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Words with P.R. (Edition 8) - Wrestling is a Love Story

May 9, 2022 Sonia Schnee
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By Patricia Rogers | Posted Monday, May 9, 2022

"Wrestling is a love story,” - Cody Rhodes

INTRO

I am back from Dallas and feeling better than ever. I had the pleasure of going to Texas for WWE Wrestlemania as a part of my women’s wrestling podcast, Those Wrestling Girls.

If I had one word to describe what wrestling fans call “Mania Week” is passion.

When hoards of fans travel to the host city of the biggest wrestling events in the world, the streets are filled with people dressed in t-shirts adorned with their favorite stars, and championship belts.

It is almost like everyone there is buzzing with excitement. There is love in the air because we are all there for the same reason, the love of pro wrestling.

This was the first time my friend and co-host Krista B. and I were able to travel outside of New York for Mania Week. The entire trip was one of firsts, and I can say it was the best weekend of my life. I got to meet a lot of friends that I have known online for years for the first time. Including other black wrestling podcasters, and tastemakers in the industry. We were able to have fun, network, and make unforgettable memories including working out of the press box, floor seats to see my all-time favorite, WWE Hall of Famer and Texas native Stone Cold Steve Austin (TWICE!), and the bonding that took place at the after after-parties.

I am already planning the next trip to Los Angeles, California for 2023. 

 

MEET 

KIPP AMP School teacher, musician, & Wrestling Club founder Mr. Perry. Okay, his name is Victor but I was introduced to him by my mother as that so for my sister and me, he will always be Mr. Perry.

He is a great sixth-grade teacher and one that many of us wish we had when we were younger. Like myself, he grew up a wrestling fan and there were times that he did not have other people with whom he was able to talk about it. My mother introduced us, and we have been good friends ever since.

I was honored when he sent me his proposal to start a wrestling club in his school, KIPP AMP Brooklyn. Students can come to his classroom on lunch breaks to watch matches and documentaries. After the club was approved by the school he posted pictures and videos of his students enjoying marquee matches and it soon went viral. Everyone praised the young teacher for bringing wrestling to his students, and how fans of all ages and backgrounds wished they had a teacher like Mr. Perry. 

Not only were other fans inspired by what Mr. Perry was doing, but so were WWE superstars themselves. It was not long before one of the biggest WWE superstars in the world reached out to Mr. Perry asking to visit his club. She is someone who has had a passion for wrestling since watching WWE for the first time at 10 years old. Sasha Banks had to face many obstacles growing up and has been very vocal about how much wrestling has saved her life and given her a purpose. So I can only imagine what it meant to her to see Mr. Perry’s students enjoying a club like that.

“One day while I was in the middle of class teaching, I got a Twitter notification and I briefly looked and saw that it was from WWE. I had to keep calm while in class and after class, I read the message and saw that Sasha really wanted to come to see The Wrestling Club… Never did I actually think that could happen. From that interaction on we made it happen. I have so much love for WWE for working with me and the school to create such a beautiful moment that will live forever in the lives of my students. I've gotten phone calls, text messages, emails, from students telling me how much it meant to them,” says Victor Perry.

The students lost their minds and were so moved by her visit. Banks answered questions from the kids who were eloquent, respectful, and filled with joy. I think the most memorable part for me was seeing how much it meant to the kids but also what it meant to Sasha Banks. She kept thanking Mr. Perry and the entire moment was genuine and emotional.

He went on to share with me, “Meeting Sasha I realized quickly that she was like the sister I never had. She's so easy to talk to. She was so warm and inviting and you could see the joy all over her face. I think this moment not only meant a lot for my kiddos but it also meant a lot to her. She got to dance and sing to her iconic theme song, answer and give some insightful words of wisdom and take the best photos ever with The Wrestling Club. She's inspiring a whole generation, the future. Not many people can say that! I'm really happy we could make this possible. I hope we can continue to have others stop by and hang out with the kids in the club. I want The Wrestling Club to be the coolest club ever."

Relive the entire experience with me exclusively on Those Wrestling Girls Patreon. Thank you, Sasha Banks, WWE, KIPP AMP Brooklyn, and Mr. Perry for making that moment happen for those kids. Glad I was able to experience that. 

 

SHOUT-OUT

The University of Orange, the free-people university and non-profit organization based in Orange, New Jersey is gearing up for its annual music festival this month.

The 6th annual Music City Festival takes place from May 13-15 at eight different outdoor venues around the city. Over 50 musicians will be performing in partnership with the following restaurants: D’3Fold, Reddz Bistro & Grill, Sarrah’s Cafe Trinbago, Inner City Cafe, Four City Brewery, Benji’s Taqueria, and Hat City Kitchen.

Performers include Alexandra & Real Music, Asad & King Sykes, Big Naut, Jazz Millionaire, Paul Lombardo & Juliana Carr, Voices in Harmony, Orange All-City Chorus, Orange Concert Choir, and Mighty Marching Tornadoes. 

Music has always been a part of the fabric of Orange, New Jersey. The diversity is showcased at this festival every year bringing the city together in harmony. The festival is sponsored by lead sponsors HANDS Inc., M&T Bank, DAAB Kids, co-sponsors Four City Brewery, NAACP of the Oranges & Maplewood, and Missing Link Music. 

You can sign up to volunteer at the University of Orange’s Music City Festival here. 

 

LESSONS

Great Love is Never Easy

Growing as a person and learning lessons in life along the way is probably one of my favorite things about life. It kind of makes it all makes sense to me. One thing that I have learned and accepted for the better is that nothing worth having in life will come easy. And this could not be more true when it comes to love. I don’t know if there is such thing as true love, but I do believe that we all have great loves out there that will strike you like a thunderbolt when you least expect it. It will feel intoxicating, and it will be all-consuming. However, it will not be easy. It will feel big, destructive, exuberant, dangerous, and inescapable.

As a writer, I like to think that the storm great love brings into your life is worth it because great love stories are the best stories. And whether we like it or not, the best stories make us laugh, cry, angry, sad, and happy. In real life, not so much. But I will always say that experiencing love in life is a blessing and believe that it is better to have love and loss than to never have loved at all.

 

SOCIAL MEDIA/BRAND MARKETING TIPS

It’s Okay to Rebrand

The tip this week is probably a little hypocritical as I tend to preach about how important branding is. This means your brand’s tone, voice, colors, logos, and even the font. But I learned that social media is always changing and you have to evolve with the ever-changing strategies. I think it is important to find the balance between trying new things to see what works and also keeping up the brand loyalty you have built with your followers and listeners.

These tips are for those who have not gone to college for social media marketing but for those who are creative up-starts and were brave enough to utilize the free tools at our disposal to start their own brands and companies. We are real people, we change our minds, and a lot of creative fields are fluid. Think about fashion, every year the new It color or fit or length changes with the times. And I think the way we approach social media marketing with our brands should be the same thing. 

So if in your soul, or during a meditation you want to change your logo from yellow to pink or want to start featuring different guests on your show to cater to different communities. This is okay because we all change. That is what is exciting about life.

In Community Tags Words with PR, Those Wrestling Girls, Texas, WWE Wrestlemania, Mania Week, Pro Wrestling, Krista B., Stone Cold Steve Austin, Mr. Perry, Victor Perry, KIPP AMP Brooklyn, Pro wrestler, Sasha Banks, WWE, University of Orange, Orange, Essex County, Music City Festival, Patricia Rogers May 2022

Elmwood Culture Club Presents Nat Adderley, Jr. and MPack in a Jazzy Afternoon of Live Music (Saturday, May 21, 3-6pm)

May 9, 2022 Sonia Schnee

Elmwood Culture Club Presents “Jazzy on the Lawn”

By Gregory Burrus | Posted Monday, May 9, 2022

In celebration of Spring, the Elmwood Church lawn will come alive with the explosive sounds of jazzy live music as Elmwood Culture Club welcomes internationally acclaimed pianist, composer, songwriter and Grammy Winner Nat Adderley, Jr. and his Quartet. Kicking off this inaugural Jazzy Afternoon on the Lawn live music experience will be one of North Jersey’s dynamic and swinging R&B bands, MPack, led by the Groove Master himself Clarence Conover.

3 pm - 4:15 pm MPack Music
4:40 - 6: 00 pm Nat Adderley, Jr.

Join us for this Jazzy Music Experience!!!

Donations accepted.

This benefit event is outdoors at 135 Elmwood Ave, East Orange, NJ and open to the public, so bring your lawn chairs, come out and join us for a day of music, food, and fun!

 

The Nat Adderley, Jr. Quartet

The Nat Adderley, Jr. Quartet provides a unique jazz experience that you will also not want to miss. The Adderley name is an important one in music because it’s synonymous with jazz, swing, funk, spirit and musical excellence. Nat Adderley, Jr. keeps the torch burning, with a lineage from as far back as Multi-instrumentalist Cannonball Adderley (Mercy, Mercy, Mercy and in Mikes Davis Band), and Cornetist Nat Adderley (“Work Song” and Lionel Hampton’s big band).

Over time, Nat Adderley, Jr. has created his own historical legacy. With over 20 years as the musical director and songwriter for Luther Vandross, Nat wrote “The Wave” for Kirk Whalum, arranged Natalie Cole’s 1987 recording of “When I Fall In Love”, produced “Just Another Lonely Night” for Johnny Gill, arranged Aretha Franklin’s album Jump To It, produced Gloria Lynne’s album No Detour Ahead, and produced “That’s How Heartaches are Made” for The Temptations.

This Yale University graduate in recent years has performed in Beijing Blue Note, Singapore Kool Kats Club, in numerous venues in New York and New Jersey, and has headlined WBGO’s “Somerville (NJ) Jazz Festival” amongst others.

Elmwood is excited to have this history-maker performing some of the time-honored standards created by his family along with tunes that he created, wrote and performed with some of the top best selling, global recording artists.

 

MPack — Clarence Conover

MPack Live. Kicking off this inaugural Jazzy on the Lawn live music experience will be one of North Jersey’s extremely popular, dynamic and swinging R&B bands, MPack. MPack brings an explosive energy to an event that is guaranteed to rock this Elmwood Jazzy on the Lawn experience.

MPack is a band, a brand, and a musical production enterprise, consisting of multiple elements in an ever-evolving flow. It is the musical brainchild of longtime multi-instrumentalist Clarence Conover. Clarence, also known as the ‘Groove Master’, is a bandleader, bassist, guitarist, keyboardist, drummer and vocalist. Clarence founded MPack Music Productions over 4 decades ago with the motto “Life Changing Sounds.”

A product of the Philly sound, Clarence is a specialist in Funk, Jazz, Blues, Fusion, Neo-soul and R&B. Clarence has performed and or recorded with Patti LaBelle, Teddy Pendergrass, Grover Washington Jr., The Delfonics, Bo Diddley and more. Clarence and his band have performed at the Morris Museum, South Orange Performing Arts Center, South Valley Lounge, Jazz On Sloan, and Crossroads along with numerous other venues across the Tri-State area including many North Jersey town-sponsored annual live music outdoor series.

This bassist, guitarist, keyboardist, drummer and vocalist, when he’s not on stage, is in the studio devising new music with his MPack band for their fans. The Groove Master will be bringing along this dynamic band of like-minded musicians who have just provided some truly memorable and enjoyable live Jazzy music experiences at some recently sold-out Essex County venues.

 

Jazzy On the Lawn - Join Us

Come enjoy an afternoon of Jazzy live music among friends, family and the community. This is a great opportunity to come out and experience these very popular, live music musicians, a local food truck, and support the Elmwood Culture Club while you move and groove to some really great, live jazzy music on the lawn. Bring your memories, your singing voices, your dancing shoes and your lawn chairs, as this is an event you don't want to miss — the music will be absolutely amazing!

Please register and let us know you are joining us:
Nat Adderley Jr and MPack in a Jazzy Afternoon of Live Music 

 

About the Writer — Gregory Burrus, Live Music Ambassador

Gregory Burrus is a local live music ambassador, producer, promoter, event planner, and community partner. He combines his extensive corporate business and technology expertise with his love of live music and being a strong community advocate.

