Interview with Grin & Bear

By Deaglan Howlett | Posted Friday, May 13, 2022

Grin & Bear has evolved quite a bit since their initial entrance to the scene with 2015’s Range Wars. Following their first release, the project has been spearheaded by singer and guitarist Brian Perrino. He has gone on to release two more records and a handful of singles and EPs under Grin & Bear, as well as appearing on other bands’ records. While lineups have changed, Brian being at the core has kept their self-reflective and self-love messages at the forefront. Their latest release, Naturally Goes, is no exception, and possibly the most heartfelt yet (in my opinion). I reached out to Brian to tell me a bit more about how this record came together and the smattering of talent (including himself) that played throughout the album. Thanks again, Brian!

Before the release of Naturally Goes this year you released the “Forgotten EP.” What did those songs mean to you when you wrote them compared to releasing them? Anything in particular drive you to release them this year?

The “Forgotten EP” consists of two songs that I wrote in/around 2015 and one song I wrote in 2017. The songs “Tree” and “Dead Deer” are very, very similar. Before I get into this: these are very dark and depressing songs from a very dark and depressed time. Although they were true and possibly still remain true, I no longer focus on them because spending too much time in that space can be unhelpful. At some point, it’s very important to look at the darkness and it can be beneficial, but I don’t want to live there or forget that this isn’t the whole story. That’s why we took so long to decide if and when we wanted to release these.

Their theme is: what is the point of destroying everything around me (the environment, crossing deer, marginalized groups of people, etc.) so that I can have a life I’m not even happy with? They were written specifically about me, but I think it’s very weird to realize how much harm a lot of us do just to prolong unfulfilled and depressed lives. This is a very dark way to start the interview haha so I apologize.

“Karate Kid” is a fun and funny song that I just wanted to throw in there to add some lightheartedness to the EP. We recorded it with Connor Hanson and I think it sounds super cool, and I’m glad we put it out. If you listen, just take it with a grain of salt haha.

How did the writing for your newest record differ from 2020's Be Gentle, if at all?

In a lot of ways it remained the same and in a lot of ways we experimented more on this one. If anything, this one was more collaborative. My friend Connor (Sentient Moss) and I booked an Airbnb at a lake and each had our own room to write demos in. In that lake house, I fleshed out and wrote a significant chunk of this album, which is something I’ve never done before. I wrote the basic demos as usual but gave a lot more creative freedom to my friends! On “Grip”, Faye Fadem (Trust Fund Ozu) took my original demo that had no electronics and completely added her own take. On “Make Everyone Feel Bad”, Stephen Kelly (ManDancing) and I wrote letters back and forth to help us figure out what we were trying to say and we even wrote the music together, which was difficult and scary and very fun. Another friend and collaborator Matt Baker took on a huge role on this album: he wrote and recorded a lot of the synths (“I Move Slowly” and “Porch”, to name two) and was there along the way for production help and general support, in addition to playing bass on several songs and playing the “coin flip” on the song “Naturally Goes.” This album wouldn’t be the same without him. The whole album is a giant collaboration and includes 4 different drummers, which we have never done before.

Brian Perrino. Photography by @littlegreen_pill.

I love that your last two records have been a collaborative effort in the studio. Who did you have play on this record, and how do you choose who plays what on your songs when recording?

Okay, I have

Chris Calabrese: drums

Matt Baker: synth/guitar/bass/backup vocals

Gavin Fischer: bass/backup vocals

Will Avon: bass/guitar

Connor McArthur (Sentient Moss): guitar/vocals

George Saives (Halogens): drums

Faye Fadem (Trust Fund Ozu): drums/synth/production/vocals

Kyle Donavan (Halogens): bass

Stephen Kelly (ManDancing): vocals

Nigel Whitley (Sentient Moss): bass

Nick Timoniere (Nameling): vocals

Alex Brumel: pedal steel

Christina (Orion Lake): vocals

Emily, Chris, Tsian, Janaki: voices on “I Can Handle Anything”

"Put Me in the Back of the Line" was the first single. What is special to you about this song?

This song is special because it outlines an extremely important breakthrough that I had a few years ago: seemingly contradictory things can BOTH be true.

It feels so good to be selfless AND sometimes it makes me resentful.

This is the one from the song but also:

I want to meditate and work on myself AND a lot of days I don’t want to do it.

I care about my health AND I enjoy doing things that are bad for my health.

The album cover rules. Who did the art?

Ahh thank you!

This one was by Courtney Burke and I love it so much! It was the original concept for Be Gentle, but with color. Be Gentle felt very two-dimensional to me (which is why it’s black and white): you are either being gentle, or failing (haha). Now I see it’s not that simple. There’s a lot more depth and color and growth and decay going on (that’s also why it’s so cool that it was burnt into part of a tree trunk). I hope that comes through on the album.

What is your favorite song on the album?

I think it’s the last song: “Thinkin of U”

You're hosting a release show for the record on June 4th at The Saint in Asbury Park. Can you tell us about the bands playing with you?

This show kind of fell into our lap. George Saives (Halogens) (basically our free manager) told us the show was booked and we could hop on and use it as our release show if we wanted. We are playing with our absolute best friends in Halogens, and hopefully some new friends in Carpool and Palamino! The show is 6/4 and I leave for a 4-month meditation retreat on 6/6, so it’s also kind of a great way to see a bunch of friends before I leave!

Brian Perrino

You can keep up with Grin & Bear here and make sure you catch them at The Saint, June 4th!

Interview with Megasparkle

By Sonia Schnee | Posted Saturday, December 18, 2021

Megasparkle, the kickass all-female band from Maplewood, NJ, hasn’t let the pandemic slow them down. Delivering a mix of indie, post-punk, pop-rock deliciousness, Thea Kearney (lead guitar, vocals), Nancy Cook (guitar, vocals), Kristy Ranieri (bass), and CJ Jeiven (Drums) released their first 5-song E.P, “Swirling Glitter”, back in February 2021. I was fortunate to have the opportunity to speak with Thea and Nancy about their pandemic-related musical adventures in our interview below.

What are your names, where are you from, and what do you do?

NANCY COOK: I’m Nancy Cook and I live in Maplewood, N.J. I grew up in Glen Ridge next to Montclair about 20 minutes away from here.

I’ve always been creative. Right now, I am mainly making art, music and selling vintage clothing. I started my business, Crash Doll Vintage, in 2020. I make textile art, installation art and sew & knit. I sometimes paint and use pastels.

Before the pandemic, I was working for Parcel in Montclair and a co-op in town called Maplewood Mercantile. I was also their event planner and planned pop ups, music shows, art shows, tastings etc. I still continue to put on music shows.

THEA KEARNEY: Well, she's a really amazing seamstress. Amazing. Really, like a ninja on the sewing machine. I always see her posting pictures like, "Oh, I just whipped up this dress last night." I'm like, "Oh my God! I can sew a pillow, that's about it.”

NANCY COOK: Yes! I sew dresses and clothes! I had a children’s clothing line for several years called Wool and Violets. Nowadays, I mostly make knitwear under that name and recently created a capsule collection for Hearth Co. in Australia

I’m very much into tactile things. Guitar fits right in. I play guitar and sing as well. I also play bass guitar which I just picked up last year. As a child I played piano and flute. I picked up the guitar in 2018 at the same time as joining a band with Thea. She was like…‘Let’s start a band’ and I said ‘OK’ and so I started taking lessons. I had always wanted to play guitar!

THEA KEARNEY: Yeah! I mean, you're a multi-tasker.

Left to right: Thea Kearney, Nancy Cook, and Kristy Ranieri of Megasparkle. Photo by Sophie White.

Are you originally from New Jersey or the surrounding area?

THEA KEARNEY: I'm not originally from New Jersey. I'm actually from Brooklyn, although I was born in Washington, D.C. I moved to Brooklyn when I was six months old. I identify with New York City. I'm pretty much a New York City person. Although, it's funny. My mother is from New Jersey and kind of a funny story because she always tried so hard to get out of New Jersey. She's a writer and went to college and all that. She spent so much time getting away from the suburban provincial... She always kind of was like (scoffs) "Oh, New Jersey." We would only go back to visit the relatives, and so I was such a city person, I was like, "I am never moving to New Jersey, over my dead body."

NANCY COOK: I said I was never moving back to the suburbs either!

THEA KEARNEY: It's so funny because all my relatives moved to other parts of the country,  then I discovered New Jersey again. I looked at places in Rockland County, in upstate New York, and they were really expensive and not that nice, and there was a big highway that was always in everyone's backyard. Then I found out about Maplewood. I went and I fell instantly in love with it. I was like, "These beautiful houses and nature! This is New Jersey?!" and one thing led to another, and I moved here with my husband. I've been living in New Jersey for about 12 years now with my family. 

Left to right: Kristy Ranieri, Thea Kearney, and Nancy Cook of Megasparkle. Photo by Sophie White.

Tell me about your creative background.

THEA KEARNEY: I'm like Nancy. I do way too many things. Not so much with the sewing, but I have a background in graphic design. I have two college degrees in art, visual arts, a Bachelor's of Fine Arts, Master of Fine Arts. I went to the School of Visual Arts and was one of the first people to ever learn about computer graphics. I would say it was like the Stone Ages just because it was a lot harder to do stuff than it is now. Now you just press two buttons and it's done, whereas you had to follow like a logbook of steps to get anything accomplished with the graphics back in the day. I had done that for a long time. Website design. I used to design CDs, logos, and then I got kind of tired of that, so I started a face painting business called Fifi’s Face Painting, but the pandemic kind of put an end to that and I just sold the business this year.

I've been doing music my whole life, since I was really young, playing various instruments -- violin, piano, drums, guitar -- but I decided when I was a teenager that I would just basically stick with the guitar, so that's my main instrument. Then I started singing as well as songwriting, and that's what we've been doing in Megasparkle. 

Left to right: Thea Kearney, Kristy Ranieri, and Nancy Cook of Megasparkle. Photo by Sophie White.

Do you come from musical families?

NANCY COOK: As far as music, there’s not really anyone in my immediate family that’s musically inclined though one of my Uncles played guitar.

My Dad instilled a love of classical music in me. He used to take me to classical concerts as a child. That and learning to play the piano. My Aunt Lillian used to take me to NYC to see Mostly Mozart. She sang in a trio in the 1940’s on the radio. I guess you could say I’m a trailblazer in my family. At 12 I declared, I wanted to be a singer and my Dad said ‘No, absolutely not, you’re not good enough’ so ha, I am got to do that and I have songs now. He also told me I couldn’t do art and fashion and I’m doing that as well. So, I guess I burst his bubble! Ha!

THEA KEARNEY: So have you played Megasparkle for him?

NANCY COOK: I did play one or two songs for him, but he hasn't heard all of them yet. I should have my family sit down and listen to Megasparkle. Maybe next time we have a holiday gathering and we can all be together, I can play Megasparkle for everybody.

THEA KEARNEY: That would be cool. I'd like to hear what they have to say.

My mother was a jazz singer. She's more of a poet and an award-winning published author of more than 18 books, but she's also written a few songs. My father played the flute for a while and the recorder, but he's one of those people who has the radio on 24/7, so since I was a little kid, he would have the classical music station on all the time, so I was listening to that since I came out of the womb, basically. Even though I'm a rocker, I still kind of love classical music, too.

NANCY COOK: Wow. We never actually knew that about each other!

THEA KEARNEY: Yeah! We don't talk about all these things. My mom sings, and she also had a harp that she used to play. She's also a very creative person. She's done all kinds of stuff, too. I have some cousins who play music, but nobody famous or professional, as far as I know. 

