to combine both my Nutrition degree and music.  Through my podcast Keeping the Triangle In Tune, for example, I am aiming to ultimately start an educational program for kids incorporating music full of nutrition lessons.

Brian:  I have always had a love for music and lyrics; though perhaps more for lyrics than the music, at first.  I was critically obsessed with rap and hip hop music growing up and then in my late teens and early twenties, I started opening up and listening to other genres of music.  When I started listening to other music, I was kind of surprised by how much I already knew because of the amount of sampling that Hip Hop and Rap uses.  In college, I learned how to play the guitar so I could start putting lyrics to music.  That also was when I started down the Bob Dylan rabbit hole that has essentially guided me to the wide spectrum of music genres that I listen to today.  

Both:  We would both ecstatically jump the stratosphere if Billy Strings ever appeared to lay down some guitar licks to some Neville’s Quarter tunes.  We are a huge fan of his music and have been following him on YouTube.  Also, as mentioned above, we are obsessed with the Punch Brothers band, which also has brought us to never miss a Live From Here show.  So, naturally, it goes without saying that we dream of one day collaborating with Chris Thile and the Live From Here band.  We already are enjoying collaboration with all our musical friends here in Chapel Hill though; we envision building our own scene here that people talk about, ultimately to bring more people together for collaboration.

What words of advice or encouragement would you give to someone who wants to follow a similar passion, or is maybe facing obstacles similar to what you've faced? 

Making a music career is a hustle for sure… one can’t ever be afraid to step up to the plate and just make it a priority to actually do what it takes.  A person needs to send 20 e-mails to get one or two responses; welcome the rejections, at least the attempt was made!  Just contact them again a month or two later and keep hustling.  Find open-mic and music circles.  Jam with people everywhere you can, make music with other people at least once a week.  Find others to play music with, in whatever way you can.  Musicians need these types of interactions; it will widen the perspective of your music-world and improve your performance ability.

What's next on the horizon for you? Do you have any shows coming up? Plans for your next album?

We have a busy summer ahead of us.  We are mainly performing around North Carolina at a bunch of the local venues, cafes, festivals, etc... We will be spending some time in New Jersey and Cape Cod, MA this summer and hope to line up a gig or two while we are there.  Our plan for recording plan is to continue to do our home studio recordings.  We’re saving all our money from live performance to put out an official album in the next year.  So if you know anywhere we should be booking in NJ and NC let us know!  Send us an email here: NevillesQuarter@gmail.com

Finally, how can people find you online? 

The first place you should go is our website www.NevillesQuarter.com and sign up for e-mail alerts.  The other option is to follow us on Facebook.  We do a Facebook Live show every Wednesday at 6pm where we perform a few of our tunes and invite a guest to join us.  Those are the places we are most active, but you can also find us by searching @NevillesQuarter on Twitter, Neville’s Quarter on YouTube, or nevillesquarter on Instagram.

Interview with DBM

April 15, 2018 Sonia Schnee
DBM Press Photo.JPG

By Sonia Schnee | Posted Sunday, April 15, 2018

Last month, Newark, NJ indie emcee/lyricist DBM a.k.a. Dane The Beautiful Monster debuted his new single, "Slow Money," off of his upcoming album, From Ashes Rose A King (#FARAK).  Produced by Youseesounds, this "blue collar hip-hop anthem" premiered on Ghettoblaster Magazine.  Check out our interview with DBM below to learn about his personal journey, musical influences, and the inspiration behind his music. 

What's your name, where are you from, where are you based now? 

DBM™, I am born and raised in little lovely America.  I currently reside in sunny Newark, NJ aka Babylon.

Tell us about your music.  How would you describe your sound?  Where do you record?  Who are your influences, musically? 

My music is a cocktail of sonically rich, motivational sermons, shaken up vigorously with the sour of my socio-political outlooks and the sweet succulence of my truth-telling charm.  I record at the SMOKEHOUSE studio in Newark and at various other studios within the 5 boroughs.  Musically, I am inspired by Michael Jackson/Bob Marley/Jay Electronica/Beastie Boys/Rakim/Bobby Blue Bland/Nas/Lauren Hill/Mos Def/George Clinton/DMX/Amy Whinehouse/Jay-Z/Sam Cooke/Master P/Otis Redding/Currency/Ron Isley/Childish Gambino. 

What's the meaning or inspiration behind some of your songs?  How do you want people to feel when they listen to your music?

My new album #FARAK (From Ashes Rose A King) is a mixture of war songs & love songs.  The inspiration is to create a dialogue about life and death and modern times on Earth 🌏.  When people listen to it, I want them to feel a sense of what the fuck is this shit, as they ingest my sonic secretions.  I am here for the greater good, and I am going to do horrible things to see that good manifest itself.

Tell us a little bit about yourself.  How did you get started with music?  What's been your personal journey?  Are there any artists, bands, or producers who you'd love to collaborate with one day? 

Music came to me in the womb.  My mother & father were playing that soul for 9 months.  I started this the day I was born.  With Hip-Hop as a medium, I realized early on I could make people listen.  I have a rare charm, and it plays well over a break beat.  My journey is like many American, brown-skinned males.  It plays out like an 80s action film.  I seen some shit, it tried to kill me, I lived, now I am pissed and hell-bent on revenge.  I am open to collaborating.  No one really inspires me like Jay Electronica.  He makes music for thinkers and flips the bird to dumbasses that don't get it.  He is a Hero.  The rest a these fuckas is ok.

What words of advice or encouragement would you give to someone who wants to follow a similar passion, or is maybe facing obstacles similar to what you've faced? 

Little muthafucka don't kill yourself!!!!! After the suffering comes enlightenment, wait for it young Homie, wait for it.

What's next on the horizon for you?  Do you have any shows coming up?  Plans for your next album? 

New Album #FARAK this year.  Touring shit hole bars, death trap clubs with metal detectors that don't work, as well promiscuous, young, rich people parties.  You know, doing my community service.

Finally, how can people find you online? 

Twitter - @TheACRCFounder
IG - Danethebeautifulmonster
SoundCloud- Soundcloud.com/Thebeautifulmonster

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