I love writing about it all. My mission is to help community groups, live music bands, and local nonprofits, reach their goals and accomplish their missions while enjoying the day-to-day process of life.

https://gregoryburrusproductions.com/events   
https://www.jerseyindie.com/ji-blogger-gregory-burrus   
https://patch.com/users/gregburrus 

In Music Tags East Orange, Essex County, Nat Adderley Jr, Elmwood Culture Club, Elmwood Church, Jazz Afternoons, MPack Band, Clarence Conover, jazz, R&B, swing, funk, Blues, fusion, neo-soul, Gregory Burrus May 2022

Interview with hollowboy

May 7, 2022 Sonia Schnee

By Deaglan Howlett | Posted Saturday, May 7, 2022

Matthew Kessig has been releasing his fuzzed-out and introspective rock and roll under the name hollowboy since his first single under the name in August 2019. Since then, Matthew has released a handful of more tunes, ranging from early-era Weezer to modern bedroom pop. Throughout these releases there has been a constant with which hollowboy gets its unique sound; that constant being Matthew writing and performing all the instruments on his recordings. His latest single “something in the air” was self-produced and part of the Voices of Freedom: Artists in Support of Ukraine put together by local NJ artists Luke Lenczuk and Nicolas Palermo (Have a Good Season). I reached out to Matthew to tell me more about hollowboy and his songwriting/recording process. Thanks again, Matt! 

Who were your influences when first starting hollowboy? How have they changed over the years?

Honestly, there are a million bands that I could say I have taken inspiration from, but my friends have been my biggest influence. So many of my friends are incredibly talented creatives and push me to be a better musician at all times. There's almost a sort of mushy-competitiveness about it where we all are trying to achieve our own versions of 'success' while also supporting each other. I'm really, really lucky to be surrounded by so many great people that also happen to make great art, so it feels like my music has been shaped by those relationships. But also 1994-2001 era Weezer.

How does hollowboy differ from any of your past projects and bands?

hollowboy essentially began because I was sitting on a stockpile of unreleased songs. I have been in a few bands in my life and loved all of those experiences, but I was never the core songwriter for any of them. I just wanted to have an outlet where I'd have 100% creative control over the music and not have to try and fit my pieces into somebody else's puzzle. It's a blessing and a curse. Sometimes it's nice to have another mind to keep yours in check, but I find myself more attached to these songs than anything else I've done because of it.

You play all the instruments for your own songs. Which instrument do you start with first? What usually follows?

I would say almost all of my songs are written on acoustic guitar. I am an enigma in that I am a musician that gets anxious about being too loud, so if I'm playing at home it's almost always acoustic. That being said, drums are lowkey the most important thing to me. I spent so many years playing drums that it's just a part of my soul now, can't be separated, so while I'm writing the guitar parts I'm envisioning what the drums will be in my head. It's not until I lay down the guitar and drums in GarageBand that I start to figure out any additional parts, which there are typically many of. 

Your latest release "something in the air" was part of the Voices of Freedom: Artists in Support of Ukraine compilation. Can you tell us about that track and how you got involved with this compilation?

Two of my very close friends Nic and Luke put together this compilation. Luke approached me with the details and asked about possibly contributing a song and obviously there was no other answer than yes. 'something in the air' was one of those previously mentioned stockpiled songs that I had written at a time when the world just wasn't feeling right to me. It, unfortunately, felt relevant again, so I sent it over to Luke. They did such an incredible job putting this compilation together and got so many great artists to be a part of it. I recommend everybody please go check it out and donate to the cause. It would mean a lot to us.

"something in the air" is also self-produced and sounds amazing. What do you think are the advantages and disadvantages of self-produced recording?

The advantages/disadvantages are essentially the same as the band vs solo question. Working by myself is nice because I have complete creative control and unlimited time to be able to tinker it to how I hear it in my head. Explaining the sound in your head to someone is not easy. The downsides are that I have no idea what I'm doing and nobody can help me. 

All of your songs have a distinct feel since you are the sole instrumentalist. Any plans to record a hollowboy release with other musicians? And how do you think that would change the sound, if at all, to you? 

I've always tried to make hollowboy at least somewhat collaborative throughout. I always send my music to friends and encourage them to give me feedback or even contribute some parts if they have ideas. Speak of the devil, you've ripped a few guitar solos and bass lines on hollowboy tunes. It would be a massive waste for me not to utilize all of the talent I'm surrounded by, so whenever I get the chance I try and get my friends to add their own touch to my songs. 

The thing is that I don't have any plans at all. I pretty much have been operating on my own out of necessity. I sadly don't have unlimited time to dedicate to music even though I wish I could drop everything to do it, so gathering members and regularly practicing is not easy. hollowboy may be a 5-piece one day, who knows, I'm honestly just here to have fun. The second it stops feeling fun is when it'll be over.

Who have you been listening to lately that you can see influencing hollowboy music going forward?

I'm always trying to listen to new bands. Fast, slow, light, heavy, whatever. As long as it's catchy or makes me feel something, it's going to make me want to write a song of my own. “Baby Bye Bye” by Beauty is a hell of a song, though.

You can keep up with all things hollowboy here and support Voices of Freedom here!

In Music Tags hollowboy, Matthew Kessig, fuzz rock, Rock, pop, something in the air, new music, Voices of Freedom: Artists in Support of Ukraine, Deaglan Howlett May 2022, Alternative, Alternative Rock

Jazz in the Community for Your Social Wellbeing, Featuring the Dynamic and Powerful Dre Barnes Quartet (Friday, May 6, 5-7PM, Newark, NJ)

May 3, 2022 Sonia Schnee

A Community Jazz Event. Friday, May 6th, 5-7PM. Live Music Featuring the Dynamic Dre Barnes Quartet (Dre Barnes, David Kingsnorth, Sir G. Earl Grice, Lance Bryant). “Gathering for Social Wellbeing!” at Weequahic Park, 92 Thomas Carmichael Drive, Newark, NJ.

By Gregory Burrus | Posted Tuesday, May 3, 2022

Time to come out to meet and greet with friends, family, neighbors and jazz lovers. A time to affirm… this is an event to build wholeness in our community!  Please join us, as the music will be swinging and slammin’.

Not so long ago, the Weequahic Park community building sorely needed an upgrade to complement everything the public grounds had to offer. The Essex County executive, with some much-needed input and help from South Ward community leaders, got to work to envision a new building. Once the county secured a grant from the state to fund construction for a new facility, the project broke ground in December 2020.  Nine months after construction commenced, local, county and state leaders descended upon the new building, named the Feldman Middleton Jr. Community Center, to dedicate what Gov. Phil Murphy called the new “crown jewel” of the South Ward. 

 

Feldman Middleton Jr. Community Center

This high-use park and its facilities are an absolute beauty and the community is very proud of the jewel. This Friday, the community will join in a gathering for Social Wellbeing! After all we have been through, it’s time to affirm each other and build wholeness in our lives. Come join us and rekindle old friendships and build new relationships while enjoying the community and enveloping yourself in some truly swinging, fantastic jazz, refreshments, and goodwill!

This is a free Community Jazz Event. Register today and let us know you are coming through, and enjoy these professional musicians listed below that will be performing for you at this event.

 

Dre Barnes — Jazz Pianist

Born in Philadelphia, Dre Barnes started piano lessons at a young age and developed a good ear for jazz. While a teenager, Dre performed with his high school jazz and ensemble and performed in various venues within and outside the school. Barnes attended William Paterson University to study music and further his opportunities to play jazz. Dre went on to further his studies at Rutgers University graduate program where he studied under jazz master pianist Kenny Barron.

Upon graduation from Rutgers University, Barnes formed a trio and performed at several venues in the Tri-State area. Barnes has performed with a wide array of artists including; vocalist LaDee Streeter, saxophonists Willie Williams, Don Braden, and Stacey Dilliard, Bassists Curtis Lundy, and the T.S. Monk Septet to name a few. Barnes' most recent recording “Wandering Spirits” features drummer Lewis Nash and Bassist Reuben Rogers. Barnes notes Cedar Walton, John Hicks and the late Mulgrew Miller as primary influences.

“Dre Barnes is an impressive jazz pianist and composer who delivers his choice notes with a firm touch and potent rhythmic heft” Zan Stewart, The Star Ledger.

Read more: www.drebarnes.studio

 

Lance Bryant — Saxophone

Saxophonist, arranger and vocalist Lance Bryant performs in the New York/New Jersey area. When Lance is not performing his own music he is touring with revered South African pianist, Abdullah Ibrahim, performing and recording as saxophonist with fellow New York area players, teaching and writing commissioned arrangements for other artists and bands. Lance comes out of Markham, Illinois, a small town near Chicago. He received his formal music education at Berklee College of Music in Boston, MA, where he studied saxophone, composition and arranging. After moving to New York City in the mid. 1980s, Lance continued his education, studying saxophone and arranging privately with Frank Foster, the former director of the Count Basie Orchestra. He also studied composition with Bruce Adolphe of Lincoln Center’s Chamber Music Society. In 1990 Lance began his decade-long relationship with the Lionel Hampton Orchestra and in 1993 became the Orchestra's Musical Director and Principal Arranger. Lance also made his film debut in Spike Lee's Malcolm X and traveled extensively with Phyllis Hyman, Jon Hendricks, Pete "LaRocca" Sims, Wallace Roney, Abdulah Ibrahim, Bootsy Collins, James Williams and others. In the early summer of 2000, Lance was selected as an on-stage musician for the Broadway production of the musical review Swing!, which received six Toni nominations.

Read more: www.lancebryant.com

 

Sir G. Earl Grice — Drums

Started playing drums at the age of 3 years old. Began performing with many gospel choirs and groups in the New York area for over 30 years. Has performed with many artists and genres including jazz, gospel, funk, rock, R&B, latin, reggae, pop, and marching. Has shared the stage with artists such as Sonny Rollins, Clark Terry, Stevie Wonder, George Benson, Gary Bartz, and many others. Was entered in the “Who's Who in Newark Jazz” section of the book, “America's Music, Jazz in Newark”, and also “The Encyclopedia of Newark Jazz”. Both books are authored by Barbara Kukla. Has performed with his quintet to a sold-out crowd at “Thelonious Jazz Club” in Buenos Aires, Argentina. Has performed abroad at the “Coronet” in London, GB; the “Blue Note” in Milan, IT; and also in the country of Kazakhstan (former Soviet Union). Has performed with recording artists Crown Heights Affair, Ronny Jordan, and Roy Meriwether.

Drums/Actor. Crown Heights Affair, Ronny Jordan, Sonny Rollins, Rhoda Scott. 50+ movies & TV shows. Sir G. Earl Grice Drummer/Actor (New York, NY) Has appeared in 50+ movies and television shows as an actor.

Read more: www.allaboutjazz.com/musicians/sir-g-earl-grice 

 

David Kingsnorth — Bass

Double bassist David Kingsnorth received his MA in Music from Montclair State University, studying with Linda McKnight and twice winning the Cali School Writing Award. He holds bachelor’s degrees in Mathematics and Music from the University of California, Berkeley. He is an active performer in both the jazz and classical music genres, having performed with Oscar Brown Jr., Richard Wyands, Frank Jackson, New Jersey Ballet and the Summit Symphony.

And David Kingsnorth, bass, is known for his stellar work with guitarist Rick Stone & pianist Ted Kooshian. Has performed at venues such as PAPILLON 25 Restaurant and Martini Bar, Live At Mezzrow, and numerous other venues around the area.

Read more: www.montclair.edu

Be informed, come enjoy some great jazz, build political awareness, and improve your social being as you connect with others in our community. May 6, 5-7 PM.

 

About the Writer, Gregory Burrus

Gregory Burrus - Weequahic Park Feldman Middleton Jr. Community Center

Gregory Burrus is a local live music ambassador, producer, promoter, event planner, and community partner. He combines his extensive corporate business and technology expertise with his love of live music and being a strong community advocate.