It's funny, actually, when Nancy said that about her dad, I was like, "My mom does not like the kind of music that I like," and I feel like there's a little rebelliousness going on here with, "Well, this is what WE like." You know?

NANCY COOK: My parents never liked the music I listened to. My Dad hated certain bands and songs and if he didn’t like it, I would sometimes play it louder like The Smiths, The Cure, Sex Pistols, The Clash etc. He hated hardcore the most. I would play it so loud the chandelier would be shaking downstairs. I still like it really loud. I get into trouble now for playing the music too loud in the car when I pull in and out of the driveway.

THEA KEARNEY: It's funny because we have kids now, and I don't know if this is what happens with you, Nancy, but our kids are like, "We don't want to listen to that loud rock music, turn it down!" They want to hear this weird electronic stuff. Some of it I actually like, but some of it is like, well, there's no melody. There's no real instruments. I'm just so used to... I think Nancy would probably say the same thing. We just grew up listening to live musicians playing live instruments, so that's what we tend to gravitate towards. 

For first-time listeners, how would you describe the sound of your album, and who are your personal musical influences? Who did you draw inspiration from?

NANCY COOK: That’s a really hard question because I have so many musical heroes and people I look up to, but I think with this project, in particular, I think we were kind of going for... Sonia mentioned earlier about the 70s, that we kind of have a 70s influence. I kind of think that we were kind of thinking, or at least maybe I was thinking, about The Runaways and Blondie and just kind of like that old school beginning, powerful female sound and rock and roll, but with kind of a punk and indie aspect to it. A little bit less pop-y than Blondie and Joan.

I also really love punk and a lot of the ‘90s bands, so I was probably thinking about that. A lot of the music that came out of Washington D.C. like Slant 6 and bands from Olympia and NY…

THEA KEARNEY: Yeah, we're both like punk rockers, right?

NANCY COOK: Yeah! I mean, I love all the punk rock. I love Agnostic Front. Thea and I were like, "We should write a song that kind of sounds a little like an Agnostic Front song” and we could totally do that, but I wasn’t looking to make a sound that came from men. I was thinking more about women in this project.

THEA KEARNEY: I'm actually glad you went first because I completely forgot where my inspiration was in the beginning for this whole idea of starting a band that would be an all-female band.

I guess part of it was the desire to... because I've been in other bands before, and I was in a local Maplewood band called Dollar Store Riot with all guys that I played in for about six years, and then I decided that it was just time for me to close that chapter of my life, and so I'd always wanted to have an all-female band.

I'd had a couple of false starts in the past when I was still living in the city, and I have a friend that I went to high school with, actually, which you may have heard of, Sindi B.. She was in this band called The Lunachicks. We hung out in the NYHC, the New York hardcore scene when it first started in about ‘81-84. Our misspent youth was spent doing that and we both bought our first electric guitars at the same time. I was the goody-two-shoes. I went off to college and just did what was expected of me and she didn't. She quit, dropped out of college, and formed this band. I always wanted to do the same thing, and so I was just like,"Well, Nancy, why don't we just try starting an all-female band? I've always wanted to have an all-female band. Let's just have a go for fun." 

At the beginning, it was just the two of us, and then we started writing together, and then eventually we found the drummer, CJ, and then we found Kristy.

Listen to the Megasparkle Mixtape on Spotify

It was just all those influences from The Donnas, The Ramones, all the punk rock I listened to, DISCHORD, all of that stuff. The Flex Your Head album, I still have. That was on permanent rotation when I was a teenager. All of that. Then all the newer stuff, too, became an influence. One of the songs has kind of a My Bloody Valentine influence.

I feel like every song on this album is a little different. We didn't really set out to have a particular sound on every one. It was just like, "Let's write a song." One song was a Ramones kind of idea that I had that we put lyrics to, and then another one was like, "Let's just write a shoegaze song." So we kind of just went in that direction.

NANCY COOK: One has kind of like a Juliana Hatfield feel. It's got a totally different vibe, too. They all have a different vibe.

We still haven't covered all our bases. We could just keep going, with all the different sounds that we like. We actually have on our Spotify a mixtape of bands that we like and the influences.

We also worked on some covers and things that we liked, like the White Stripes was one of them that we liked, and we were working on a cover of that song, and who else were we covering?

THEA KEARNEY: Social Distortion and Ex Hex. 

NANCY COOK: Oh yeah, I love Mary Timony. I just watched her live performance at St. Marks. It was amazing. She's so talented. She's definitely an influence for me, for sure.

You mentioned a little bit about your creative process. For the songs on your album, did you start with the music, the melody, the lyrics?

 NANCY COOK: For "Pretty Dresses," I had a lot of the melody written, and then I wrote the lyrics, Thea added more lyrics and arrangements, and then we put it together. All the songs have their own story.

"Everybody Wants to Be a Rock Star" started with the answering machine message that starts the song. It comes from a Village Voice ad that someone answered when Thea was looking for musicians, and so that was the starting point for that song.

"Iridescent Sparks" is about text messaging. That's such a big part of our culture now and just how people communicate mostly.

The other one, the shoegaze one, "Swirling Rose Hips Tea," My Bloody Valentine was the influence for that. 

The last one, "Piece of Cake," is sort of, everyone wants to get a piece of cake and eat it, too. It's like, “I want to have it all. Why can't I have it all? Let's try to have it all!” You know? So, the surprise inside is like the Mardi Gras cake that you break up and there's supposed to be a little toy in the cake. It's like, "Ooh, a little surprise!"

THEA KEARNEY: You know, it's funny, it wasn't supposed to be about cake. That became the metaphor because we were writing it right around Mardi Gras time, and we were talking about how we should really write a song, like a hardcore song, like Agnostic Front or something, and it didn't really come out like that in the end, but it came out to be something different, but it started from this discussion. We would just sit down and brainstorm this idea and write all these ideas down and then condense it into a song, because, as you know, you can't put everything in one song. 

NANCY COOK: Yeah. Some of our notes for our songs are really amusing. We should dig those up! They were really funny.

Listen to Megasparkle’s debut EP “Swirling Glitter” on Bandcamp, Spotify, and other streaming services. Released on Sea Dragon Records.

Where did you record your album? Who did you record with? What was that process like?

THEA KEARNEY: Originally, we were getting ready to play a show in June (2020), a live show. We had been practicing. We had a bunch of covers and originals. At that point, we had enough to do a show, and so we were like, “Yeah, let's just play a little local show” because Nancy likes to book a lot of local bands, and so we were getting ready for that, and it's supposed to be in June, and this was like February of 2020 and then, obviously, the pandemic put a lid on that, and then we were like, "Oh, what are we going to do?" and so I suggested, "Instead of doing a show, why don't we make an EP?"

I thought, "We'll just find a studio, we'll go and get somebody to do that." I called a few places and they're like, "Well, I don't know if we can help you, but maybe, but we’re not sure what's going to happen" because it was literally a couple of weeks before they declared it a global pandemic and everything just was like dominoes falling. It's like, everything is closing and then that's it, and so then I was like, "Oh, OK, what are we going to do?"

In all my years of doing music, I had dabbled in mixing before. I had done Pro Tools and recording. I was a little rusty, but I was like, "Well, you know, I think I can figure it out." We didn't have anybody to help us. We didn't really have a lot of money to be forking out either, and everything was closed, so what are we going to do? So, I was like, "We'll just record from home, and we can figure out what equipment we need." 

I spoke to Kristy (Ranieri), and we originally thought we were going to use electronic drums because CJ had some electronic drums at home. So, we tried with that. We were recording the guitars and the vocals, and it was going pretty well, but then we got to the point where we figured out how to do the electronic drums and she sent us the recording and we were like, "No, the symbols just sound... It just didn't sound good." It was like, "No, this isn't going to work."

So, we have a local person that we work with, Laughing Boys Recording's Tom Lucas. He's really great. A lot of people record with him. We didn't think he was open, but then we said, "Well, what if it was just CJ?" CJ went in with a mask and they sanitized everything, and she just went in by herself to do the drums. At first, she was kind of nervous about the whole idea, but then she said she would do it, and so she went in and recorded. I prepared all the tracks for her and sent them to Tom, and then she went in.

We thought it was going to take, like, two days or something. She was just so amazing, she did all five songs in one day. I was like, "Wow!" Then Tom Lucas sent me the tracks and then we just continued on from there. We did a back and forth with GarageBand and Logic. Kristy and Nancy bought an interface so that they could literally record on their iPhones, so they actually recorded the songs on their iPhones. 

NANCY COOK: Yeah, Kristy and I recorded on our iPhones. It’s remarkable and we should be really proud of it!

THEA KEARNEY: It was pretty amazing. I would send them the tracks through iCloud, put the tracks in GarageBand, give them a track to record to, and then they would record to that, send it back to me, and then I would combine everything in Logic and record my parts in there, line it all up, and then mix it. It was pretty daunting. I actually got somebody else to help us a little bit -- a guy out in California, Mike from MooseCat Recording. They have a virtual studio, and they were just getting started with that because of the pandemic. I guess they used to do everything in-person but because they're out in Los Angeles and they needed to keep things running, they started offering virtual services. So I was like, "Oh, great!" So they helped with some of the mixing on a couple of the songs, but most of them I did all the mixing on, so I learned a lot this year -- a whole lot. I think we all learned a lot.

NANCY COOK: She worked very hard!

THEA KEARNEY: I mean, it was pretty daunting, but, oh my God, we did it! We all figured it out. Nancy and Kristy were like, "I don't know how to record on my phone," but with my help, they figured it out and they did it. 

“A year ago today we sent our first single ‘Pretty Dresses’ off to CD baby. Here Nancy and Thea are after practice in the garage hugging their guitars to stay warm after a bitterly cold band practice in the garage in November 2019.” — Megasparkle Facebook page

NANCY COOK: Yeah, and Thea went in her closet to sing vocals, and I went in my garage. I actually have a vocal booth in my garage. So I went into my garage, and it was kind of fun. I got a little kid lawn chair, my microphone, and sang away, too.

THEA KEARNEY: Whatever it takes, right? I mean, we had to really be creative.

NANCY COOK: I've always liked the DIY approach. I'm always DIY.

THEA KEARNEY: Yeah, me too. It's to a fault, though, because sometimes it's exhausting doing everything yourself.

NANCY COOK: Well, Thea just cut her hair very well. DIY haircut.

THEA KEARNEY: Yeah, that's another story. Ha!

There's a lot to be said for doing things yourself. You learn so much from doing things yourself. Like I learned a lot about haircutting, cutting my own hair. So yeah, it's amazing.

Is there anyone who you'd like to give a shout out to, whether it's other artists or bands, venues, favorite restaurants that are closed, businesses, or anyone who you think deserves some attention during this unusual time?

https://bonepoolradio.com

NANCY COOK: I think we should give a shout-out to Michelle from Bone Pool Radio, who is one of our friends. She has a radio station in town. She would be an amazing person for you to interview. She's awesome. She always wanted a radio station, and I don't know exactly what year it started, I want to say it was 2018, and she and a few other partners started it. A lot of the people in town including Thea's husband DJ for it, and they pre-record their shows and she broadcasts them. There's a bunch of DJs in town and it was bought by iHeartRadio, and yeah, it's been a really amazing ride for her. So that's my shout-out.

THEA KEARNEY: That’s good that you did that because I was going to shout-out one of the DJs, Donny Levit, because he was the first one to premiere a Megasparkle song on the radio. So I want to shout out to him and, obviously, all the other DJs on Bone Pool Radio. I don't know if they've played our music, but I'll give a shout-out to them as well!