I love writing about it all. My mission is to help community groups, live music bands, and local nonprofits, reach their goals and accomplish their missions while enjoying the day-to-day process of life.

https://gregoryburrusproductions.com/events/  

https://www.jerseyindie.com/ji-blogger-gregory-burrus    

In Music Tags Newark, Essex County, jazz, Jazz Music, community jazz event, Gathering for Social Wellbeing, Dre Barnes, David Kingsnorth, Sir G Earl Grice, Lance Bryant, Weequahic Park, Gregory Burrus May 2022

Words with P.R. (Edition 7) - What Made NY Comic Con Special

April 29, 2022 Sonia Schnee
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By Patricia Rogers | Posted Friday, April 29, 2022

I remember when I would attend my sister’s dance recitals and can not help but be overcome with emotion. This is when I learned how moved I was watching people do what they were put on this earth to do. I appreciate seeing people living their purpose, and in a way have always chased that feeling with the plan to make a career out of it.

One thing I love about my generation, and even more so the ones that are coming after me: is that we have made million-dollar careers creating content about our hobbies. I guess that is one of the perks of having the internet and social media at our fingertips. We don’t have to go to school for years to learn how to make and post a YouTube video or rake up millions of TikTok followers. One could say that there really are no barriers that can keep us from at least trying to pursue our biggest dreams.

If you follow me on social media you probably know that I have been dealing with my mental health for the last couple of months, so there was not a lot I was particularly excited about. (Sorry for my absence). However, when I learned of the Beauty of Blackness in Pro Wrestling panel at NY Comic Con this past October, I had to go.

A wrestling brand called Tiger Driver and its mastermind founder Khristen Wilson applied to have a wrestling panel and booth at NYCC this year, “because he wanted to see if he could.” I learned this during an interview with Khris, for a new Men in Wrestling interview series for my podcast, Those Wrestling Girls. I was surprised to learn that he has not done many interviews, and sitting down with me via StreamYard was one of his firsts.

Khris' brand Tiger Driver has a huge influence in the wrestling space, especially among wrestling content creators and popular social media stars in the industry. His goal in starting TD was to become the “Complex of Wrestling”, a mix of music, wrestling, pop culture, and fashion.

And I’d say that he did just that. The Complex brand is a hip hop music, style, and pop-culture-driven brand, that uses the tagline, "Making Culture Pop". TD9X metal-inspired merch can be seen on all your favorite indie stars, and influencers. The TD9X’s Twitter page has 11,000+ followers.

Recently, the power of the black dollar and the lack of representation in wrestling has been a hot topic. The wrestling community, just like the rest of society, has gone through a reckoning. People are taking a closer look at representation or the lack thereof. As well as the treatment of women, and underrepresented communities (more on this in later editions).

Black wrestlers and content creators constantly have to work harder, and often are not seen as valuable as their white counterparts. We have to fight harder to get noticed or be treated as equals. The hashtag #BlackWrestlingDraws went viral among the IWC (Internet Wrestling Community) earlier this year, with fans posting this with the purpose of elevating the promotion and presence of black wrestlers and big matches.

The timing for The Beauty of Blackness in Pro Wrestling panel was perfect. This was the first NY Comic Con event since the pandemic caused the 2020 edition to be canceled. Comic book, fantasy cos-players were able to don their over-the-top looks with like-minded individuals at the Jacob Javits Center again. Wrestling has always been a part of Comic Con, with signings and appearances. However, this was one of the first times that a black wrestling brand had such a presence.

The panel featured indie wrestling star: Faye Jackson, PW Torch writer: Cameron Hawkins, former WWE writer: Kazeem Famuyide, manager: Lovely Laveau, commentator: Jordan Rose, and of course Khris. As well as a surprise appearance by AEW Star MJF.

The audience was filled with fans, and peers in the wrestling media landscape. There was love, support, and hope in the room. There was also a sense of pride that we all felt, being a part of a game-changing moment for black wrestling. There were many introductions made, and business relationships and friendships strengthened.

The panel and TD booth are what made me buy last-minute tickets to my very first NY Comic Con. Not particularly one for cosplay, I never thought there was anything for me at the annual event, as I am not into comics. But I think after the turnout this year, just for the panel, and what Khris and I think was a spike in black attendees, there will be more of a wrestling presence for years to come.

I was able to meet some of my favorites, and well-respected peers, in wrestling media for the first time. As well as support my favorite YouTubers like Alex, aka Queen of the Ring. Also, I got to meet the panelists and Lovely, who has been a friend for over a year, and was able to meet face-to-face.

It was a special moment for all of us, and we were able to go out to eat and drink for the first time in New York City. This has inspired more in-person events that I plan to host with my podcast Those Wrestling Girls.

My interview with Khris, the founder of Tiger Driver 9x is available on Patreon.

In Community Tags NY Comic Con, Beauty of Blackness in Pro Wrestling, Tiger Driver, Khristen Wilson, Those Wrestling Girls, Faye Jackson, Cameron Hawkins, Kazeem Famuyide, Lovely Laveau, Jordan Rose, MJF, Queen of the Ring, New York City, Patricia Rogers April 2022

An Absolutely Amazing Night of Smooth Vocals, Funk, and All That Jazz at The Woodland (RECAP)

April 26, 2022 Sonia Schnee

By Gregory Burrus | Posted Tuesday, April 26, 2022

On Saturday, April 23rd the Vibe in the air was nothing less than very exciting for Rich Engel’s Smooth Jazz New Jersey event, as all of us were expecting an event that was at least as great as prior Smooth Jazz performances.

The Woodland, 60 Woodland Road, Maplewood, NJ

Well, this production of Smooth Vocals Funk and Jazz was absolutely amazing as folks came out and every seat in this beautiful Georgian Revival-style mansion called The Woodland was sold out.  

The opening event was hot right out the gate. The first performance featured classical flautist-turned-Jazz-flutist Alexander Zonjic. Zonjic is a 15-time Detroit Music Awards winner with deep and multi-faceted ties to the city of Detroit. This  “flute guy from Canada” is also a DJ and is the owner of a veritable cottage industry as the artistic director and producer of more than 10 annual festival events in the region and philanthropist under the umbrella of his Hi-Falutin Music. His performance was impeccable. 

Alexander Zonjic Band

Alexander brought with him a swinging band that provided the funk big time, consisting of the widely renowned and incredible pianist James Lloyd, co-founder and member of the famed Pieces of a Dream, Kris Kurzawa on guitar, who has become one of the Detroit area’s most in-demand guitarists since the early 2000’s, drummer Jeff Canady whose captivating performance was creating more fans all night with each drumbeat, and Detroit bassist Mike Harrington who has toured with Brian Culberson, The Spinners, KEM, Jeff Lorber, Kirk Whalum, Angela Bofill, etc., and tonight they introduced Electric Violinist Phenomenon Evan Garr who currently tours with Stanley Clarke and Jean Luc Ponty. 

Doing the Detroit Sway with the Alexander Zonjic Band.

The Woodland was alive and swaying for sure as folks were singing, dancing and doing the Detroit Sway. Comments from a few attendees noted Alexander's great stage presence and what a great bandleader he was. Together, it was one exciting moving performance and they laid it all out on the stage. The band started swinging hard and he immediately drew everyone in and, of course, he had folks up and dancing the Detroit Shuffle in the front, on the sides and in the back.  

Vocalist Maysa Leak

Next up was Maysa Leak, who according to her bio “is the kind of singer who takes hold of a song and enraptures her audience in the palm of her hands, as she delivers lyrics, phrases, melodies and harmonies in a way that only she can." Blessed with an instantly identifiable honey-toned mezzo-soprano and an undeniably brilliant and magnetic stage presence, Maysa’s alluring vocals, candor, honesty, humor and purity as an artist make her a rarity in this business” (maysa.com)

Well, this Baltimore native is the recipient of many awards for her work, including Soul Train’s first Centric Award in 2009, and her first Grammy nomination for Best Traditional R&B Performance and has previously collaborated with everyone from Stevie Wonder to Incognito, Angela Bofill, Will Downing and Jonathan Butler, Phil Perry and more. Maysa was a former “Incognito” lead vocalist, a Grammy Nominee, ranks #2 on the UK R&B charts and tonight the awesome band she performed with at The Woodland included Angela Phillips — assistant vocals, Damon Bennett — music director/ keys, Charles Baldwin — bass, Tim Hudson — drums, and Richard Tucker — guitar.

Maysa Leak performs at Smooth Jazz Live event at The Woodland, Maplewood, NJ.

Clearly, Maysa and her band came to deliver as she continued the heat, laid down by the opening act, and quickly got folks into the mood. The crowd was hooked from the first song to the last. Throughout the night, as mentioned, earlier her honesty and humor was evident as she wrapped into her musical selections stories about her son, Jazz, her travels as an artist, and life in general. She sang a host of her originals from recently released albums along with a number of widely popular songs taking us way back in time. The medley of ’70s ’80s hits went over big time as folks swayed in their seats, started singing along, and next thing you know the place came alive as people jumped up and started singing and dancing and enjoying the beat. The night was on fire all night long as people truly enjoyed her performance. 

As I wandered around the event in my Arts and Entertainment reporter role, I encountered folks excitedly talking about the night, and one person said to me “Maysa put on a vocal show extraordinaire as she covered smooth jazz, R&B and funk so easily and effortlessly.”  Another patron told me he traveled 3 and half hours just for this show because “Maysa is absolutely phenomenal and was happy to drive back to Boston tonight as Maysa did not disappoint at all.” Closer to home, a local resident that I invited said “Wow, this is great to have this fantastic quality of music so close to home. I will be back.” Well, this is nice to know because in communicating with Maysa after the show Maysa said, "I loved performing in such a quaint, classy, beautiful town. I really would love to live in Maplewood. The audience was just fantastic, and I hope to come back soon!" Who knows, hopefully she does come back soon.

Talk about putting a town on the map. Continued sold-out standing-room-only Smooth Jazz live music performances like this at The Woodland Mansion in Maplewood, NJ is definitely the way to do it. The Woodland has this very serene environment with great parking that makes it an excellent place to listen to music of any type with family, friends, and those who want to enjoy the community.  Overall, it was clear almost 50 percent of the audience was not from local towns, as folks came in from Long Island, South Jersey, Philly, and even Detroit.

Gregory Burrus with Maplewood Mayor Dean Dafis.

And it was of course very appropriate to see the newly elected Mayor Dean Dafis tell the audience, you don’t just go home when the show is over but instead walk around the corner, stop in town and enjoy drinks and dinner at a local restaurant and have a great time. Having had some experience with live music events, I can tell you these events will clearly go a long way into turning Maplewood/South Orange into a Live Music Destination. 

 

About the Writer Gregory Burrus

Gregory Burrus is a local live music ambassador, producer, promoter, event planner, and community partner. He combines his extensive corporate business and technology expertise with his love of live music and being a strong community advocate.

I love writing about it all. My mission is to help community groups, live music bands, and local nonprofits, reach their goals and accomplish their missions while enjoying the day-to-day process of life.

https://gregoryburrusproductions.com/events/ 

https://www.jerseyindie.com/ji-blogger-gregory-burrus   

https://patch.com/users/gregburrus 

In Music Tags Maplewood, Essex County, Smooth Jazz New Jersey, jazz, funk, Rich Engel, The Woodland, Alexander Zonjic, James Lloyd, Kris Kurzawa, Jeff Canady, Mike Harrington, Evan Garr, Maysa Leak, Maplewood Mayor Dean Dafis, Gregory Burrus, Gregory Burrus April 2022

Interview with Kqhyt Kqhyt

April 25, 2022 Sonia Schnee

By Deaglan Howlett | Posted Monday, April 25, 2022

Kqhyt Kqhyt has to be one of my favorite bands to emerge from Asbury Park since I started writing for Jersey Indie. Whether you know how to pronounce their name or not, you have no doubt caught them playing their booze soaked rock and roll throughout Asbury Park. Since forming in 2019, their long anticipated first single “Carey Bronson” was released April 8th of this year. Accompanied by a great music video, their self-titled release came out April 22nd and is available to purchase here. I recently reached out to lead guitarist Alex Rosen and the band to talk about the beginnings of the band and their upcoming plans. Thanks again, Alex. <><>

 

When did you first start making music together? How was the band formed?

In early 2019. It is a bit of a long story, but the short of it is I had gotten Brian and Brendon down to jam. I went to Brendon's house and Bronson came down and asked when practice was. That was pretty much that.

What is your songwriting process like?

Brendon pretty much has a couple albums worth and growing of songs. So he brings some to practice and we just kind of work ‘em out.  Or he has older fully realized tunes and we all just work it to full band. I have contributed some songs and Brian has a few up his sleeve. It is a mostly collaborative effort. You hear this a lot with bands, but it is always cool to see how the idea you had for a song completely transforms when you bring it to other people and jam on it.

Favorite song you have written as a group so far? Why? 

Brendon wrote "Mullica" and I really dig how everyone kind of added their own little mark to it. Brendon had the song already done, but each member added themselves to it. Lyrically, it is great as well.  

Favorite venue to perform at? 

Not sure if we have a favorite of all time since we are pretty new. But places like The Saint, Asbury Park Yacht Club, and Bond St. have always been good to us.

You recorded an album last year. Who did you work with? How was that experience?

We worked with Pete Steinkopf at Little Eden. The experience went great, and I am really so happy with how the tunes sound and how everything came out. Pete knocked it out of the park!

The band name is super unique. How did you end up with it and what does the band name mean to you?

No comment at the moment.

Your first single “Carey Bronson” is accompanied by a great video. Who did you work with for the video and how was that experience?

I went to my bud Mike Brown (Phasor Video) who is a really interesting dude. Does a lot of touring with big musicians as well as has a bit of a cult following in the WWE or wrestling world. I asked him if he would do a music video for us. We just gave him free creative control and that was that. I sent him, I think, three songs, and he picked “Carey Bronson.” It is cool just letting someone have their own vision on something you did. Kind of shows you how a song can mean different things to different people.

Any upcoming plans for the group?

We have a full-length out on vinyl and digital on 4/22. It is self-titled and limited to 100.  In late April, we are going to record our new record with Mike Mobius at Moonlight Mile. We also have a live album recorded, actually the final show at the Brighton Bar, just been slow-moving with it. We have some shows in Buffalo later this year and May 15th at Red Tank brewery. I would like to get a brewery to do a beer for us, get a tattoo gun and maybe give Bronson another nickname. Just try and make up for some lost time.

We have a bunch of merch we are working on and if you would like to grab our record and future items please check out our Bandcamp: kqhytkqhyt.bandcamp.com

Instagram: @kqhytkqhyt

You can find our stuff on Spotify and all that stuff too.

Thanks again.

You can listen to and support Kqhyt Kqhyt here <><>

In Music Tags Kqhyt Kqht, Asbury Park, Monmouth County, Pete Steinkopf, Little Eden, Mike Brown, Phasor Video, Mike Mobius, Moonlight Mile Recording, Alternative, Americana, Country, Folk, Rock, Southern goth rock, Deaglan Howlett, Alex Rosen

Jazzy Nights Presents “R&B Music Nights” Led by Clarence Conover and the MPack Band

April 25, 2022 Sonia Schnee

By Gregory Burrus | Posted Sunday, April 24, 2022

We have had some absolutely fabulous Jazzy Nights events this year, and one of the bands that's become a favorite and will be returning often is the MPack band. 

MPack brings an explosive energy to the stage, guaranteed to rock the house all night long! MPack is a band, a brand, and a musical production enterprise, consisting of multiple elements in an ever-evolving flow. It is the musical brainchild of bassist, guitarist, keyboardist, drummer and vocalist Clarence 'Groove Master' Conover.

M-Pack Music Productions Motto
“Life Changing Sounds” 

This cross-genre musician is creatively talented, and he has gathered other like-minded musicians and vocalists that will join him on occasion:

  • Vocalist Patricia Walton

  • Vocalist Lynette Sheard

  • Pianist/keyboardist Larry Greenberg

  • Drummer Kevin "Natz" Moore

  • Guitarist Kenny Robinson

  • Guitarist Brett Calder

Thankfully, we can go back inside and this year Jazzy Nights is happy to present MPack Music Live at South Valley BBQ & Lounge. Here's an introduction to the band because this year’s Jazzy Nights repeat performance will have our favorite musicians returning, plus a few of Clarence’s friends. We also list a few performances so you can get a feel of why you should come on out. 

 

Groove Master Clarence Conover

Clarence Conover, also known as the ‘Groove Master’, is a bandleader, bassist, guitarist, keyboardist, drummer and vocalist. Clarence founded M-Pack Music productions over 4 decades ago with the motto “Life Changing Sounds”. Clarence has performed and recorded with Patti Labelle, Teddy Pendergrass, Grover Washington Jr., The Delfonics, Bo Diddley and more. Clarence is currently performing at numerous venues across the Tri-State area such as Morris Museum, South Orange Performing Arts Center, South Valley Lounge, Jazz On Sloan, S.O. Crossroads, and is a highly requested performer at many NJ towns annual live music outdoor series. When he’s not on stage, he’s in the studio devising new music for his fans. And here's a taste from our last event so you can enjoy it. 




 

Vocalist Patricia Walton

Born in Germany, raised in New York and currently residing in New Jersey, Patricia has been singing since she can remember.  Her singing career started in school choir, while still in Germany.  She was a soloist and member of the Mt. Sinai UCC choir, a member of One Accord, and as a lead vocalist for several party/dance bands and has performed at various venues in New York, New Jersey and Pennsylvania. Currently she performs both as a Solo Jazz singer and is featured artist in Jazz, Blues and R&B Band as the lead vocalist of MPack! Her warm voice is sure to put a smile on your face and set your feet tapping!

 

Vocalist Lynette Sheard

Lynette Sheard is a gifted versatile vocalist with a five octave range. She is an actor, producer and director. She is the unseated “West Orange Idol”. Her performances have been acknowledged in numerous publications including, NY Times, The Record and the Chronicle. The Star Ledger proclaims that “Her voice reaches deep into one’s soul and finds a soft spot” She performs Jazz, R&B, Gospel, Soul and Pop music throughout the tri-state area. From our last event here's Lynette Sheard leading on Rufus & Chaka Khan - Sweet Thing.   

 

Keyboardist Larry Greenberg

Multi-keyboardist and synthesist, composer/arranger, bandleader, and studio musician performs in multiple genres of Funk, Jazz, Jazz Fusion, R&B and Latin Rock. A ‪former Skyy band member “Call Me” topped Billboard’s R&B chart and was No. 26 on the pop side. Larry is a regular on the New Jersey live music scene and has performed in many local venues at the Morris Museum, South Orange Performing Arts Center, Roxy and Dukes, Crossroads and more.

 

Drummer Kev "Natz" Moore

Kev Moore is a Jersey boy through and through. He's been making music since he was a teenager, and his drum performances have won him fans all over the Garden State. This Master Drum from East Orange High School has performed in numerous venues across the industry, was part of the popular Band Aurra – Interviewed by Don Cornelius and has performed on the cutting edge of music, dance and culture Nationwide TV Show "Soul Train". Kev Moore is a local musician who has performed in many venues throughout New Jersey. Kev loves playing drums and interacting with audiences, and he always gets the crowd involved in the show. He has performed regularly at the Morris Museum, South Orange Performing Arts Center, Roxy and Dukes, Crossroads, and many other local spots.  

 

Guitarist Kenny Robinson


Newark Arts High School Alum, Kenny Robinson is an in demand guitarist. He's a former longtime band member of The Black Widow Blues Band along with Ricki Lewis. Kenny has played at numerous venues , churches and special events around the Tri State area.

 

Guitarist Brett Calder

This veteran soulful  guitarist list a Guitar Center Hero, a regular performer around Northern NJ venues such as The Vintage Edge Wine bar,  Jazz in the Loft at South Orange Performing Arts Center, the South Orange Village Juneteenth Events along with regular performances Downtown After Sundown and at the memorable Roxy and Dukes. Along with being in MPAC Brett, performing in Harlem Nights fundraiser and is also a member of the very cool The Groove Syndicate band.

 

What's Next?

As you can see the musicians are heavy hitters playing across many venues throughout the Tristate and beyond…

 

South Valley BBQ & Lounge

South Valley BBQ Live Music By Gregory Burrus

MPack sings “Aint Nobody”

Take a listen above and note folks were singing along, sitting dancing, talking with friends, eating and just enjoying the moment all night long.  The last sold-out Jazzy Nights event was packed at the beginning and full throughout the night and just like last year folks came to enjoy themselves. Inside we will be in the blue room of South Valley BBQ & Lounge under new ownership, so come find us. 

 

Going Forward

The Blue Room

We are going to have a number of events as we move forward including one this Sat April 30. Read more: https://gregoryburrusproductions.com/events/ and https://www.facebook.com/jazzynightslive 

 

About the Writer Gregory Burrus  

Gregory Burrus is a local live music ambassador, event planner, live music ambassador and community partner that curates, manages and promotes live music events in the local Northern NJ and New York Area.

He sits on a number of local boards and committees and is currently serving as a Board Member of Maplewood Community Music and is a Board Member of Harlem World Magazine Advisory Board. 

Year-round Gregory Burrus also curates, books and produces: the Jazz973 live music jazz series at Clements Place Jazz for the Rutgers University Institute of Jazz Studies,  the Jazzy Nights Live Music performances, and Cranford NJ Summer Sounds.

In addition to producing events, Gregory Burrus Productions also showcases, photographs, videotapes events annually such as the annual NYC John Jay College Friends of Myrna Bain Scholarship Fundraiser, the Orange NJ Farmers Market, numerous local bands at various local venues. 

 Gregory Burrus has a passion for making live music happen anywhere and everywhere he can whether locally around town or around the world while living life every day to the fullest.

Learn more at Gregory Burrus Live Music Ambassador.

In Music Tags Jazzy Nights, MPack Band, Clarence Conover, Patricia Walton, Lynette Sheard, Larry Greenberg, Kevin "Natz" Moore, Kenny Robinson, Brett Calder, South Valley BBQ & Lounge, Gregory Burrus Productions, Gregory Burrus April 2022, Essex County, West Orange

Interview with Inf Grizzy (Hip-Hop Artist)

April 22, 2022 Sonia Schnee

By Sonia Schnee | Posted Friday, April 22, 2022

Jersey Shore hip hop artist Inf Grizzy has been hard at work building up a loyal following, expanding his radio plays, and even appearing on billboards in Time Square and South Jersey. He’s currently working on a release date for his upcoming album and has already released two singles from it, “Love is Blind” and “Clap Clap.” I spoke with Inf earlier this month to ask him about the inspiration behind “Love is Blind”, what the filmmaking process was like for the “Love is Blind” music video, and to learn what else we can expect musically in 2022.

Despite all the attention, Inf remains a grounded and humble guy. Inspired by DMX, he even included a prayer on his upcoming album and hopes to inspire others who have ever felt down and low. Check out our interview by watching the video above or by reading the transcript below, and be sure to follow Inf Grizzy on Instagram, Facebook, and Twitter in order to be the first to know about upcoming shows and the release of his new album.

(Video and transcript have been edited for time and clarity.)

 

Photo courtesy of High Rollin Entertainment.

Thank you so much for taking time out of your Saturday to chat with me.  

Of course.  

So for first-time listeners, what's your name, where are you from, and what do you do?

My name is Inf Grizzy. I'm from the Jersey Shore, New Jersey. I'm an artist. I write music. That's my life. I love being in a studio. That's my specialty.

How would you describe your sound and who are your musical influences?

My music influences are Biggie and Pac. Tupac, he's a poetic artist. That's what attracted me to him, that different style that he had. Biggie, he had that gritty New York swagger, that gritty type flow. When he'd be rapping, he'd be talking about his life. It was interesting to hear both talking about their actual lives.  So for me, I picked up off of that. When I was young, like, in the fifth grade, I was starting to do that myself, writing rhymes and stuff like that.  

Congrats on the release of your music video for "Love is Blind."

Yeah, it was released about a month and a half ago. It has about 86,000 views right now.

That's awesome! Well-deserved. 

I pat myself on the back. It was a lot of hard work.

How long was that song in the works, and what can you tell us about the inspiration behind it?