NANCY COOK: Paul played "Pretty Dresses." Donny played a couple of them.

THEA KEARNEY: Also, Tom Lucas from Laughing Boys Recording. He really gave us a lot of helpful feedback and guidance, especially with recording the drum parts and how to get that done, so shout-out to him. 

And then shout-out to MooseCat Recording.  

NANCY COOK: And our bandmates who aren't here!

THEA KEARNEY: Of course our bandmates, for being willing to do all this from home, being willing to try that out and do that.

NANCY COOK: We have a lot of great local businesses to shout-out.

THEA KEARNEY: All the local businesses. There's been so many great supportive local places, like Rent Party. We never got to play Rent Party, but they've always been really supportive of local musicians. They do a lot of help for the community. They used to put on live shows with local bands and also international traveling acts and raise money for food-insecure families. So they're a really great organization here. And then The Woodland, they have a lot of shows.

NANCY COOK: The Woodland and Wyoming Club.

I used to do a lot of shows at Maplewood Mercantile when I worked there and was the Event Planner, so we can shout-out them because they're really very supportive of the music community.

THEA KEARNEY: All the teachers that ever taught me how to play, helped me play guitar, and my vocal teacher, Tim Welch. I'll give a shout-out to him. He's an excellent vocal teacher. He's got a local studio here in Maplewood. I think he's got franchises now. He's a really, really excellent teacher. Who else can we shout-out?

NANCY COOK: We could shout-out you, Thea, for doing all that hard work mixing! Let's give credit where credit's due, right?

THEA KEARNEY: Thank you to everybody.

NANCY COOK: Thank you to all of our supporters and our friends.

THEA KEARNEY: Thank you to everyone I've ever met or ever known in my entire life.

NANCY COOK: Ha!

THEA KEARNEY: And Mom and Dad, of course.

Finally, where/how can people connect with you?

THEA KEARNEY: We're available on all streaming platforms -- Spotify, Apple Music, Pandora. We have a Spotify playlist. Plus, we have a website. It's megasparkleband.com. Bandcamp, Instagram, Facebook. We also have some T-shirts for sale on Bandcamp.

NANCY COOK: We also had a poster that showcases our band at i19gallery.com.

It was an online gallery. They started doing art shows when the pandemic hit, and we decided that we would pass around this old red phone of mine that I've had for years. It was a promo for "Everybody Wants to Be a Rock Star" because that's the starting point, with the answering machine message. We all took pictures of us with the phone -- they look like they're in slides -- and then the red telephone cord just slashes through the whole collage, which is kind of like the pandemic interfering with our lives. Actually, I really love it. I think it came out really good.

THEA KEARNEY: It was cool because we kind of combined... It was like a multipurpose thing because Nancy and I, we originally met because we both have backgrounds in multiple artistic areas, like visual arts and music. There was a call for art made during COVID, by the organization Good Crowd Events. I was like, hey, we were already doing the phone idea for what was going to be the cover for "Everybody Wants to Be a Rock Star." We designed all of the song covers. We did all those ourselves back and forth. I did a couple of the covers, Nancy designed a couple of those, and one of them was this idea that Nancy actually had the phone and she said, "Well, why don’t we take pictures with this?" and I was like, "Well, why don't we enter it in this art show and it will serve two purposes? It'll be for the cover and it'll be for this collage."

It was during the pandemic, and so we had to clean the phone off and then drop it at one person's house, and then they would clean it off and take photos and then drop it at the next person's house, and that's how we got all the photographs. It was like, you know, this is how we communicate during a pandemic — passing the phone around, and also we can only communicate on the phone. So, it was like the whole concept of that just kind of came together really well.

“Call Me!” Featured in www.i19gallery.com’s online art exhibition, ARTdemic.
Art Concept: Nancy Cook, Thea Kearney
Photography: Nancy Cook, CJ Jeiven, Thea Kearney, Kristy Ranieri
Photo Editing: Thea Kearney

Bernie Williams-Gil Parris Quartet with Baker Street Trio Knock it Out of The Park at the Woodland in Maplewood

By Gregory Burrus | Posted Monday, November 1, 2021

Maplewood, NJ - The Woodland 

A very special event took place in a historic, very beautiful and very spacious 1930 Georgian Revival-style mansion with an adjoining auditorium known now as The Woodland. It was completed in 1930 as an elegant home for the Maplewood Woman’s Club and has served as a hub for Maplewood Township's cultural and civic life for over eight decades. 

The Great Hall at The Woodland 

The Woodland was designated a local historic landmark in 2014 and this architectural jewel houses two unique spaces — The Parlor and The Great Hall. These venues are used frequently for public events. Tonight, the Woodland was beautifully decked out for this very important live music performance. 

The Bernie Williams-Gil Parris Quartet Come To Town

On October 22, a unique and powerful set of live music performances added to The Woodland’s wonderful historical legacy. Four-time World Series Champion and five-time All Star New York Yankee Baseball legend Bernie Williams was coming to Maplewood-South Orange, NJ. 

The excitement was in the air as Bernie Williams, the former Yankee Baseball player, now a guitar virtuoso/Latin Grammy Nominee, was coming to perform in the Great Hall at the Woodland.  Teamed up with long-time friend and fellow musician, guitarist, Grammy Nominee and bandleader Gil Parris, the expectations were high and you could feel the music in the air. 

Smooth Jazz Productions

Rich Engel is a New Jersey resident who has for decades been involved with Smooth Jazz in NY and “Smooth Cruises.'' For us local folks, Rich was the Owner of Live At Nite Sound, Producer of Smooth Cruise N.Y.C., created the Angela Bofill Experience stage show, and produced this event. He produced and released Angela Bofill "Live From Manila" CD on the independent Black Angel label. Also, he produced the German release Saundra Records "Bigfoot " featuring our local musicians Bassist John Lee and Drummer Jerry Brown along with Danny Toan. The night’s programming became my favorite theme of jazz across the generations with a fabulous opening act by local up and coming jazz group The Baker Street Trio.

Opening Act - The Baker Street Trio 

This was a genius move, as the Baker Street Trio consists of 3 young teenagers ages 14, 15 and 16. They began playing together through Montclair's Jazz House Kids.

“The trio was formed in the Fall of 2020 out of these young musicians' love for jazz and the need to be able to play together -- safely, outdoors. They played a standing gig through the Fall and Winter of 2020 on a street corner on Baker Street in Maplewood Village, and in doing so during these tough times entertained and brought the joy of jazz to countless appreciative audiences.” - Lisa Mainardi

Quick Background -  The Baker Street Trio

The Baker Street Trio with Bassist Ben Ruebens filling in at Jazz On Sloan, South Orange, NJ

I encountered the group during various events this year like the Maplewood Porchfest, the 24 Hours Of Music Jamboree, and the Baker Street Trio has also performed for me in South Orange. See Baker Street Trio Debuts in Summer Saturdays at Jazz On Sloan St. 

My comments upon hearing them: “Baker Street Trio—3 teenagers (14, 15, and 17) will be making a serious mark on Jazz for a long time. These young cats were killing it... After listening to them perform a number of tunes — if you closed your eyes, you would've thought they had way more experience than their actual ages combined.  These young folks were swinging hard. I highly recommend all jazz fans should check them out whenever, wherever you can."

Hence, I for one was very happy to see these young dedicated jazz musicians opening for the Bernie Williams-Gil Parris Quartet. 

The Baker Street Trio with Ace Williams

Introduced by the guest MC, Maplewood Mayor Frank McGehee, The Baker Street Trio, Ben Collins-Siegal, Ben Schwartz and Ryoma Takenaga, came out strong and performed a thunderous tune “The End of a Love Affair” by Edward Redding. It was fast moving and grabbed the audience by the ears as it was a perfect engaging opening song that said there is nothing timid or young about us, we are here to play! 

For a jazz lover, their next two tunes were a tribute to multiple Grammy winner Roy Hargrove and it was a perfect tribute. Roy was born Oct 16, 1969 and passed Nov 18, 2018 and will be loved and remembered by the Jazz community forever. Joining in this tribute was the very talented teenage trumpeter Ace Williams, son of a Maplewood resident, the award winning performer/composer Jazz tenor Saxophonist Willie Williams. They performed Roy’s tunes “Top of My Head” and “Strasbourg/St. Denis.” The tunes were played to perfection and the audience expressed their approval with long, loud cheering and clapping. 

Bernie Williams-Gil Parris Quartet

Next up were the event headlinders, the Bernie Williams-Gil Parris Quartet,  a true super group with the legendary “World’s Most Dangerous Bassist” Will Lee and the multitalented drummer and vocalist Josh Dion. 

Bernie Williams - Guitar 

Bernie Williams is a classically trained guitarist who plays and composes music with influences that include jazz, classical, pop, Brazilian, and Latin sounds. Bernie stated that he “became this musician in great part due training and mentorship of Gil Parris who let [him] sit in on jams all over town for the past 17 years.”  

Gil Parris - Lead Guitar  

Gil is an American Grammy-nominated rock, blues, jazz and pop guitarist. After briefly attending the Berklee School of Music because, as his Mother said in this New York Times article, “Mrs. Parris conceded she was '‘a little worried'‘ when her son returned home with photocopies of lecture notes and said he would ‘sit in his room’ and teach himself the school's jazz guitar curriculum.'' 

Parris then left to tour Europe as part of a musical troupe performing Jesus Christ Superstar before becoming a recording artist. Parris has released six solo albums and played collaboratively with over 20 other groups/artists. He has recorded and toured both as a solo artist and as a sideman with major artists including Dr. John, Blood, Sweat & Tears, Diane Schuur, David Mann, Billy Vera, Bobby Caldwell, Toni Braxton, Sonny Fortune and Kenny Barron, to name a few. 

Will Lee - Bass 

I was going to say “who’s Will Lee”, then my research showed that I heard Lee many times before. Trumpeter Randy Brecker called Lee out of a class one day and invited him to audition for Dreams. In New York, Lee's career as a session musician flourished, and he toured with many artists. In 1982, Lee became one of the original members of The World's Most Dangerous Band, the house band on NBC's Late Night with David Letterman. He holds the distinction of playing with Paul Shaffer, on both Late Night and The Late Show, longer than any other member of the CBS Orchestra. Highlights also include getting a lifetime achievement award from Bass Player magazine, playing with many luminaries such as all The Beatles -- George Harrison at Royal Albert Hall, Paul McCartney at The Concert For NYC, D’Angelo, Chaka Khan, Phoebe Snow, James Brown and more. 

Josh Dion -  Drums and Vocals

Josh Dion was born at the tail end of the disco funk era, when popular radio bore the sounds of Quincy Jones, Michael Jackson, and “four on the floor” drum beats! Raised in Storrs, CT, Josh started playing his father's drums before he even started kindergarten. Dion is a singing drummer who made his first impression in New York in February 2004 at Blue Note. Josh was noticed by jazz guitarist Chuck Loeb, who offered him an opportunity to be seen and heard by a whole new level of the music audience. From that platform, he has gone on to work with some of the major brand names of the music world: Candy Dulfer, Spyro Gyra, Will Lee, Pat Martino, Jeff Kashiwa, Jason Miles, Anthony Jackson, Edgar Winter, Randy Brecker, Bob James, Eric Marienthal, Til Bronner, Jim Beard, saxophonist Kim Waters and on and on. 

This night, as was noted by a few attendees, was not just a smooth jazz concert, as the band played a mix of blues, funk, jazz, rock and even some New Orleans type jazz. They performed a mix of classic songs with creative arrangements that brought back many memories. One of my favorites was Rick James’s “Give It To Me Baby” that was innovative but right on point. They also performed some original material that was very entertaining and were instant hits with the very attentive and involved crowd. 

The night in review was outstanding, Bernie was smooth and mellow, Gil Parris unbelievable on guitar, Will Lee was an absolute beast on bass and Josh Dion singing and drumming was simply off the chain. The singing and drumming was amazing. It was a fabulous performance. At the end of the night, the audience wanted more and they were called back for an encore tune that did not disappoint, and we clapped and enjoyed tremendously.  Truly, it was a wonderful performance and a night to remember. 

Mayor Frank McGehee 

Closing the night, Mayor Frank McGehee thanked folks for coming out and reminded them they were just steps away from the most diverse choices in eating right here in Maplewood, so please enjoy the town on your way home. 

 Gregory Burrus with The Baker Street Trio and Ace Williams 

Gregory Burrus is a local live music producer, promoter, event planner and community partner that curates, manages and promotes live music programs around Essex County.  

South Orange, NJ October Live Music Fest Takes Over the Sounds In Spiotta Park and Jazz On Sloan Street

By Gregory Burrus | Posted Friday, October 8, 2021

As the 2021 Summer Saturdays season ended, audiences and a number of community members continually asked what's next in terms of live music. After much thought through September, the idea is to continue the music every Saturday and Sunday through the month of October, with a lot of help from a lot of our musician friends and a local live music production group.

This month, the October Live Music Fest is off and running. The newly formed October Live Music Fest aims to continue the Summertime live music weekend excitement and also produce some unique, lively and engaging performances at Sounds In Spiotta Park, Jazz On Sloan, and in South Orange, NJ.

We hope you can come join us every Saturday & Sunday in the month of October, as the following lineup contains some wonderful performers looking to entertain you.

Events - Every Sat. 3- 5 PM & 6:30-9:30 PM; Sun. 3-5 PM & 6:00-9:00 PM.

Sat 10/2 - 3-5 PM Tim Rodner / Bruce Tyler, Swing Jazz, Jazz On Sloan
Sat 10/2 - 6:30 - 9:30 PM Tara Layne Blues & Rock n Roll Band, Spiotta Park

Sun 10/3 - 3-5 PM Michele Fiorindo, Jazz Guitarist, Spiotta Park

Sat 10/9 - 3-5 PM Acute Inflections - Is This Love? Bob Marley Tribute, Spiotta Park
Sat 10/9 - 6:30 - 9:30 PM Andy Lackow & Mess Around, Blues, Rock, Spiotta Park

Sun 10/10 - 3-5 PM Kenita Alani Hopper, Opera In the Park, Spiotta Park
Sun 10/10 - 6:00 - 9:00 PM Jacqueline Harmon Johnson Quartet, Jazz on Sloan

Sat 10/16 - 3-5 PM Tim Rodner / Bruce Tyler, Swing Jazz, Jazz On Sloan
Sat 10/16 - 6:30 - 9:30 PM Los Traficantes del Amor, Latin Tribute, Spiotta Park

Sun 10/17 - 3-5 PM SPK Trio Salt, Pepper, Ketchup, Spiotta Park
Sun 10/17 - 6:00 - 9:00 PM Laredo, The Band, Rock Covers, Spiotta Park

Sat 10/23 - 3-5 PM Hal Keshner, Piano / Vocals, Jazz On Sloan
Sat 10/23 - 6:30 - 9:30 PM BlackWax, Original Funk and Soul, Spiotta Park

Sun 10/24 - 3-5 PM Michele Fiorindo, Jazz Guitarist, Spiotta Park
Sun 10/24 - 6:00 - 9:00 PM Jacqueline Harmon Johnson Quartet, Sing with Jacque, Spiotta Park

Schedule subject to change and updates, check for latest updates at https://gregoryburrusproductio...

We hope you continue to come on out, support the musicians and enjoy the October Live Music Fest while the weather is still nice. Remember, music is life so take it all in and feel the relief in these troubling times. 

Tell a friend, grab a jacket, a lawn chair, a local meal, the kids and come join us. Don't forget to Mark Your Calendars & Save The Dates.

Hosted/supported by South Orange Downtown, South Orange Village and Gregory Burrus Productions.

Sign up for future events at gregoryburrusproductions.com.

Maplewood Porchfest 2021 A Huge Roaring Live Music Success in Hilton, Maplewood, NJ

By Gregory Burrus | Posted Saturday, September 18, 2021

I should say that as a live music lover, ambassador, event planner, community partner and board member of Maplewood Community Music (MCM), the Maplewood Porchfest event is clearly becoming one of my favorite live music events of the year.

This year's Sep 5th, 2021 volunteer-driven Maplewood Porchfest was a huge success as the schedule showed 55 bands across 37 porches, producing 61 hours of live music all around the Hilton neighborhood of Maplewood from 1-5 PM. Technically, it's 62 hours because it all starts with one of my favorite events of the day, the Honk Parade. The good part of this year’s Labor Day weekend event once again was that there was a high level of live music performances from beginning to end across all musical genres.

Each year since its inception in 2017, I look forward to figuring out how I am going to see the bands I want to spend time with and, at the same time, put enough other bands on the same walking route to catch as many live music performances in the same day as possible. It’s a real challenge.

What Happens at the Maplewood Porchfest?

Maplewood Porchfest Honk Parade

This opening event, true to its history, was a New Orleans-style Second Line Band led by the brainchild of Porchfest local pianist/vocalist Bill Tally, Saxophonist Ben Williams, along with Umbrella Dancer/Porchfest Planner Susan Williams, amongst others. They led a happy-go-lucky group of folks in this kick off event down Lexington Avenue from Dehart all the way to the former home of James W. Buchanan.

Jim and Carol Buchanan leading the 2017 Maplewood Porchfest Honk Parade

Jim is a retired music educator and full-time musician, a former Cultural Affairs Director for the Maplewood Recreation Department, and a co-founder of Maplewood Community Music. He lived here with another very much loved community supporter, his wife Carol Buchanan (RIP), who was a force of her own, as she was very active in the community. I personally love the fact that the Maplewood Porchfest Honk parade honors its founders and is just a lot of fun.

Time to Check Out the Live Music Bands

As mentioned, the Maplewood Porchfest contains a wide array of live music entertainment across all musical genres throughout the afternoon. So you can see Bluegrass, Jazz, Country, Rock, Americana and more. My decision this year with a limited amount of time was to check out a few Jazz Bands with stops along the way.

Baker Street Trio in Maplewood Porchfest

My first stop on my route was the Baker Street Trio. My social media post said it all. Baker Street Trio—3 teenagers (15, 16, and 17) will be making a serious mark on Jazz for a longtime. These young cats were killing it in Maplewood Porchfest. After performing a number of tunes that if you closed your eyes, you would've thought they had way more experience than their actual ages combined.  A testament to how good they were, they had Ed Palermo, the alto sax player and arranger, sitting in with them. Ed Palermo has had a big band for twenty-five years, which is an impressive feat in itself, and has had his band performing the music of Frank Zappa for over a decade. With Ed the level rose up again and these young folk were swinging hard. A big shout out to Jazz House Kids and Ed Palermo for joining and supporting them—very cool move. I highly recommend all jazz fans should check them out whenever, wherever you can.

Meant To Be Jazz Quartet in Maplewood Porchfest

Next up on my tour was the Meant To Be Jazz Quartet. Note, you can get around Maplewood Porchfest a few ways and most folks walk or ride a bike. As you can see, you can hear the music everywhere in a Porchfest. Listen in and get a feel as you walk along, as the music is in the air everywhere you go.

On this walk we encountered the Meant To Be Jazz Quartet featuring Glenn Merritt on keys, Pete Omelio on Drums, Alan Hayes on Bass and John Higgins on Trumpet. Having played together for over 20 years, they have developed a synergy that is evident amongst how they play and perform with each other. This group is a regular set of performers at the Shanghai Jazz Club and the performance was just as stellar as if they were there onsite at a regular performance. The jazz was flowing oh so smooth from this Lexington Ave porch. It was a beautiful day, beautiful music, and the large crowd that gathered enjoyed it tremendously.

What makes Porchfest so cool is you never know where the next porch is going to be. Well, another group was starting as this one ended, directly across the street led by Fishmarket Stew performing Phish covers led by local resident David Shields. He was performing on the porch of another well known Maplewood townsperson.

Gregory Burrus with another huge supporter of the event, former Mayor Vic DeLuca and Maplewood Township Committee Member.

Former Mayor for 20 years and a resident of the Hilton neighborhood, Vic DeLuca hosts events on his porch of course and did so again this year. Vic was quoted earlier saying that the event is “one of the top events in town. Porchfest brings people to the Hilton neighborhood to enjoy a special day of music and community […] It highlights the diversity of our town and the tremendous talent we have living here.”

However, I had to move on as I received a call saying, guess who's playing at such and such a place. As a live music jazz fan on a jazz tour, hearing that a world class drummer is playing around the corner in Maplewood Porchfest is amazing and, well, you just got to go.

Willie Williams Jazz Quintet in Maplewood Porchfest

Arriving on site, I encountered a hardcore group of seasoned jazz professionals that came to play big time. The Willie Williams Quintet led by Willie Williams was swinging hard in this year's Maplewood Porchfest, that's like wow. Having had a Willie Williams performance up at my favorite jazz club, Clements Place Jazz, this I knew would be a special treat. Willie Williams has played with a stellar cast of musicians his whole career and in beautiful venues like the Kennedy Center, Washington, D.C., Afro American Museum, Philadelphia, PA, the All Star Reception at Vice President Al Gore's Mansion, and our own South Orange Performing Arts Center (SOPAC) in the Giants of Jazz tribute to Jazz Giant James Moody.

Unfortunately, my video was not clear but the music video to the event is awesome and as good if not better than any show in a big club in any big city. The Willie Williams Quartet featuring Alvester C. Garnett on Drums, Kenny Davis on Bass, Miles Lennox on keys, his son rising star Ace Williams on Trumpet, and Willie Williams on Sax were just killing it all afternoon.

Speaking of Ace Williams on trumpet, a special treat was the group I first mentioned: the Baker Street Trio joined in with Ace Williams on Trumpet and they had a ball.

About Maplewood Porchfest

Porchfest Planning Committee

Big huge kudos to the Maplewood Porchfest Committee — Matt, Bill, Tracy, Susan, Jay, and Bill — which did a phenomenal job this year.

Maplewood Community Music is the official presenter of Maplewood Porchfest. Maplewood Porchfest was the brainchild of local pianist/vocalist Bill Tally, who went to Jamaica Plain Porchfest in Boston every year. He brought the idea to friends in his hometown, and put together a committee of musicians from Maplewood Community Music to run the event. The committee chose the Hilton neighborhood for its perfect layout, easy walkability, and its porches (of course). You can read all about it here at https://maplewoodporchfest.com

About Maplewood Community Music

Maplewood Community Music (MCM), a non-profit based in Maplewood, NJ, was founded in 2003 by Jim Buchanan and Susan Williams. Susan had played in the Rutgers Band and after a number of years without playing, she approached Jim Buchanan about starting a band. At the time, Jim was the Cultural Affairs Supervisor for Maplewood.

The dedicated group of volunteer musicians and conductors continue to work towards MCM's major goals of giving hobbyist musicians the opportunity to play and perform and bringing music to Maplewood, South Orange, and other nearby communities. In addition, MCM is proud to support community events and community/youth music enrichment programs. Since its formation in 2003, the organization has grown to well over 50 musicians and has numerous active ensembles. MCM hosts between 4-6 events each season and our ensembles perform at even more local events each year.