What made me write that song was I was in a serious relationship and, basically, everything was fine until you get in a certain situation and then people don't want to be around, they don't want to be there for you. I tried to work things out with her, and she just turned it back on me and basically told me, "Forget me." That broke my heart because, you know, I really loved her. Anybody can relate to this situation because everybody goes through it. It's sad how things turn out to be, but I guess we live through it, we fight through it, and things get better with time.

So when I was going through that situation, I just started writing a little bit and I got the melody in my head and then I got the beat. I was like, "Maybe we could tweak this up. I could write a love song to this." I was doing that, writing the hook first. I had a longer hook and it didn't make sense. The hook was eight bars and we dropped it to four. Then from there, that's when the pen game, I started writing. I was like, "Yo, I've gotta get these verses done because the time is coming and this is the right time to drop it."

Once I got in the studio, I recorded it, sent it off to the production team. They chopped it up, put some little instruments in the beat, and then I'm like, "OK." At first, I was rapping it and it didn't sound right. So they did a little magic and they turned it into a song, like a singing song, then we got it prepped for mastering, and then we released it.

Nice. A great thing about music is it makes you feel less alone. You realize that there's someone else in the world who's been through a similar situation. I'm sure a lot of people really appreciate that you put that out there.

Where did you record? Who did you record with?  

I recorded where I was staying, at my friend's place. He had a studio at his house. I had to get familiar with Pro Tools. I used to do Pro Tools back in the day, but I forgot how to do it, so I went on YouTube to figure it out. I recorded the song myself, and then I sent it to the team and then they said, "Oh, you gotta redo it." The quality was off because it didn't have any compressors through the mic, so I had to go to a different studio and rerecord it. Once I recorded it at the house where I was at, I used it as a practice run and just studied the song and made sure I got the pattern and the melodies right. Then, I went to SpaceBar Recording in Jackson and just banged it out. From there, that's when the magic happened.

The making of the music video for "Love is Blind" — what was that process like? I saw a little bit of Atlantic City. I saw the Hard Rock sign. Where did you film? Who directed it? And the actress, how did you two meet up?

We filmed that video actually in Atlantic City by the Hard Rock. We shot the clips right in front of the guitar, doing a little walking scene there and took some pictures there, too. ___ House Films filmed it. They shot my original videos four years ago and I got connected back with them again.  

It was a crazy idea, trying to figure out the video. We wanted to do it a certain way. We tried to put a little twist to it because at the end it says "To be continued..." I'm still trying to figure out what was going to be next after that. At the end of the video, she's texting another dude behind my back, and then it's like a little twist at the end. When we're talking by the Hard Rock sign, that's when we were leaving that actual place where the food was at the end, when the dude tapped on her back. So it was a little twisted. So I'm trying to plot it out and figure out what's going to be next after that.  

I like that. I was definitely intrigued by the end.

Yeah, we're going to see Part 2 hopefully soon. I'm still trying to create the idea for it.

Did you film the music video all in one day?

Yeah, we shot it all in one day. We shot it in Tuckerton, AC, and Pleasantville.

Oh, wow. So a variety of places.

Yeah.  

So, "Love Is Blind" is the first official single off of your upcoming studio album. What can you tell us about the album? How long was that in the works? Who'd you collaborate with? How many tracks are on it? What can you tease us about it?

The album was in the works for... Some of the songs were pretty much done. Like the song "All These Girls", that was done I think 3 or 4 years ago. I had that in the cut, just waiting for the right project. I never really released it. I was going to shoot a video for that, but I just never got a chance to finish it or recreate the words and stuff like that. That's one of the songs off of the album.

"To the Bank" is one of my favorites. One of my other favorites is "Take My Time." My all-time favorite is "Love is Blind." That and "Take my Time" is what I'm going through heavy in my life right now.

Artists on there include Nu Breed. That's my brother. He's from South Toms River. YB D'Nero, he's been rocking with me for a while. He's featured on one of the songs on the album, "Clap Clap." JDon, he's on "Take My Time." Shoutout to him.

Shoutout to anybody really associated with this album because it was a long process. We actually did the album in six months, believe it or not. The prayer on there, that's what hit me the most. I was listening to a lot of DMX because, you know, I like to listen to DMX when I'm in a down, low mood. So when I turn him on, he hypes me up, and gets me riled up. When I heard his prayers, it touched me, and I was like, "You know what? God loves everybody. So why can't I do a prayer on my album, too?" So I did it, and that's where it came from. R.I.P. to DMX. I bless you for that. Everybody goes through this in their lives, and so I feel like putting a prayer on my album will probably change a little something and help people grow in their lives.

I was reading the comments under your YouTube videos and also on your social media pages, and it seems like you've got a lot of really genuine, solid support from people who appreciate not only your artistry but also you as a person and are really rooting for you. What's that been like, having that kind of supportive following? What kind of difference is that made in not only your musical journey but also your personal journey?

Honestly, a lot of people have been following me for a while. They've seen my work ethic and they know me as a real person. It makes my day to see the same people who are still there riding by my side, showing me love and telling me to continue doing what I'm doing, and they motivate me to rise even stronger, you know?

Now I'm stronger than who I was. Back then, I really wasn't motivated because I was going through a lot of things with, you know, kids and all that stuff. It slowed me down a little bit, but right now I'm taking it full force because I'm motivated now and I'm stronger than who I used to be a long time ago.

Everybody that stuck by me, they appreciate me. The positive posts that I make, they hit me up in my inbox and say, "Oh, you’re making my day" and stuff like that, and I just appreciate that. They hit me up in my inbox saying, "Keep doing what you're doing. Don't mind anybody what they talk about. You got this," and then I say, "I appreciate that and I respect you hittin' me up to tell me that and that makes my day."

Yeah, that definitely means a lot, that no matter what industry you're in, to know that someone really appreciates the work and time and effort that you put into what it is that you create. So that's really great to see. Not every artist is able to make that connection or put in the time to make that connection with people, and that really does make a difference. So, kudos to you. It speaks a lot to you, not only as an artist but as a person to be able to have people rally around you like that. That's really cool.

What words of advice or encouragement would you give to either young artists who are just starting, or anyone really, who's trying to pursue music? Are there any pitfalls you recommend they avoid? What are people in store for? How would you encourage them to keep going, especially when there are a lot of times when you might just want to turn back or go a different path? What words of advice or encouragement would you have?  

Words of advice to give somebody that starting out — I would say stay persistent with doing what you're doing. Don't let anybody tell you that you can't do it. I've been there. A lot of people tried to shut me down saying that, "Oh, you ain't going to make it, you ain't going be this, that." I didn't listen to them. I kept going. That's the reason why a lot of people get mad, too, because they're like, "He's really still going and he ain't stop for nothing!" You know? I'm not going to let the Devil try to get in my way just to block me from what I'm doing. Everybody goes through things in life. I get it.

For people out there, too, that are starting off, do not let anybody try to stop you from creating music that you want to create. Go over it with your team. Certain people that are in the background, they're the ones who are going to try to hate on you and try to shut you down because they can't accomplish what the other person's accomplishing, you know? I've been through that a lot, and I never let it fail me because I stay straight and I pray to God every day for blessing. I need a blessing because everybody needs a blessing. We've all gotta stay focused and stay persistent in what we do. I've been through it, and you can't let anybody just try to block you out from what you're doing.

Amen!

Honestly, the prayer (that's on the album), it just came out of nowhere. As I was piecing it together, I was like, "Wow, this made ME cry" because I'm really writing this and I'm like, "Oh, I got the goosebumps!" I'm like, "Am I starting to sound like DMX now or something or no?" But no, that really came from my heart. I've been seeing a lot of people go through it in life, including me, so anybody could hear something like that and be like, "Oh man, I'm thankful to hear this" and express my feelings to show people that I'm human just like you and we we all could unite. We could talk about things or you could hit me up and vent to me. Anybody that's going through it that I see on my Facebook, or whatever the case may be, that's really down and out and really needs to talk to somebody, I tell them to hit me up. I don't look at myself as cool. I'm just me. Who I am is the person that I've always been. To the people out there, just stay focused and everything is going to be all right once you go that one direction. Just give yourself to the Lord and he'll help you.

Looking back on your music career and also your personal life, what would you say have been some of the highlights or moments that really stand out here? Are there particular people or shows? What are some things that really stand out as highlights?

The highlights of my life that stood out are actually doing shows. I love doing shows. I'm a little rusty because I haven't been done a lot in a while, but now I'm back on it. I'm doing some here and there, and now is about the build-up back up again. So yes, the shows are always something that motivate you, give you an adrenaline rush. You've got the crowd out there. You have you onstage, you show yourself.

I don't have an ego like a lot of certain rappers, you know what I mean? I don't do that. That's not my cup of tea. If I'm going to do something, I'm just going to do it. If I fail, I fail, but there's always another chance to build yourself back up. That's how I look at it. I love criticism. I love when people give me their opinion about, "Oh, I like that, but I don't like that”, “Oh, you could have changed this” or “Don't change that." I love that because I could go back and fix those errors.

The biggest show — well, I wouldn't say "show," it was more like a house party — it was like this Project X party. I think it was four or five years ago. They threw this big Project X party. It was like 3500 people there. That was the biggest crowd I ever performed in front of. (The lowest was about 950.) It was awesome. I was in a basement. Everybody was surrounding the basement. I had a wireless mic, so I went throughout the house just rapping. I was like, "I'm about to make this fun and useful!" It was a fun night, until, of course, you know, the cops shut it down and stuff like that. But everybody enjoyed it. It was fun. That was my biggest experience, and that's what opened me up and made me create what I do today.  

That's pretty impressive. That's a good size.

It was!

It's so interesting with music. There are certain aspects, like the technical end, that you can learn, but largely being a creative person is something that you're really kind of born with. You either have it or you don't. Is there anyone in your family who’s been an artist?

I'm the only artist in my family. There are athletes in my family, but I'm the only artist out of my family. My mom is proud of me because, you know, I never gave up.

When my brother was growing up, he always used to see me in the basement writing songs, recording, and he was like, "Oh, what are you doing?" I was like, "You know, writing songs and stuff like that." So he came down and started writing with me — my little brother. It's crazy how he picked up fast on it, too. We were using Cubase at the time. He actually wrote a verse for one of the old songs that we were practicing on, and then he recorded a verse with me. He did pretty good for his first time. Ever since then, he's doing good with his music. He's actually on three songs on my album. I appreciate my brother for stepping up, doing what he does. So yeah, now I’m not the only artist in the family, since I brought my brother up!

Well, it sounds like you're a great brother, that he's got someone to look up to. That must feel great to be able to collaborate with your brother on this.

We did play freestyle songs back in the day and stuff, you know, just having fun with it. And then he just dropped a song two years ago called "Vision" and he got me on it. So that was a good record. And then I got him on my Halloween record, on my album "Want Me" and "All of These Girls.” 

So what's next on the horizon for you? Do you have any upcoming shows? I know you've got the album, of course, that's coming out. 

We've got a show coming up on 4/20 in AC. It's going to be hosted by DJ Weswill. It'll build my name even more, create more music for my viewers.  

I'm not trying to do songs with big artists because I don't want to use their names just to try to shine and whatever. I’d just rather do it on my own until I make it there, and then I'll start doing music with big artists. It's just always been my goal. It's always been my dream for me to do it on my own. And thank God for my team because they believe in me. If they didn't believe in me, I wouldn't know where I'd be at right now, to be honest with you. I just thank God for my team right now. They're watching my back for this. 2022, it's going to be a long ride, but at the end of the day, I'm gonna be proud of myself for accomplishing these goals.

That makes a big difference. Your team is everything. If you've got the right people behind you and around you, that makes a world of difference, for sure.

Speaking of team, is there anyone else who you like to give a shout out to, whether that’s other artists, collaborators, family, friends?

Shout out to my family for supporting me. Shout out to my management, my company, High Rollin’ Entertainment. Shout out to Lookout Productions. Shout out One Stop Shop Hip Hop. Shout out to Lux and JSCorner. Shout out to Brownsville. My boy Ty. Shout out to everybody that's associated with me. If there are any names I left out, I apologize. Shout out to all the artists that are on my album. I appreciate you all for doing songs with me.