Read more at  http://www.maplewoodcommunitymusic.org/

About the Author, Gregory Burrus

I didn't get to see all the bands I know, but thanks to all bands for making a great day even better. If you didn't get in this year, you can always join up for next year, just let me know. Please note, the views and opinions expressed in this article are from Gregory Burrus, the writer, blogger, live music lover and community partner. https://gregoryburrusproductions.com/author/gregoryburrusproductions/ 

Hope to see you all again in September 2022. 

#maplewoodporchfest #livemusic #livemusicbands #labordayweekend #laborday2021 #outdoors #honkmusic #outdoormusic #maplecommunitymusic #HiltonMaplewood #gregoryburrusproductions

The DT's - "You With Me" (MUSIC VIDEO PREMIERE)

By Deaglan Howlett | Posted Friday, August 20, 2021

The DT’s are a power pop group hailing from central New Jersey. Having released their first single, “You With Me” in June, the group is now back to share their music video for the catchy single. Since the release, The DT’s played their first full band show at House of Independents in Asbury Park, NJ, and have been hard at work at new content for their fans. I recently spoke with Dave and Tom about their past year, playing shows again and their new music video. Thank you Dave and Tom!

The DT’s live at House of Independents

How was your first full band show at House of Independents? 

Tom: Our first show was really special and was really a magical night! It meant the world to be on that stage especially after such a long time and just battling a lot of adversity over the past 18 months. Both of us hadn't played in a full band setting live for quite some time and to debut at one of our favorite venues was a great experience. It almost felt like a Twilight Zone episode, like was this actually happening? It went really well and our buddies Lou Panico (Natalie Farrell Band, Levy & The Oaks, Solo) & Frank Lettieri (The Paper Jets, Dust Of Days) really did such an excellent job. They are true professionals! 

Dave: It was such an exciting experience. We were very happy when Bobby Mahoney reached out to us, and asked us if we wanted to play. It had been so long since we played in a full band setting, and it felt so good to be back out there on stage. Our talented friends Frank Lettieri (The Paper Jets, Dust Of Days) and Lou Panico (Natalie Farrell Band, Levy & The Oaks, Solo) helped us out that night, and they were extremely professional. We only practiced the four of us collectively one time, but I think that made the show more fun and lively! We were able to hang out with some friends that we have not seen since the start of the pandemic, have fun with the crowd, and play some new originals at an awesome venue. 

What can fans expect at a DT’s concert now that shows are coming back around?

Tom: In this new project, we really like to keep it fun, loose, engaging and entertaining with the audience. We work very hard at our craft but we also really like to keep the audience involved in a variety of settings. I also enjoy having freedom in this project where we are an acoustic duo some nights, other times full band electric, all while mixing in different instruments we play. At the end of the day, we just want to make sure the crowd is having fun and that we are spreading some joy. I think we all could use some after the past year.

Dave: Anyone that comes to one of our shows can expect a good time! We are always trying to have fun at our shows by throwing in some covers, getting the crowd involved, and telling some jokes on stage. We just like to have fun while providing a high energy rock and roll experience!

This video accompanies your latest single “You With Me.” What does this song mean to you as a group?

Tom: This was a really special song for Dave and I as it was one that came really quickly and naturally for us. Our emotions and feelings really lined up at the time and the song both structurally and lyrically came together in one night. We really didn't try and over think many parts and allowed ourselves to explore while keeping the song refined into a pop format. It was really neat sharing parts from our own songs and mashing them together melodically. 

Dave: To me the song means a lot. Lyrically, it references some personal/emotional setbacks we have experienced in the past few years. It was the first song that Tom and I wrote collaboratively from scratch. We started with a drum idea, and then layered on top of that. We both brought different elements to the song that we were able to blend cohesively, which gave it a unique sound. I am extremely proud of us for making this track because we also produced everything in Tom’s basement. We were then lucky enough to have our friend Frank Lettieri record drums and Joe Pomarico (Telegraph Hill Records) Mix/Master the final track.

Who did you work with for this music video?

Tom: We worked with Tom Garrigan, an old friend who is a photographer/videographer from our hometown. Tom is nationally known for his photography work shooting abandoned settings, and he really did an excellent job getting the footage for this shoot. He really had a lot of our visions behind the song come to life in a really simplistic way. All the editing work was done by Frank Lettieri who also plays drums for us live! 

Dave: We worked with our good friend Tom Garrigan. Tom Garrigan is a very talented photographer who has gained a following on Instagram under the handle “moldy_lungs” taking photographs of abandoned places. You have to check his page out!  So it was interesting to work with him because he is normally a photographer, not a videographer. So he himself was a little reluctant of how the final product would be, but we all think it came out great. Frank Lettieri then took all of the videos that we got with Tom G and made it a cohesive piece. Working with these talented two individuals was extremely easy, and we could not have been happier with how it came out.

What’s next for the DT’s?

Tom: We are truly having a blast doing this, and the past 3 months have been a huge reaffirment for us. We have many more singles lined up and some really awesome shows on the docket. Recording has also really turned into a passion for us, so more writing and experimentation in the fall will be happening for sure. It's been such a great year connecting with new artists, old friends and just letting our passions in this project flow. It's been such a great vehicle for expression for us and I'm so grateful for my friendship with Dave. 

Dave: Not stopping! The only things that are next for us include more music, more shows, more merch and more content. I am also so grateful for my friendship with Tom, and we would like to thank everyone who has supported us so far!

Welcome to Downtown Cranford 2021 Summer Sounds Live Music Series!

By Gregory Burrus | Posted Saturday, June 19, 2021

Exciting Vibrant Cranford, NJ

With outstanding shopping, restaurants, services and entertainment & events, not to mention our beautiful parks and waterways, Cranford offers authentic experiences for everyone.

According to Wikipedia, Cranford, NJ has a nickname of "The Venice of New Jersey'' and a motto "Friendship and Progress." This small town has shaped up to be one highly desirable place to be and live in. In both 2018 and 2019, The Star-Ledger named Cranford the best downtown in New Jersey after an online vote, calling it "adorable [and] snowglobe-like.” New Jersey Monthly magazine ranked Cranford as its 34th best place to live in its 2010 rankings of the "Best Places To Live.” Cranford is part of the New York City metropolitan area.

Cranford is home to more than 24,000 people who enjoy its many parks, recreational facilities, shopping areas and outstanding schools. Strategically located in the heart of Union County, the Township is served by the NJ Transit bus and Raritan Valley train line, making it desirable for outbound and inbound commuters. Established in 1871, Cranford is 4.8 square miles of wonderful neighborhoods and historic homes along the Rahway River, some dating back to the late 1800s. Township residents and visitors, young and old, can enjoy the many programs at the Community Center, Public Library, parks, tennis courts, indoor and outdoor pools or canoeing on the river. These are just some of the reasons Cranford is routinely rated in the Top 50 Best Places to Live in NJ and to raise a family.

Keeping Downtown Alive - Downtown Cranford

https://downtowncranford.org/

The town has a strong commercial base. Downtown Cranford is well known for its many restaurants, unique specialty shops and has seen tremendous investment and growth in recent years with several Transit-Oriented Development projects. Smaller neighborhood shopping areas, like Centennial Village, are also revitalized with new restaurants and businesses. The Cranford Business Park, with easy access to the Garden State Parkway, major roads and Newark Airport, is home to several well-known national corporations.

https://downtowncranford.org/

Also, the Downtown Cranford Special Improvement District (SID) led by Executive Director Caren Demyan is dedicated to ensuring a vibrant downtown. Downtown Cranford is a Township department whose objective is to promote, brand, beautify, maintain, attract, and grow business. The Office of Downtown Business & Economic Development is part of the Township government and represents all properties, businesses and residents within the SID regardless of size, location or use and is the official advocate for property and business owners. You can learn more about Downtown Cranford and how they can support your objectives right here.  

Downtown Cranford Making Live Music Happen 2021

Alex Desrivieres / Harmonic Convergence 2020

2021 Downtown Cranford  Lineup Schedule

The Downtown Cranford office announced that there is music at Eastman Plaza throughout the summer 2021! Starting in June, there will be music performances at Eastman Plaza on Thursdays from 6-8pm by a number of local musicians. 

2021 Summer Sounds Performers

As you can see, we have an extensive and diverse list of music genres and performers for everyone's listening pleasure, with some returning favorites and some brand new first-timers. We have crossed the spectrum with pop, rock, R&B, jazz, country, Latin, cabaret and, of course, some blues to make you tap your feet, shake your head and dance in your seat. Just come on out and have a good time enjoying the sounds of Downtown Cranford live music. 

Experience the Summer Sounds and Views

All are invited to come on out and enjoy this wonderful live music location, to enjoy Downtown Cranford stores and restaurants and the Downtown Cranford Summer Sounds Series. Here's a few landmarks to pique your curiosity, and hopefully you will stop in and enjoy this wonderful environment.  

At this very busy traffic intersection right off the NJ Transit train station there is this idyllic park in the middle of the hustle and bustle:

Inside it is this wonderful grassy location, along with some natural seating, what's known locally as the Eastman Clock location.

And what's really cool is there is a built-in amphitheater-type seating all the way around and out to the grass and the adjacent stores. This is a very cool place to be where you are able to sit, relax and enjoy the summer sounds of live music. 

About the Writer

Gregory Burrus is a Photojournalist, Live Music Ambassador, Arts and Entertainment Writer, Blogger, Business Reviewer, and Community Events Reporter. He is a supporter of local businesses and community events, with a passion for live music. Gregory reviews and writes about local live music programs while booking, promoting and curating many regional live music events around the greater New York/New Jersey area. Greg promotes events through social media marketing, writing articles, blogging and photojournalism. Having fun, living life, while helping others. https://gregoryburrusproductions.com

Interview with Latewaves

By Deaglan Howlett | Posted Tuesday, May 18, 2021

Latewaves are a rock and roll band from Asbury Park, combining sweet melodies reminiscent of 90’s favorites with thoughtful lyrics and a heavy rhythm section. Their latest singles have been accompanied by fantastic music videos to promote their full length release out on Know Hope Records June 4th, 2021. Latewaves have been hard at work this past year, despite the obstacles bands were confronted with due to the pandemic. They will also be one of the first bands to break in the new Basie Plaza venue in Red Bank, NJ on 6/26 (Sold ! Out !). I reached out to the group to see how the last year has treated them and to reminisce on tour stories. Thanks again, Howie! Long live Latewaves!

When was your last show before the lockdown/switch to the year of the livestream? Did you anticipate a year off?

I think it was in February at the Wonder Bar. Well you were there, haha. That was a cool split 7” release show and we raised money for Wag On Inn Rescue. I had actually just adopted a dog from them just a few weeks prior, so that’s definitely a cool memory pre-COVID/year of the livestream. We had a week-long tour booked for the end of last March. The “postponements'' started rolling in the first week of March. We totally understood why, wanted to play things safe, but didn’t think too much of it. Figured we’d be playing those dates just a few months later once everything got better. Obviously, like everyone else, we had no idea how long this would last.

How has the pandemic affected your songwriting and overall process as a band?

I wouldn't say too much has changed. We all live within walking distance of each other. Our practice space is a few miles away. We write at home alone, we write together in the space. We did spend a few months not playing together or really seeing much of each other at all, to stay safe. Once we started to practice and write again (with precautions) it just felt the same. Definitely made writing new things even more exciting after not getting to play together for so long.

Your new video for "Enough is Enough" is great. Who did you work with? How did you all come up with the concept?

Hey, thanks! That video was our first experience working with our now amazing friend Kris Khunachak. I think we might have caught wind of him from the AP2 crew. A total cold-call-fingers-crossed-hoping for the best situation reaching out to him to get this video done. We gave him the song, and then a couple weeks later met up to hash out a concept. Kris had the “cable” idea (watch the video to find out what the hell that means) and we just kept rolling with it. It was a super fun video to make, and we’ve got a couple more things that Kris filmed and directed coming out soon! He’s so damn talented and we would not be in the position we are now without his help. It’s crazy to think we actually filmed that back in January of 2020, thinking our record would be out later that summer.

Your new album Hell to Pay comes out June 4th. Who did you record this record with? How did it affect your writing process, if at all?

We recorded Hell to Pay at The Barber Shop Studios in Lake Hopatcong, NJ. Brett Romnes engineered/mixed/produced and Vinnie Caruana was also a producer (both members of I Am The Avalanche, The Movielife). We went in there with a hell of a lot of songs. While we thought all of them were pretty much ready to go, they certainly helped us do a lot of re-working, trimmed some fat, and it really improved us as both writers and players. They are both masters of their craft and writing with them came so naturally. I’d like to think that you can hear that in the record. There’s some songs that we didn’t think would even make the cut that are now probably our favorites to play. I guess that’s a common thing band people say, but it’s the truth.

Do you have a favorite tour moment now that shows are coming back?

Wow, just reading “shows are coming back” gives ya chills nowadays. Personally, something I will never forget is the first night of our first tour. We were playing “The Shed” in Alabama. It was… a shed. We rolled up after driving straight from Jersey to said shed. A girl popped out of the house next door and said “You in latewaves? She’s closed. You’re playing in the kitchen. Come help me move the table.” So, yeah. We moved that table, and then played probably the best and most welcoming house show any of us have experienced. Shawna and I proceeded to get too drunk to blow up the air mattress so we slept in the van. We just never plugged the air mattress in. Mike woke up comfortably sleeping on a couch next to an open window. Then a bird landed on his chest and was just chillin’ inside. Perfect first night and first morning for our first tour.

Did you ever anticipate such a long break from shows? Have there been any positives with the time off?

I guess I kinda said it before, but no we never thought that it would go this long. I don’t think anybody did. Unless you’re literally an expert in pandemics (we are not). It definitely hit us hard, but we know we are very lucky. We’re coming out of this on the other side with our health and a record to put out. Just knowing the amount of friends and people overall in the music industry alone that don’t or won’t have work to go back to breaks our hearts. We’re in a good spot, and we hope that shows (safely) return and we can get the live music machine running again.

It’s hard to find the positives in all this time off, but we know that they are there. It gave us a chance to really put all of our efforts into making sure this record comes out in the way we intended. That’s tough to do from the road when you don’t have major label budgets and people. I mean, it took us a couple years just to make the record. It wasn’t because we wanted to stop and go home after a week. We had tours to go on, jobs to show up to in order to pay rent/go on tour, that whole thing. And we didn’t have to sleep on any strangers' beer soaked floors. But, I do miss that, too. Hopefully one day again soon!

You can keep up with all things Latewaves here and make sure you preorder the record HERE.

Interview with DUMMY, Kicking Off 2021 Right

By Sonia Schnee | Posted Saturday, March 20, 2021

New Jersey rock/alternative/80s-90s nostalgia quintet DUMMY have certainly been keeping busy. They kicked off 2021 by releasing their debut single and music video, “Suddenly”, on YouTube and all streaming platforms. Then on Valentine’s Day, they released a special second music video, appropriately named “Valentine,” and currently they are planning on releasing a follow up single as well as another music video (follow them on social media for the latest news and announcements).

Check out our interview, below, with the ultra-productive members of DUMMY to learn about their origin story, as well as the inspiration behind their song and music video, “Suddenly.”

Congratulations on the release of your debut single and music video, "Suddenly"! What can you tell us about the inspiration behind the song? 

Thank you so much! The lyrics were not only very personal to Ben, but we wanted the song to resonate and help people struggling with addictive personalities to not feel alone. At some point, everyone goes through a dark period in their life whether it’s a struggling relationship, mental health, substance abuse, or everyday vices that can trap one in a corner of their own self doubt. 

What was the music video-making process like? 

It was such an amazing experience just being able to work with a great crew. We were really excited to put our vision in the hands of Jim Boemio and Calyn Heller, whom we’ve grown a great relationship with as a band through Jim and Jeff’s history of making films for school. It was a long day of shooting but we’re stoked we got it done in a day. With this being our first release we had to make the best first impression, so concentrating on creating a great set and environment that ties perfectly with the mood of the song was extremely important to us.

Where did you record/who did you record with? 

“Suddenly”, along with a handful of unreleased work, was recorded with Mike Morello, at his studio in Hillsborough, New Jersey. There is probably no one we would rather work with who has such a great ear to bring our sound to the max. There’s not a single dull minute with Mike. He keeps it super real and straight to the point when tracking to make everything as proficient and professional as possible. Mike is truly an expert and has become a great friend and member of DUMMY.

Tell us about DUMMY. Who's in the band? Where are you from? How did you find each other?

DUMMY is Ben Nelson, Jeffrey Fetzko, Carlee Ahart, Matt & Cris Nace. Ben met Jeff growing up in the same  town going to the same DIY hardcore shows. After a few years, they reconnected and found a lot in common with one another. They had both gone through similar situations, fed up with working dead end jobs, they wanted to create something big. Summer of 2019 was the beginning of DUMMY.  After finding their sound and writing a new song or two everyday, Ben and Jeff got serious about finding members to help write and mold the sound. After writing a couple songs, they reached out to Cris and Matt Nace, old friends of Ben, who had the musical resume DUMMY was in search of. The Nace brothers perfected the fast paced drum beats and high energy synths, adding the intense energy the old hardcore shows reminded them of. Shortly after,  Ben reached out to Carlee, a high school friend. She became the perfect match for the sound with smooth rhythm guitar. 

How would you describe your style?

We have been describing ourselves simply as a ‘rock’ band. To be honest, we didn't really know how to describe our music. Since our release of ‘Suddenly’ we've been compared to so many different bands reigning from the 80s post-punk era to early 2000s alternative acts. It’s hard to categorize yourself with so many different types of influences we collect for our sound.

Who are your influences?

Ben — Sad Lovers and Giants, The Doors, Joy Division, John Maus.

Jeffrey — Tennis System, Vlad Holiday, The Cure, Turnstile, Beach Fossils

Carlee — My Chemical Romance, Led Zeppelin

Matt — Surf Curse, U2, Viola Beach

Cris — Turnover, Hippo Campus, Kings of Leon

What are you looking forward to in 2021, personally and/or professionally? Is there anyone who you'd like to collaborate with in the future? 

We’re super excited nonetheless to share the unreleased music we have, along with more videos we’ve been producing. Hoping within time we’ll be able to perform live with some of our friends in the area!

Finally, where can people find your music?

https://linktr.ee/Dummy.band

https://dummy.band

Https://dummytheband.com

Is there anything else you’d like to add?

Yes! Thank you for taking the time and giving a platform for the voices of amazing artists throughout New Jersey. We cannot be more grateful for you guys reaching out to help promote our debut single along with what you do supporting local music. Much love!

— DUMMY

Interview with Via Ripa. New EP "While It Lasts"

By Deaglan Howlett | Posted Wednesday, March 17, 2021

Via Ripa are a four piece rock outfit based out of Long Branch, New Jersey. Forming in summer of 2019, Via Ripa already has two EPs out; their latest “While It Lasts” was released 2/14/2021. Their blend of influences lead to a unique, energetic sound, with a familiar New Jersey attitude. Unfortunately due to the pandemic, after Via Ripa’s first three shows, venues were shut down and the group was forced back to their practice space. Luckily for us, the group has been hard at work and are showing no signs of stopping. I reached out to the band to see how they have been keeping busy in the wake of their latest release, as well as what is next for Via Ripa.

When did Via Ripa first form? 

Via Ripa: Mike and two of our friends (Sam Macpherson and Kyle Kieper<333) had started writing songs together and posting them on YouTube in like 2015/2016, and they called that Via Ripa, but only did that for about a year. Fast forward to the summer of 2019, and Matt, Mike and I (Sean) started jamming together and eventually got our drummer Nick in the mix. We got the okay from Sam and Kyle to use Via Ripa as our name in the beginning of 2020, but I guess you could say Via Ripa has been around for a little while. 

Who were your influences when starting the band, have those influences changed?

As far as influences go, all four of us come from varying backgrounds with varying interests in genres and artists.  Personally, mine (Nick) range from jazz artists like Louis Prima, Art Blakey and Benny Greb to bands and artists like Streetlight Manifesto, Jack Johnson, PUP, Vulfpeck and Led Zeppelin.  Sean was listening to a lot of Slaughter Beach Dog, Skeggs FIDLAR, bands like that, and Mike was on a big Jimmi Hendrix and The Smiths kick. Matt is more into blues and progressive, like Ariel Posen. That said, we feel that our sound is a result of all of these bands and evolves due to the wide variety of our own personal influences

When did you start writing for your latest release, "While It Lasts"?

Over the summer we sat down and kind of just wrote whatever popped in our head. I think in total we wrote 11 songs and ended up recording 10 of them in a two day span, with some over dubbing sessions in the following weeks. “Summer is Dead” was a reworked version of the song Mike wrote in 2015, but all of the writing for the “While It Lasts” was done in the summer.

How has the pandemic influenced how the band functions (i.e. practices, songwriting, recording)?

We had our first three shows in a two week span before COVID shut down live music, so it really sucked going from full steam ahead to doing nothing. We didn’t have practice for the first few months, but we slowly got back into playing and writing. I think the time away from practice for a little allowed us to write material in our own space and bring it to the band and then have it take a whole new shape and sound. The live music shutdown also changed the way we feel about releasing music. We could have put out a ten song album, or two five track EPs, but staggering our releases and creating anticipation for our next songs, that has really been the best way for us to present our music to people. 

Any bands you are looking forward to playing with once shows come back around? Venues in particular?

Sean — Loveseat Pete!!!!!!!!! And I would love to get back to The Saint and The Brighton [Bar], but House of Independents and any 4333 Collective show would be really cool, too. 

We would also love at some point to start branching out to NY, Philly, and Boston. Nick’s got a bunch of friends and bands out there from touring and school, which is pretty great.

How have you all been maintaining your sanity throughout the past year?

We haven’t. This band is full of neurotic basket cases who cannot be saved from themselves. 

Future plans/releases?

We have a direct-to-vinyl session with Leesta Vall on April 3, and we will be putting out another EP, 5 songs, in the near future.  We are also always writing and pumping out new songs, so at some point or another we will record those, too! But definitely give our new EP, “While It Lasts”, a listen.

Via Ripa is
Nick Marinelli — Drums
Michael Pinckney — Voc/ Guitar
Matt Smentkowski — Vox/ Guitar
Sean Cuddy — Bass 

Interview with Jonathan Francis. New EP "Borrowed Songs, Vol. 1"

By Deaglan Howlett | Posted Tuesday, March 16, 2021

Jonathan Francis is a singer songwriter based out of Asbury Park, New Jersey. Having cut his teeth in the New Brunswick punk scene with his band, The Moms, their 2019 split led Jon to start working on music under his own name. Jonathan released his “Borrowed Songs, Vol. 1” EP on March 10th, a mix of covers as well as an original, stripped down version of his own track, “Borrowed Song.” This first release is just a fraction of what is to come from Jonathan Francis, having recorded a full band release as well last year with his trusty producer Pete Steinkopf. Jon was kind enough to let me in on the process of making the “Borrowed Songs” EP and the importance of working harder despite the current circumstances. 

When did you first start releasing music under your name?