Is there anything else that you'd like people to know about you or your music that I haven't asked you about yet?

I'm just an artist trying to make it. I'm just like everybody else. I'm just staying persistent this time. I'm never going to give up again. I'm going to stay focused and just continue my journey.

Finally, where can people listen to your music? Where can they find you, connect with you online? How do they get in touch with you if they want to collaborate? How can they reach you?

They can find me on Instagram @Infgrizzy5. Follow me on Twitter, Facebook, YouTube. Everything is "Inf Grizzy." My songs are on all platforms — iTunes, Spotify, everywhere. Check out my video, "Love is Blind" on YouTube. I'm just happy that I made it to 86,000 views.  It's just a blessing. Honestly, I thought I wasn't going to make it to that. Being on the billboards in Times Square and South Jersey, it was a good accomplishment that we made, and I'm proud of my team for making this happen.

I saw that, with the billboards. That's impressive! How did that feel, seeing yourself?  

You know what? A lot of people ask me that. To me, I'm an artist, so I've got a lot of things going on. So, yes, it's exciting when I take a picture in front of it, like "Oh, cool. Yeah, that's me." But to other people, it's more exciting to them, I guess, because they know me and they're like, "Oh, snap, yo, you know you made it!" Me, I'm just regular, I'm just like "OK." It's normal. But I'm thankful that they see that and they appreciate me and show me love and congratulate me. I appreciate that so much.

You're so modest. Not everybody has that quality. You've definitely earned some bragging rights!

This has been awesome. Thank you so much for taking time out of your Saturday to chat.  Let me know when your upcoming album drops or you've got new singles that are coming.

They're coming very soon! So, the first single was "Love is Blind" and the second single is "Clap Clap." They're all on rotation on radio stations everywhere right now. It's actually picking up. We have 50-80 stations doing 800 spins. It's doing pretty good. Trend City, they blasted "Love is Blind." I've made it to the Top 40. I'm like No. 37 on it. That's a blessing, too. I'm happy I'm even in the Top 40, you know? That's an accomplishment for me.

Yeah, for sure. Congrats on that! That's awesome! And for all the listeners out there, be sure to call in and request it. We'll bump it up even further. That is really awesome.  

I appreciate you having me on to interview me. It's a blessing. Thank you!

In Music Tags Inf Grizzy, Hip Hop, Jersey Shore, New Music, Love is Blind, music video, Clap Clap

Jazzy Nights Kicks Off 2022 Live Music Season

April 22, 2022 Sonia Schnee

By Gregory Burrus | Posted Friday, April 22, 2022

Tapping into the region’s top live music talent, Jazzy Nights hosts live music performances from big-name local artists drawn from all over Northern New Jersey and nearby New York City, Produced by Live Music Ambassador Gregory Burrus of Gregory Burrus Productions. 

Jazzy Nights is not just about jazz but all genres of jazzy live music. It's jazz, it's R&B, and it's jazzy. The Jazzy Nights Live mission is focused on keeping the community of summertime live music lovers enjoying live music throughout the Fall, Winter and Spring, whenever possible.  

Following is a post about how Jazzy Nights made it to this season. Back in the day, just a few years ago, the South Orange live music season would run June ‘til September and stop. However, so many local folks and attendees from around the various towns wanted more and more. So, we extended the end of the 2019 season by going indoors and kicked off Jazzy Nights Live at The Fox & Falcon restaurant to keep the wonderful vibe going that was established all summer long. Following is a year-by-year recap of previous years up until this year. 

 

2019  November Jazzy Nights at The Fox & Falcon

2019/11/14 Inaugural Season Kickoff in the Essex Room with DC Fusion Band.

The 2019 Jazzy Nights Live Music season was led by our buddy and bassman Darryl Clark. We ran monthly live music sessions from November to April with the wonderful DC Fusion instrumental band led by Darryl Clark on Bass, Howard Hall on piano, and Bill Bang (Mauricio de Souza this night) on drums. We augmented each event with special guest singers (Shadiyah and Joy Topping-Mann this night), folks came out strong, and we packed the Essex Room of The Fox & Falcon. We were moving along nicely each month right up ‘til April 2021 and then the COVID Pandemic shut the world down, including our Jazzy Nights. 

In tribute to our buddies.

Sadly, this season was also marked by the passing of many musicians including two of our friends from our Live music community. Community champion and jazz lover Lee Boswell May aka Boz passed before the South Orange Summer Season started. After the 2020 Summer season in November, our beloved Jazzy Nights Bandleader and Bassman Darryl Clark passed on. May they both RIP in musical heaven.

 

Jazzy Nights (Afternoons) 2021 South Orange NJ

2021 March Season Opener — Outdoor COVID Sessions.

Enter 2021, and because we were all still under a Pandemic watch from 2020 we started the Summer Season early on a beautiful sunny day in 2021 on March 21st. With a live music community starving for entertainment, we came back out in March of 2021, and due to COVID Pandemic Social Distancing guidelines, the world had moved outside and so did Jazzy Nights as “Jazzy Afternoons.”

 

Jazzy Nights Presents MPack Band at The Fox & Falcon

Thanks to The Fox & Falcon restaurant owner, Jazzy Nights Live became Jazzy Afternoons Live in the Sloan Street Parking Lot on March 21. We moved from Thursday nights to Sunday Afternoons.

As you can see, lots and lots of people came out with family and friends to enjoy the live music of the MPack Band and the community.  

We continued our performances throughout April, which is Jazz Appreciation Month. We planned for live music every weekend. Weather canceled one weekend, but we did produce some very well-attended and swinging live music weekend performances.  

You can read all about it: Jazzy Afternoons South Orange Presents "Jazz Across The Generations" to Honor Jazz Appreciation Month 2021

Read more here: Exciting Rising Pianist Leonieke Scheuble Leads Her "Jazz Across The Generations Trio" for Jazz Appreciation Month 2021

Mike Lee Trio with Billy Drummond and Mike Kane in Jazz Appreciation Month 2021.

Radam Schwartz Trio with Gene Ghee Sax in Jazz Appreciation Month 2021.

The season continued throughout the Summer, we extended it and worked to extend the live music through October. 

 

October Live Music Fest 2021 

Also in 2021, after the Summer Live Music Season we produced the October Live Music Fest. 

Take a listen to this event. Performances were 2 times a day every Saturday and Sunday throughout the month.  

You can read all about it here: South Orange, NJ October Live Music Fest Takes Over the Sounds In Spiotta Park and Jazz On Sloan Street.

We created live music sessions all year from March thru October, so 2021 was a good year. 

 

Jazzy Nights 2022 at South Valley BBQ & Lounge

Enter 2022, and this year we are back and in a new location and already have produced two extremely successful Jazzy Nights events. 

2022 Feb. 18 Jazz Season Opener in the Blue Room.

South Valley BBQ and Lounge Presents John Lee and Friends

We are starting off the 2022 Jazzy Nights Live Music Scene in a really nice new location, and we started earlier this year with our first event on Feb. 18th in the new South Valley Lounge. In their newly remodeled Blue Room, we kicked off the season with world-renowned bassist John Lee and his awesome friends. 

Read all about it: John Lee and Friends Keeping Jazz Alive Since Dizzy Gillespie and More at South Valley BBQ and Lounge 

2022 Apr 9th R&B Season Opener in the Blue Room.

Jazzy Nights Presents MPack Music Live at South Valley BBQ and Lounge

We started off the Jazzy Nights R&B Live Music Scene in the new South Valley Lounge on April 9th in the newly remodeled Blue Room. We kicked off the season with the extremely popular R&B Band MPack. 

Our first Jazzy Nights R&B performance was literally off the chain!!! Folks came to dine and dance and had fun all night long. 

 

Jazzy Nights — Next Steps

For 2021, all of these veteran professionals came to perform and they delivered big time. So, a great start over 3 years through a pandemic, and we are continuing on throughout 2022. 

At Gregory Burrus Productions, we always have something going on to get you, your family and your friends involved, so take a look at our events calendar and come join in the live music party.

Check Out Our Upcoming Events Calendar! We'll See You Soon.

https://gregoryburrusproductions.com/events/

 

About the Writer Gregory Burrus  

Gregory Burrus is a local live music ambassador, event planner, live music ambassador and community partner that curates, manages and promotes live music events in the local Northern NJ and New York Area.

Gregory Burrus sits on a number of local boards and committees and is currently serving as a Board Member of Maplewood Community Music and is a Board Member of Harlem World Magazine Advisory Board. 

Year-round Gregory Burrus also curates, books and produces: the Jazz973 live music jazz series at Clements Place Jazz for the Rutgers University Institute of Jazz Studies,  the Jazzy Nights Live Music performances, and Cranford NJ Summer Sounds.

In addition to producing events, Gregory Burrus Productions also showcases, photographs, videotapes events annually such as the annual NYC John Jay College Friends of Myrna Bain Scholarship Fundraiser, the Orange NJ Farmers Market, numerous local bands at various local venues.  Gregory Burrus has a passion for making live music happen anywhere and everywhere he can whether locally around town or around the world while living life every day to the fullest. Learn more at: Gregory Burrus - Gregory Burrus Live Music Ambassador    

In Music Tags Jazzy Nights, Northern New Jersey, New York City, Gregory Burrus, Gregory Burrus Productions, jazz, R&B, The Fox and Falcon, Darryl Clark, DC Fusion, Lee Boz May, MPack Band, Mike Lee Sax, Radam Schwartz, October Live Music Fest, South Valley BBQ & Lounge, John Lee, Gregory Burrus April 2022

Mental Health Association in New Jersey Interviews Gregory Burrus on Why The Show Must Go On

April 22, 2022 Sonia Schnee

By Gregory Burrus | Posted Friday, April 22, 2022

On April 11th, the Mental Health Association in New Jersey held their weekly mental health improvement webinar. It's a weekly show held via Zoom with a special guest from all over the Northeast and beyond. Lynette Sheard of the Mental Health Association in New Jersey Interviewed me for the show titled “Why the Show Must Go On... Creativity and Your Mental Health.”

Interview Announcement Gregory Burrus - Why the Show Must Go On.

The show focuses on people, their mental health, and why the show, our lives must continue on. The show is designed to encourage, inspire and support our creative communities.  

The Format of the Show consisted of:

  • Welcome introduction to the Mental Health Association in New Jersey (MHANJ) program and the interviewer Lynette Sheard. 

  • Introduction to today's program special guest.

  • Question and answer session with the special guest.

  • Special guest final thoughts

Interview - Gregory Burrus - Why The Show Must Go On by Mental Health Association in New Jersey’s Director Lynette Sheard.

The interview proceeded through my background and the following slides as I provided answers. Take a listen. 

 

New York City Phase 

National / International Phase 

Community / Live Music Phase

I was asked, “What is your why and how regarding pursuing your creativity?”

In summary, after many years of working in corporate America, I found myself saying it's time to move on. And the following were my takeaways and how I have and still am maintaining my mental health.

Mental Lessons Learned: 

  • Do what appeals to you no matter who you work for or are working with.

  • Be creative in how you work, travel and make time to see it all.  

  • When the little bell goes off inside your head that says it's time for a change — explore it deeply.

  • Listen to lots of music to relax you. 

 

My Final Thoughts

I was asked for a final thought or words of wisdom, advice, recipes, tips, etc. I was free to prepare a song, poem, one minute or less:

Find a Job you love and never work a day in your life again.

 

About the Writer Gregory Burrus

I'm in my happy place after a fabulous swinging live music performance with the band.

Gregory Burrus is a local live music ambassador, event planner, live music ambassador and community partner that curates, manages and promotes live music events in the local Northern NJ and New York Area.

Gregory Burrus sits on a number of local boards and committees and is currently serving as a Board Member of Maplewood Community Music and is a Board Member of Harlem World Magazine Advisory Board. 

Year-round Gregory Burrus also curates, books and produces: the Jazz973 live music jazz series at Clements Place Jazz for the Rutgers University Institute of Jazz Studies,  the Jazzy Nights Live Music performances, Cranford NJ Summer Sounds.