JF: The first official release was on November 2nd, 2020.  It was my version of Woody Guthrie’s “Tear the Fascists Down” which is part of my new EP, “Borrowed Songs.” I kind of pushed this track ahead of other stuff I’ve been working on because of what was going on in the world.

What was the songwriting process like for your new release "Borrowed Songs"?

The title track, “Borrowed Song” is one that I’ve had forever. I put together this EP which includes 3 covers that resonate loudly these days.

Woody Guthrie, a big influence on the “Borrowed Songs” EP. Listen to “Tear the Fascists Down” on Spotify.

Who did you work with on this release? How did they influence your process?

This one was just myself and Pete Steinkopf (The Bouncing Souls). It was Pete’s idea to turn the whole thing up and ditch the acoustic for the 335, and I’m glad we did.

How has the pandemic affected your songwriting process, if at all?

I’ve been keeping with it and trying to constantly expand my approach, but at the same time feel like I’m just drifting without progress. I know that’s not true, but it’s definitely easy to feel like time is stalled. We don’t do anything the same these days, so the milestones I used to make in my mind with a track are not the same as they once were. Additionally, the lyrical content has been focused in a different direction, naturally, as nothing is the same as it was pre-pandemic.

You released a cover of Woody Guthrie's "Tear the Fascists Down" late last year. Did you plan on digging up older songs for this project, or was that a spontaneous decision due to the state of our country at that point?

It just kind of happened. The songs are all from different decades. I guess they were just resonating with me particularly heavily due to the state of things. The idea to make an EP out of the songs came later. Each of the covers was its own endeavor when I started putting them together.

How have you been maintaining your sanity as a musician over the past year?

Well, I’ve been TRYING to maintain my sanity, but it doesn’t always feel like it’s working. It’s been hard but the three W’s help.... Weed, Water, & Willie. No, but for real, getting outside (even though the Jersey winter is no fun) and playing music with the same intention that I’d have if tomorrow was a show. It was easy to get lost for a while, time seemed even more fleeting, but staying focused on what I love doing makes it feel like there’s light at the end of the tunnel. Now, if I could just remind myself that every morning haha.

Any bands/venues you are looking forward to playing with when shows come back?

Too many bands to name, but where we will play is the bigger question. Punks are resilient, like cockroaches. There will be places to play, but it is a bit anxiety-inducing to wonder where, knowing that so many places have already and will close. It’s pretty scary to say the least. But we’ll be okay.

Photo by Abby Clare.

State Function – “Suspended Animation” (Interview)

By Deaglan Howlett | Posted Thursday, January 23, 2020

State Function is the solo project from Liam Frank, based out of Highland Park, New Jersey. His first release is a 4 song EP titled Suspended Animation. Released in November of 2019, this EP started its life in the fall of 2017. With the help of friends and the honing of his own skills as a songwriter, Suspended Animation is a strong debut release. After a couple listens, I reached out to Liam to ask him how this project came to be and what it means to him. Thanks again, Liam!

What is State Function to you? The band, name, etc.

State Function, to me, means individuality and being true to yourself, it means self-awareness, it means being human and being inspired by life around you. I came up with the name because I really enjoy science, and a State Function (or function of state) is a property in a thermodynamic system that matters solely on its present equilibrium state, and the past pathways it took and forces that acted upon it do not matter. I relate that a lot to my outlook on life as a whole. Making the most of your present and your present surroundings; all we have is right now.

When did you start working on your EP Suspended Animation?

I started working on the EP in the fall of 2017. I always had a vision for the project and for the sound, but I was never able to translate those ideas well on my own until I finished school. I lived with some friends in Asbury Park right after college, and they were always recording something in the living room. I was always playing my guitars, but the additional gear and resources I had at my disposal through them really facilitated my musical and eventually lyrical ideas. I was able to get a lot done in the next two years and link up with more people that helped with this project because of that and because of them.

What is your songwriting process like?

A lot of trial and error, fitting things together from past ideas, a lot of messing around on guitar between the hours of 10pm and 4am. I definitely need a melody or musical part first, though. Sometimes when the trial part for a new melody is successful, I'll finish a song altogether in a couple of hours. That's what happened with the songs “Snowing” and “Elsewhere” on the EP, and those are two of my favorites. I love words and metaphors a lot since I'm such a romantic person, and I really go for imagery as well. When it comes to songwriting, my brain is this chaotic windstorm of fragmented musical and lyrical parts, but when there's a moment of clarity, it's a beautiful thing and I can get a lot done.

Were the songs written for this release written around the same time or over time?

They were definitely written over time. Like I said, some developed sooner than others, but for the ones that took longer I had ideas and pieces in mind for months and sometimes years, and they didn't come to fruition until this EP felt finished. I didn't want to rush anything, though.

Where did you record? Who played on this release?

I recorded in a lot of different places, including my old living room on Fourth Ave in Asbury Park, with my friends Will and Kevin at their respective home studios in Hunterdon County, NJ, and with my friends Craig and Alex at Craig's home studio in Stockton, NJ. I wrote and played all musical parts as well as the lyrics, except for the synth part on “Elsewhere.” Kevin played on that, and it really brought out the sound on that track. All of these guys had a hand in production and post-production, and they were totally instrumental in delivering the sound I was going for.

Favorite song on Suspended Animation?

Favorite song has to be “Snowing.” First song on the album, first single I released and first thing altogether I released myself that was a huge deal. It's a song I think really does a good job describing me. It's a positive song about learning how to let go of your past, being ready for a bright future, but also learning how to stay in the moment and keep working hard and also how to better temper your expectations. That theme is repeated in the chorus, "My heart is set on spring, but it won't stop snowing." You're ready for something better, but you have to put in work in the present and let go of the past. Because after all, all we have is this moment, a metaphor I used in the naming of the whole project!

Last thing I'd like to add: a shoutout to my brother and my parents, especially my dad, for believing in me, my art, my passion, and supporting this project so much and giving endless love to me and to everything I do.

Smooch (Interview)

By Deaglan Howlett | Posted Sunday, October 13, 2019

Smooch is somewhat of a supergroup, hailing from Monmouth County.  The five-piece, “groovy beach rock” group consists of members from various local New Jersey bands.  Together they create a sound unlike any of their own individual bands, and that sound is quite refreshing.  Their first single, “Rudy” caught my attention, and the band was kind enough to answer some questions about their origin and “Rudy.”  Make sure you follow Smooch on Spotify to keep up with their releases!

How did Smooch form?  When?

We’ve all known each other for quite some time and have collaborated through different projects, but the first time “Smooch” came together was for a recording session in March of 2019. 

Who is in Smooch?  Who plays what?

Smooch consists of:

Jon Bass - Bass Guitar and vocals

Justin Murray - Guitar

James Eckert - Guitar and vocals

Owen Flanagan - Drums and percussion

Andy Jackle - Drums and percussion  

Tell us about your latest single, "Rudy."  Where did you record?

The song “Rudy” was recorded at Retromedia Recording Studio in Red Bank, NJ by Adam Vaccarelli (a totally rad dude).  Justin Murray wrote the premise of the song while still in high school.  It came to its final form after the other members added their parts just before the recording session. 

What is Smooch's songwriting process like?

When Smooch writes a song, it often starts with one band member bringing an idea to the table (chord progressions, lyrics, etc.) and then the band will get together and create parts for other instruments.  We then jam it out and try to get it as tight as possible. 

Plans for more music?  EP?  Album?

We’ve released 5 individual songs so far and are constantly writing more.  As of now, there are no concrete plans for an album or an EP.  We are just creating and going with the flow.

Future plans for Smooch?  Upcoming shows?

On November 1, 2019 you can catch Smooch at the Red Tank Brewing in Red Bank, NJ.  For more show dates and future events, you can follow us on Instagram with the tag @smoochthegroup!

Interview with Connor Bracken (Connor Bracken and the Mother Leeds Band)

By Deaglan Howlett | Posted Tuesday, August 13, 2019 

Connor Bracken and the Mother Leeds Band are the culmination of everything we love about the Asbury Park Sound. Connor Bracken fearlessly leads his Mother Leeds band with hip-shaking, rock and roll, reminiscent of Southside Johnny and early Springsteen. However, Connor and the boys have taken their own spin on the typical Asbury Bar Band sound, bringing in louder guitars and energy like no other. Connor was kind enough to answer some questions about his band, amidst the release of their latest music video “Read On You.” Thanks again, Connor!

When did the Mother Leeds band first form?

The formation of this band is a long, arduous story in which I will save you most of the pain. Long story short, awhile back we were LEEDS, and then we weren't. So if you consider that the start of the band I guess we just came to be serendipitously.

How has it changed through the years? I.e., style, influences, lineup

We're actually pretty similar to how we started out, just a lot tighter, a bit less dumb, and have gained a bit of wisdom that comes with being taken advantage of by the music "Industry."

This band has gone through a lot of line ups. Life happens. People realize that being on the road in a rock n' roll band isn't as great as they thought it would be. There's a lot of driving . A lot of thinking. Thinking sometimes leads to thinking of home and thinking of home sometimes leads to staying there. Needless to say, it took a while to find a crew that's about as crazy as me to want to stay out on that road, even when home was calling. For a good stretch, that line up had been Rich Seyffart, Mat Cobb, and Jesse Fogerty. Soon after we rebranded, the call of service came to Mat and he left to become a Marine. Now we got one of my closest friends in the world, Matt Sandelman, behind the bass. For now, we're pretty happy being crazy.  

Who are your biggest influences? 

I love a lot of music. Probably too much for my own good. Typically whenever I am not making it I am listening and learning from it. So it's hard to give you three or four bands. But lately, in my rotation, it's been Thin Lizzy, Van Morrison, Tom Waits, Rory Gallagher, and Sam Cooke. But that's just this week.

 What is your songwriting process like?

It can vary. I typically have to move the location where I am writing songs as the well tends to dry up after two or three songs. But my toolbox usually consists of a notebook (typically half destroyed from my travel/ doodles), an acoustic guitar (typically my father's old fender), and every little line I've written onto the back of a bar napkin, gas station receipt, or scrap paper. I get all of those elements together and I make myself available to what comes out. What's going to come out, I'm never sure of. 

What was it like filming the music video for "Read On You"?

That day was great. We had one of our good friends, Kris Khunachak, behind the lens on that one. My main thing is music but, if I could mess around with my friends in a diner all day, I would. It was a nice change of pace from our usual gig, plus we brought out even more amps than usual!  

Huge thanks to Frank’s Deli on Main Street for that.  

Favorite show you've played?

Favorite show ever? That always changes. The goal of every show is to make it the best you've ever done, because who knows if you'll make the next? So as of now, it's the last show we did at the Danny Clinch Gallery. That was really special . Or maybe the first show we did under the new name. It was at the Wonder Bar for Joey Henderson's "Wonderful Year" party. That night we were hungry to show what we've become over the past year. I remember talking with Dan Apy from The Mercury Brothers about it. Everyone in Asbury was there and it felt like a High School Reunion, except with people you actually want to see. 

Future plans?

We have tons in the works. I'm incredibly proud of what this band's been able to accomplish and that does nothing but fuel us to go even further. As of now, it's about time to announce our next record, Wonderful Year: Live at the Wonderbar, and to keep working the live show. That's where we do our real work and it's where things feel right. The music I write is meant to be played live. As of now no breaks ‘till we get where we want to be. Not sure where that is yet though.

 ~

Make sure you catch Connor Bracken and the Mother Leeds Band at their upcoming show! Also be sure to check out their latest single, “When The World Stops Turning”!