In addition to producing events, Gregory Burrus Productions also showcases, photographs, and videotapes events annually such as the annual NYC John Jay College Friends of Myrna Bain Scholarship Fundraiser, the Orange NJ Farmers Market, numerous local bands at various local venues.  Gregory Burrus has a passion for making live music happen anywhere and everywhere he can whether locally around town or around the world while living life every day to the fullest. Learn more at: Gregory Burrus - Gregory Burrus Live Music Ambassador    

In Nonprofit Tags Mental Health Association in New Jersey, Lynette Sheard, mental health, Gregory Burrus April 2022

Interview with Bobby Mahoney (New EP, "We Go On")

April 15, 2022 Sonia Schnee

Album Cover for “We Go On” EP. Listen on Bandcamp and Spotify.

By Deaglan Howlett | Posted Friday, April 15, 2022

Bobby Mahoney and the Seventh Son are no strangers here on Jersey Indie, and we are always anticipating their next release. Their work ethic is unmatched and their appetite for songs with big choruses and hooks just seems to grow more and more with each new single. Bobby and his band had been hard at work for their newest release, “We Go On” (which premiered on 4/8), and we can now hear what they have been working on these past few years. To help celebrate this momentous release, they hosted a two-day Release Weekend at The Saint in Asbury Park with a handful of talent from up and down the East Coast. I caught up with Bobby to take a closer look at their latest singles “Moth to the Flame” and “Lay It On Me”, as well as what’s next for the band. Thanks, Bobby!

 

When did you start writing for your newest release, “We Go On”?

We started writing these songs in fragments in the later half of 2019. They have definitely been a slow-burn. There are other ideas that have been around longer, but I felt strongly about these as they came together, so they got to cut the line a bit. 

How did writing for this record differ from past Seventh Son records? How have you grown as a songwriter? 

This record was collaborative with all four of us, James McIntosh, Andrew Saul, Jon Chang-Soon, and I writing together. I would come up with skeletons/outlines/hooks in acoustic demo form, then I brought them to the others for us to flesh out as a group. The actual pre-production was done remotely, or in-person but masked and socially distanced due to the pandemic. James and I jammed through songs on his electric drum kit, Andrew and I made home pre-production Logic demos, and Jon and I discussed overall “vibe”, soundscape, structure, and arrangement at length ahead of recording as well. We didn’t know if it was going to be an EP, or the first half of a full length, but we felt the five songs we chose really stood on their own, and were a dense, impactful twenty minutes of music. 

“Moth to the Flame” is a rocker, the song also seems autobiographical. What remains to be your favorite thing about playing live shows?

”Moth to the Flame” is extremely autobiographical! It is about our need to create, despite all the factors that try to deter us from doing so. My favorite thing about playing live is when all the hours of practice and prep come together so I don’t have to think, I can feel. Which sounds silly, but I think there is a Keith Richards quote about something like that. When the four of us lock in, we can ride the energy, follow gut/instinct, and do what we know we can do. There are so many hours of things that are NOT playing the guitar that go into being a musician, so when we get to actually do what we signed up for for 20-60 minutes, and connect with people who care about what we do, it makes it all worth it. 

You’ve been playing shows for quite some time. How do you feel shows have changed if at all since the pandemic? 

I think it would have been a nice change to come back to shows with people being a bit more respectful of other audience members and the performers, but I don’t necessarily think that has happened. I think if anything, we are all now less likely to take it all for granted, at least I would really hope so. Before the pandemic, I caught myself taking live music for granted, and after losing it for over a year, I am extremely thankful for any chance I have to go see a performance or to perform myself. In a lot of ways, nothing has changed, yet everything has changed. We are still in weird times, but things are healing.

Who did you record “We Go On” with? Did you and the group do anything differently from previous recordings that you’re excited about?

We recorded “We Go On” with our good pal Joe Pomarico in his parents' basement in Holmdel, NJ. Aside from home demos and some pre-production phone meetings, we actually only rehearsed these songs a handful of times as a unit before we began tracking in Fall 2020. I wanted the songs to feel fresh, live, real, and given the circumstances, I wanted to capture the basic sound of people playing music in a room together. We tracked drums, bass, and rhythm guitars live over one weekend, and then spent a year overdubbing when we were able to get together, and doing Zoom editing/mixing/production meetings remotely! It was a weird way to make a record, but for this record — these songs, at this moment in time — it worked and I am very proud of what we were able to create.

The songs are “classic Seventh Son” — catchy with loud guitars and drums — but they have a new spin with this current line-up working together that led to some of the most exciting and unique songs we have ever recorded. We definitely wanted to push ourselves in every aspect to put out an EP that we felt represented what we do, and where we would like to go. 

What were you influenced by for your latest single “Lay It On Me”? How did that song come together?

I started taking notes for what became “Lay It On Me” while visiting Paris in August 2019. In the lobby of a hotel, they had old American Western movie posters on the wall, and I wrote some titles and taglines down. Many of our favorite songs were inspired from cinema, and many of the best songs are movies in themselves. Incident at Phantom Hill was too good not to note, and Fistful of Dollars is a classic. The irony of going all the way to France to be inspired by the American “West that never was” isn’t lost on me.

“Flower power and violence” is directly about the protests we saw in 2020 for the murder of George Floyd, the fights many Americans have had to wage on our own soil in order to secure their own rights/freedom in our history — painfully recent history — and present. Who the fuck is anyone to deny another human being the same rights they themselves desire and demand? “Will we find redemption?/Tune in next week.”

The song ultimately is about recognizing our own boundaries, and how much each of us can take on at once without being burnt out, burned, or burnt alive.

Musically, I wanted to focus on dynamics- starting very quiet and then gradually getting louder and louder, until it becomes one of the heavier moments on the EP. 

Thanks to everyone who has supported myself and this project over the years. We are excited to share with you all, and excited to see what the future holds! 

~

You can keep up with Bobby Mahoney and the Seventh Son here. 

In Music Tags Bobby Mahoney and The Seventh Son, Bobby Mahoney, Deaglan Howlett, Rock, Hard Rock, Alternative Rock, Alternative, Indie Rock, punk rock, Singer-Songwriter, Asbury Park, Monmouth County

Interview with Rory D'Lasnow (New Release, "Songs From An Empty Room")

April 15, 2022 Sonia Schnee

By Deaglan Howlett | Posted Friday, April 15, 2022

Hailing from Bergen County, NJ, Rory D’Lasnow has been penned a “golden voiced troubadour” (NJ.com), and his latest release “Songs From An Empty Room” further proves that notion. Having released music since 2011, Rory continues to dig deeper and tap into raw emotions that listeners can't help but feel connected to. Rory is also responsible for starting The Songwriter Showcase, which was a web series during the height of the pandemic in order to keep songwriters together and inspired through those trying times. Following the release of “Songs From An Empty Room”, Rory was kind enough to answer some questions about the record and his process upon the return of his run of shows in California. Thanks again, Rory!

When did you first start releasing your own music?

I put out my first EP in 2011 right after college. I’ve been singing, writing songs, and playing guitar upside down and backwards since I was five, but I took a while to really be consistent and intentional about it. While I had my first proper “show" at twelve at the local library, my journey has involved a lot of fits and starts due to anxiety, self-doubt, and loss but I’m here now and I feel like having taken such a circuitous path has given me some sort of perspective and ability to hopefully encourage others who face similar challenges.

Who were your biggest influences when first picking up guitar?

I was obsessed with The Beatles as a kid — I wanted to be John Lennon so badly haha. Now I’m more of a Paul guy — but their presence loomed large in my musical development. I also really loved Queen, The Everly Brothers, and Billy Joel though, of course, he wasn’t much of a guitarist! Basically, anything other than the era I was born into. That changed eventually, though. And now I’m a sworn emo kid forever. 

You run The Songwriters Showcase. How did you start that community? What inspires you most when meeting different songwriters?

I do! I initially started it as a way to just stay connected with and provide a small platform for my pals in the music scene during the COVID pandemic, but then it grew a bit to include over 250 artists across twelve countries which is something I’m super proud of and still super shocked by. I probably most enjoy hearing about different folks’ approaches to the craft. There are so many different ways to arrive at this common goal of writing a song that is evocative (and maybe a bit catchy, too).

You’re about to head to the West Coast for a few shows. Will this be your first time playing out there? Where has your favorite out-of-state show been?

Yes! I actually just got back from my first three shows in LA — it was! I lived in the SF area for a bit around 2014, but I only played an open mic or two as I was focused on pursuing “rational” things like a career at a startup in the Silicon Valley (what could be more irrational than ignoring your creative passions?). I was fortunate enough to link up with some fantastic like-minded musicians out in LA, though, for a few shows and I was ecstatic to have the chance to play at Hotel Cafe, which is an unreal space that some great musicians have come through.

The shows in LA definitely are up there, but one other spot I really enjoyed playing was Birmingham, AL with my buddies Anna Hope and John Armstrong Feller. I did a little southern run in January across eight cities and I’d never been anywhere in Alabama but everybody there was so warm and welcomed me with open arms. Knoxville, TN was a really cool one, too — shout out to Melissa Hale!

Favorite show you played in New Jersey?

Oh man — there have been so many great ones for so many different reasons, but I recently had the chance to open for my buddy Jarod Clemons down at Wonder Bar in Asbury Park in celebration of his father, Clarence Clemons, and it was a really special night in so many ways. Jarod and I unfortunately both know what it’s like to have lost our parents and the evening really was just a spectacular way to commemorate them and the impact they had on us. He was kind enough to invite me back up to do “My Hero” with him (RIP Taylor Hawkins — I still can’t believe it) in honor of our dads, and there were just a lot of emotions that came to the surface. It’s been a long, winding road to playing music more consistently for me, but moments like that make me so glad that I decided to pursue what I love with reckless abandon. And I’m so grateful for Jarod and all of the other folks who have had my back. That sense of community is something I failed to anticipate when I sat on my hands for the majority of my twenties.

Tell us about your latest EP “Songs From An Empty Room.” What does this record mean to you? What do you hope the listeners will feel from this release?

The record represents so much to me. Most of these songs predate me losing my best pal — my dad, who gave me my first guitar and really helped develop my love of music — but the songs have become increasingly personally relevant to me as many of them touch upon topics like loss, grieving, and depression. My greatest hope is that people can see themselves in the record and feel a sense of comfort upon listening to the songs. I’ve found that one of the greatest qualities of music is its ability to transcend all kinds of circumstances and obstacles to unite people. Being able to share my story and hear stories from others is an indescribable gift. This record is my heart in five songs, so it’s a joy to share.

~

You can keep up with all things Rory here and listen to “Songs From An Empty Room” here!

In Music Tags Rory D'Lasnow, Bergen County, Songs From An Empty Room, The Songwriters Showcase, Singer-Songwriter, indie, Deaglan Howlett

Interview with The City Limit

April 14, 2022 Sonia Schnee

By Sonia Schnee | Posted Thursday, April 14, 2022

Stanhope, NJ band The City Limit is cooking up new music for 2022, drawing on a diverse range of influences, from blues to pop, rock, funk, jazz, and folk. I interviewed bandmates Scott Lewis, Anthony Ambrosio, Sean Farrelly, and Mike Casson twice last year to ask them about their future music plans. Just a little over a month ago, they teased on Instagram part of a new single, which we may get to hear on April 22nd when they perform at Newton, NJ's Greek's Bar. Then, on Saturday, May 14th, The City Limit will be traveling down south, performing for the first time in North Carolina at Wampus Cat Music Festival. 

In our interview, bandmates Scott, Anthony, Sean, and Mike reflected on the good parts of 2020/2021, plans for their new EP, what it’s like getting messages from international fans, and they gave some shout-outs to some very influential family members. Catch it all by watching our interview above or reading the transcript below. 

(Video and transcript have been edited for time and clarity.) 

 

Interview 2: December 2021 

SCOTT LEWIS: I'm Scott.

ANTHONY AMBROSIO: My name is Anthony. I play bass guitar.

SEAN FARRELLY: My name's Sean. I play drums.

MIKE CASSON: My name is Mike, and I play keyboards.

SCOTT LEWIS: And we are The City Limit.