8/28 Asbury Park Live Summer Concert Series - 1st Avenue Green Space, Asbury Park, NJ

Rachel Ana Dobken - When It Happens To You (Interview)

By Deaglan Howlett | Posted August 13, 2019

Rachel Ana Dobken is a singer, songwriter and multi instrumentalist based out of Asbury Park. Her latest release, When It Happens To You, is raw, inviting and familiar. Her songs touch on the human condition and how we are all much more similar than we sometime realize. Rachel was kind enough to let me ask her some questions about the album, her songwriting process and her eclectic mix of influences.

How did you come up with the title, When It Happens To You?

So, the title of the record actually came to me in the form of a poem. Essentially, it’s about the concept that we don’t know what an experience is like until we go through it  ourselves. Someone can tell you, “Oh I can give you all of this advice, but you won’t know what it means, what it truly feels like, what to DO and what is right for YOU until it happens to you.” It came to me just like most of my writing does— subconsciously and at a time when I wasn’t thinking about it at all. I originally thought, I will make this into a song and use it as lyrics! Which I may still do… if you’d like to read it (this is a condensed version there's about 3 more stanzas!):

When it Happens to You

Then you know what to do

Know exactly what I am going through

Hope it happens to everyone

You and you and you…

So that you know what to do

When it happens to you

Our pride and preferential being

Existing within this sphere we call earth

Acting as if we have each other

When all we do is try to live first

Selfish, but it comes from a place of fear

Of wanting of wishing of hoping oh so much

That you'll find love, connection, acceptance, and trust

Pick me look at me love me respect me!

Because all we all ever want is acceptance

From you from me.

From every living thing.

It seems so hard to find

If you think of it this way...

Or maybe not?

When it happens to you

You will know what I mean

Hope you figure out what to do

When it happens to you

….

When did you start writing for this release?

Well, the oldest song on the record I wrote in 2013 when I was still living in Upstate NY post-Bard College. That song is “Got Away.” The second oldest song is “Belief Beneath” which came to me in 2015 and was completed shortly after my debut EP Detach was completed. The majority of the songs came to me within the past year, and I’d say about 40% of the songs were completely flushed out. It really all came together once we started tracking and mixing.

 What is your writing process like?

My writing process is very fluid and organic. Ironically, it’s the opposite of how I’d describe myself— it’s relaxed, free, organic, flowing….

I don’t choose when or where songs come to me, or even what they sound like. They just do. It’s almost like its own spiritual entity (not to get all “hippy-dippy” on you here). I find when I allow the art to speak for itself and come out when it needs to, it always does and does so in a compelling way. I worry that I will run out of material but honestly, every time I think this, something better musically and philosophically comes to me. Something is always rattling around in my brain and is always dying to come out. Usually I’ll hear parts of a song when I am most able to let go and clear my brain (showering, when I’m falling asleep, while going for a run), when I am not thinking about anything at all.

A lot of times it can be after my brain is going for days and I’m coming down from, or feeling residual emotions from whatever situations are going on in my life. The next thing I know I’m in the shower and an entire melody comes to me, a lot of times in conjunction with a lyric. I have a basic idea of “this little line is definitely a chorus or a verse.” Almost immediately after I know, “oh ok this is what the groove is, this is what the drums will be doing.” And then I’ll have an idea, even if the parts have not come to me yet, where the song is to go.

Typically, (especially if I’m feeling wildly inspired or going through something) I will continue to hear parts throughout my days and weeks and won’t be able to escape it. The song just happens. Usually, after a structure is set the lyrics will come. It always varies in different ways and each song has its own set of similar yet different creations. After that, I’ll sit down a couple of times and work through until lyrics and structure are all flushed out! Then comes the workshopping with the band! 

Influences for this album?

Well, I listen to everything but I don’t try to sound like anyone. I just know what I love and for me it comes back to, the groove and genuineness— intention behind the music. Don’t worry about the bullshit, don’t worry about people and your “image”, just hone your craft and be true to YOU. I guess I will answer this in regards to production, and where I saw the record fitting sonically in 2018. It was (sort of but not really) all over the place. Sometimes when referencing where the drums should sit, we’d pull up Allen Stone. Other times for vocals, it would be Lake Street Dive (I get the vocal comparison to Rachael Price a lot wooo go Rachel’s)! Guitar-wise, My Morning Jacket and White Denim… I could go on and on.

Photo by Danny Clinch

What was it like producing your own record?

It was fantastic and insanely overwhelming. I’m a perfectionist and I thrive off of being in control, so I definitely drove myself crazy at times (surprise, surprise)! I am so proud of the way the record came out, so proud of the work we created. Everyone told me during the process (while I was pulling my hair out) that I would be so incredibly proud of what I was achieving. But in the moment it was insanity at times. Listening to mixes over and over again and losing context, having to make every little decision from what take should we use to what guitar tone works best? I didn’t know how much panning mattered before this record… Should the drums be “wetter” and the guitar more “dry”? All of these decisions fell on my shoulders and I had to eventually be like, “whatever fuck it, I can’t care anymore, let’s just say it’s great. I have to be done…” But, as an artist with a vision, as someone who hears exactly what they want down to the last riff (I’m soooo happy with that ending to “Understand”) it’s extremely rewarding to know that you’ve created something with 100% authenticity true to the art itself. I know that isn’t always the case, but I will for damn sure strive hard to make sure it is in my music career.

Who did you work with?

Great question to follow-up with because as much as I loved to produce this, there is no way I could have without the help of the folks who gave me constant feedback and who played with me… let’s start with my engineers Tim Pannella and Joey Henderson— simply the best.

Then the players—Dan Haase (bass), Ryan MacLean (lead guitar), Andy Jackle (drums—”Intro,” “Got Away,” “Taking My Time”), Chris Dubrow (bass—”Us,” “Taking My Time”), Joey Henderson (guitar—”Always,” “Intro”; vox—”Belief”), Mark Masefield (b3), Ian Gray, Denis Daley, Bruce Krywinski (trombone, sax, trumpet), Danny Clinch (harmonica!) and I played drums, guitar, piano and sang. It was mixed by Kyle Joseph and mastered by Justin Colletti…

I’d be nothing especially without Chris Dubrow (who truly helped me get this off the ground organizing my thoughts and sounds through the pre-production phase), Dan (such an incredible player and amazingly helpful opinions, Dan and I have a great flow and a lot of respect for each other as musicians—I’m extremely grateful to him and our musical chemistry), Joey (oh man, thank you Joey, my right hand man in so many ways, Joey and I think, hear and feel things in a very similar fashion and we happen to have very similar musical influences)... and of course everyone else. Even the musical friends and my boyfriend who gave me feedback and lent me an ear to know I had to get the fuck out of my head—Renee Maskin, Tara Dente, Joe Michelini…

Favorite song you have written? Why?

Whew, this is a tough one… I think for this record it’s either “Understand,” “Everybody Wants” or “Learning How to Let Go.” In regards to “Understand” and “Learning,” its for similar reasons. I love the sentiments of what they captured, and more so I think because it’s something I live and struggle with frequently.  This gnawing feeling that we have as a society, as people, as artists to compare and be down on ourselves for being different or wondering why we aren’t succeeding at a pace we expect, in any situation.

It’s a coming to terms with reality in the moment, but also allowing yourself to feel the feelings rather than fight with them. Not understanding all the time why you’re having them but just accepting that…

“Everybody Wants” is an epic love song and is in other ways one of the best track on the album (lyrically well-written, easily accessible, showcases my vocals the best)…

Who are some other artists you feel define your sound?

I love so much music, I’m such a music nerd I could cry about my love for the medium—I know this is why I keep going… some of my biggest influences, and you can make the call whether or not you hear it!: My Morning Jacket, The Band, Jeff Buckley, Incubus, John Mayer, Paul Simon, Fiona Apple, Amy Winehouse, White Denim, Thelonious Monk, Julie London, Patsy Cline, Ray Charles… the list goes on and on…

Future plans?

I’m planning out 2019 and trying to figure out our gigs. I am in the works of figuring out some music videos, and I do have an unreleased single that will come out probably in the spring—keep the eyes and ears peeled! 

~

Spotify: https://spoti.fi/2PSjhSQ

Apple Music: https://itunes.apple.com/us/album/when-it-happens-to-you/1438758369

Bandcamp: https://rachelanadobkenmusic.bandcamp.com/ 

Interview with Freddie Koechlin (Rainville)

By Deaglan Howlett | Posted Thursday, July 25, 2019

Rainville is the latest project from Freddie Koechlin, based out of Red Bank, New Jersey. Freddie also plays bass and sings in America Part Two, a rock outfit also based out of Red Bank. However, Rainville seems to be a departure from the raucous sounds of AP2. Rainville’s latest single, “More Than Anything”, appears to be a step in the singer/songwriter direction. With beautiful finger picked guitar and a passionate vocal take, Freddie proves he is more than capable of quieting down when he is not playing with AP2. Freddie was kind enough to answer a few questions I had about Rainville for Jersey Indie. Thanks again!

What made you choose "Rainville" as the name of your new project?

Rainville is actually my Mom’s maiden name. Since this project is all solo material so far, the name Rainville definitely fits for me and helps paint a vibe.

How did Rainvile start?

2 years ago my band America Part Two/friends moved into a house with each other. We influenced each other because we wrote and jammed every single day. We usually write as a unit which in return helps us find who we are as songwriters individually.

How do you approach songwriting for Rainville compared to America Part Two? 

I think America Part Two writes best in our live energy. I think it’s amazing and most fun when one of us will bring a little idea to practice, it allows the 3 of us to do our thang. For Rainville I prefer to write completely alone. I’ll write in the house, at the park etc... but I most enjoy when I can write and release all my thoughts and energy alone.

What does Rainville mean to you? As a project and a name?

Rainville means everything to me. It’s my family name, and I chose it to represent myself and the group because I do really like it and it’s honoring the fam. This project is intended to help document and understand my family’s history. It’s to promote positivity and I’d hope to show any other weirdos like my friends and I, that the answer is in the art and helping others.

Tell me about your latest single, "More Than Anything." Who did you record with? What was that like? What does this song mean to you? Why did you choose this to be the first Rainville release?

I recorded with Stephen Kellner from NJ! Steve and I recorded a bunch of songs, some that I still hope to finish soon! We tracked 9 songs in 3 days. Steve produced, engineered and mastered. For “More Than Anything” we rigged up a mic on the floor and a mic for my guitar. I live tracked the guitar and my foot stomps... we tracked vocals after. When I was writing this song it was one of those moments where you feel your life changing, and I felt cleansed from the feelings/emotions the very song captured. I released it first because it felt like my true first song.

What is it like recording all of your own instruments compared to playing with a band?

For any full band song I would much rather live-track drums, bass and guitar (recording in the same room at the same time) then... overdub vocals and other guitars.

I feel that captures the live experience as best as possible while also keeping that audible quality. For Rainville, I’m working to get to the point of live-tracking guitar and vocals and then layering the rest. “More Than Anything,” for example, I tracked guitar... then vocals. 

Any plans for full band shows?

We are hopefully gonna jam more full band shows for the rest of eternity! Also keep an ear open for new music! I’m finishing up a lot of new stuff in the studio with Rob Chiarappa of The Stolen. Don’t want to say anything too soon but it’s All Good!!!!!! And to all Y’all reading this!!! Thank you for your time!!! If you  want... follow @AmericaPartTwo and @Rainville.usa !!!

https://www.facebook.com/AmericaPartTwo/
https://twitter.com/AmericaPartTwo/
https://www.instagram.com/americaparttwo/

https://www.facebook.com/Rainville-2128210060548561/
https://www.instagram.com/rainville.usa/