Going back to the first interview (March 14, 2021), the day we did the interview, you said the night before you were recording a music video.

SCOTT LEWIS: Yeah! We recorded the music video for our last single "Wake Up Your Mind” [see above].

You had a friend from L.A. who was a videographer/cinematographer who came and filmed it. Tell me a little bit about that.

SCOTT LEWIS: Yeah, so he's a childhood friend of Anthony's.

ANTHONY AMBROSIO: Yeah, me and him were in bands together, grew up together playing music, and he went on the path of film. He worked in L.A., doing all sorts of odd jobs working in the industry. He really needed something for his portfolio, so he came out and basically did it for free. We had to pay for whatever expenses, but we didn't have to pay him anything. The video turned out awesome.

SCOTT LEWIS: He did such an amazing job with it.  

ANTHONY AMBROSIO: For no budget.

SCOTT LEWIS: Yeah, and it looks fantastic when you watch the video.

Yeah, it looks really, really aesthetically pleasing, with all the twinkle lights and the colors and everything.

SCOTT LEWIS: That was all to Steve [Stephen Joseph Craig] -- the director's -- credit.

ANTHONY AMBROSIO: Yeah, he set up everything.

SCOTT LEWIS: He sent me to Lowe's and I was like, "Get a bunch of lights." I'm like, "Alright" so I got a bunch of lights and then we strung 'em up and the rest was just his talent.

ANTHONY AMBROSIO: It was all in my garage, too. It worked out great.

 

You did a ton of shows then after that. Are there any that stand out, or do you have any general observations of what that was like during the pandemic?

ANTHONY AMBROSIO: You know what, we didn't notice the pandemic, per se. It was a little harder booking gigs that pay and stuff, but in terms of playing gigs, there were a lot of gigs out there to grab.

SCOTT LEWIS: They take a little bit more legwork to find now. It's a little bit more like you have to actively hunt them out, whereas before the pandemic, places were playing tug-of-war, like, "We want you to play." "No, we want you to play." "No, we want you to play." Now, it's a little bit more you searching them out. As he mentioned, they don't have as much money to play with anymore. Obviously, a lot of restaurants closed down during the lockdowns during the pandemic, so everyone's kind of financially struggling, so they just don't have as much money to play with. So, those things make being a performer or a gigging musician a little bit more difficult, but we just love playing together. We love playing on stage and playing our songs for people. So, despite the pay cut, we have not been deterred whatsoever. We're just as happy as ever to get on stage and play for people.

ANTHONY AMBROSIO: The upstate New York shows were definitely some of the better ones. There were festivals, a lot of people. A lot of fun.

SCOTT LEWIS: That one in Barryville.

ANTHONY AMBROSIO: Kenny's Cosmic Campout. That was good. And then, The Grateful Daze. Same area.

SCOTT LEWIS: So, we're hugely influenced by The Grateful Dead. We're all obsessed with The Grateful Dead. In upstate New York is this whole community of Deadheads up there that throw these great music festivals, and we got to be a part of two of them this year and one of them last year. Those are some of the most fun shows you ever played. Everybody's there for the same reason, which is just to play and listen to great music, and it's a very communal vibe. We were outsiders coming into it, and they were so welcoming to us. We're going to be back there again in 2022 at all those shows, so love upstate New York, love the whole Deadhead culture up there. It's a really, really great place to play music.

SEAN FARRELLY: We have some other potential gigs coming up that could be cool, too, that aren't just in the area, like down in North Carolina.

ANTHONY AMBROSIO: In North Carolina, we have a gig set.

SEAN FARRELLY: Wampus Cat Music Festival. We got selected to play in North Carolina at this festival, so we're going to be taking a road trip out there, and we have a couple of other gigs that we're working out in the Louisiana area and Virginia. So, we're trying to move southward with our music. That's something that we intended to do in 2020, but then, obviously, the carpet got pulled out from under everyone, so now we're excited to pick it back up.

SCOTT LEWIS: The Wampus Cat's going to be in late-May, and then we're going to try to be in the Louisiana area in mid-summer, sometime around there. One thing that we're learning as we go along in the years of being a band is plan your summers and stuff way in advance. In the past year, we were scrambled, like "Oh my God, summer's here. Let's find shows."

SCOTT LEWIS: By the way, if you see me popping up and sitting back down, I have a pot of gumbo I've been making since 2 o'clock in the afternoon over there, so I just keep running over to it and tending to it to make sure it doesn't get out of hand.

That sounds pretty good. Hey, do what you got to do!

SEAN FARRELLY: Scott likes to cook for us.  

SCOTT LEWIS: I need to feed my boys.

SEAN FARRELLY: It's one of his favorite pastimes.

ANTHONY AMBROSIO: It's the only way he's going to get us over his house, basically.  

SCOTT LEWIS: They're growing boys. I've gotta keep them nurtured.

Congratulations on Spotify! I saw that you got a lot of streams, a lot of followers in a lot of countries. That's pretty wild.

SCOTT LEWIS: Yeah, we've been trying to build our online following a little bit.

ANTHONY AMBROSIO: That's a hard thing to do.

SCOTT LEWIS: It is.

ANTHONY AMBROSIO: Emails and playlists and whatnot and curators. It takes a lot of work.  

[Keyboard player Mike Casson joins the interview.]

SCOTT LEWIS: Here is our piano prodigy extraordinaire.  

MIKE CASSON: How's it going?

We were just going over the past shows that you've done over the year. You guys have been really busy. Are there any that stick out in your mind that you particularly enjoyed?

MIKE CASSON: Yeah, there were a bunch. What was it, Riverfest?

ANTHONY AMBROSIO: That was a couple of years ago, but still. We were saying The Grateful Daze and Kenny's Cosmic Campout.

MIKE CASSON: Oh yeah, The Grateful Daze was really cool. We played at a brewery recently, too, that was really cool.

ANTHONY AMBROSIO: Yeah, Fort Nonsense Brewing Company had a grand re-opening. That was a Halloween show, too.

 

What are your plans in terms of new music? Is it a similar sound and feel compared to what you've done in the past?

ANTHONY AMBROSIO: Pretty similar sound and feel. We try to change it up, but we've got some songs in the works. Nothing ready to put on record yet, but we did record a single over this past summer that's ready to be released probably within the next month or so.

SCOTT LEWIS: Yeah, me and Anthony are kind of approaching the end of the writing process for this next record that we're going to start doing in 2022. I'm really excited about it because I feel like this next record, just based on the raw form of the songs we have now, it's going to be kind of like the final realization of what we've been trying to do with this band. Look at the last record, and it kind of has elements of the first record in it. This next one is going to be, I think, a total breaking new ground type of thing where it's going to be something completely fresh. It's going to be the four of us working like lockstep with each other as one cohesive unit. We're all going to be putting our creativity together in one, and that's going to be really fun to see.  

 

Clockwise: Mike Casson, Scott Lews, Sean Farrelly and Anthony Ambrosio recording at Backroom Studios in Rockaway, NJ.

Are you going back to Backroom Studios with Kevin [Antreassian]? 

SCOTT LEWIS: Yeah, he's like our George Martin, you know what I mean?

MIKE CASSON: He's really good.  

ANTHONY AMBROSIO: He works well with us. He knows us.  

MIKE CASSON: He's been doing it for a while with the band.

ANTHONY AMBROSIO: And he's very easy to work with. You say anything and he'll do it. Like, "Oh yeah, let's do it! Let's try it," you know?

SCOTT LEWIS: This will be our fourth session with him, and I just feel like now we have a bit of a shorthand and we have a rapport with him where we don't have to overexplain anything. He just kind of intuitively knows what to do for our band and our sound and our songs.

 

You guys didn't really stop during the pandemic. You kept going, staying really busy, and playing shows. Did you find that, in terms of the audience reaction, people were grateful to be able to be outside of their houses/apartments? Was there a good vibe? What was that audience reaction like?

ANTHONY AMBROSIO: People just started coming back out, especially when it got nice out. A lot of the stuff was outside. During the winter Scott and I were doing some acoustic stuff, or Mike and Scott were doing some acoustic stuff, and people just loved it. People were just trying to get out and live their lives again.

SCOTT LEWIS: I almost feel like now people are more grateful than ever for live music, you know what I mean? People went through a period of time when they were all locked in their houses streaming Netflix, and so now when they're at a place with live music, they appreciate it. It's Like, "Wow, life would be bleak without this." So there is that little thing. I think people are more excited for live music now than ever before.

ANTHONY AMBROSIO: Even for us, guys, we're guys who go to concerts all the time. We hadn't gone to any shows, but luckily all four of us together got to go see Hall & Oates this summer.  

SCOTT LEWIS: That was amazing!

ANTHONY AMBROSIO: It was down at PNC Bank Arts Center.

MIKE CASSON: That was a great night.  

ANTHONY AMBROSIO: A great little outing. It was the first concert of the last couple of years, sort of thing. 

SCOTT LEWIS: We're all into so many different kinds of music, but we all love pop music so much. To see one of the greatest pop music writing duos, to see them on stage, and they sounded as good as ever, it was really, really inspiring and cool.  

ANTHONY AMBROSIO: It was.  

MIKE CASSON: Daryl was getting mad at the sound guys, though. He kept on getting feedback.

ANTHONY AMBROSIO: We're sorry about that, Daryl.

SCOTT LEWIS: The sound sucks at PNC, and I'm so happy that Daryl held their feet to the fire on that one.

MIKE CASSON: He was getting mad, but they killed it, though. 

SCOTT LEWIS: I was getting mad.

SEAN FARRELLY: I didn't even mind spending the $14 on the beer.

 

What are your plans for 2022? You mentioned new music, the festivals. 

ANTHONY AMBROSIO: That's our biggest goal, to get some new music. We want to be back in the studio at some point, hopefully real soon.

SCOTT LEWIS: Yeah, we pretty much have like the next EP written out, and I'm personally so excited about it because I think that some of the songs on this next record are going to be our best ones yet. Just this new single alone that we recorded, we showed it to a few close friends and they were like, "This is better than anything from the last two records." In my mind, I'm like, "Well, wait 'til you see what else is on the next EP. It's going to be even better than this." So, I think that we're just keeping that upwards trajectory going, of getting better and better with the songs. I'm really excited. 

 

For the new EP, do you have any collaborations in mind?

SCOTT LEWIS: The last record, we worked with two amazing musicians named Earl Maneeine and Jennifer Devore who are members of... It's actually a funny story. So Earl is an amazing violinist, and his wife, Jennifer, is an amazing cellist. They're part of this quartet called The Vitamin String Quartet. They do these amazing tributes to great songwriters like Elliott Smith and Fiona Apple and all these great songwriters who we admire. So I'd been listening to them since I was in high school, and then one day we were talking to Kevin [Antressian], like "We need strings" and he was like, "Oh, I have some string players I could hook you up with." He gave us the contact info, we started talking, we added each other on Facebook, and like a week after we added each other on Facebook, I was bored and I was looking at their Facebook and it says "Violinist and cellist at Vitamin String Quartet." I was like, "Wait, WHAT?" I didn't even know these guys who I had been talking to about the project and working on our songs were from this quartet I had been listening to for like 10-12 years and who I loved so much. That was a really cool, full-circle moment. So, that was on the last record.

We don't really know who we're going to work with on this next one. We're a very tight-knit group when it comes to recording. Like, we usually don't let anybody in the studio other than us, but as we get to a song and we say, "Oh, this needs this instrument, this needs that instrument..." For the first record, we hired a saxophone player. So we kind of play by ear and see what the song needs, and then we kind of hunt out someone to play the part.

Our first drummer on our first record was a good friend of ours — and is still a close friend of the band — Sean Meyers. He has this great project called Gates to the Morning. On the first record on our song "Wreckage", track 3 on our first EP, there's this is a line where it says "Every time it rains so hard, a little bit of us weathers away" and when I say the word "rain", Sean did a rain stick, so “Every time it rains” it goes "tshhhh." We forced Kevin to take that recording of the rain stick.

SEAN FARRELLY: Yeah, take the rain stick and put it in every other release.

SCOTT LEWIS: Every single release we ever do, like 40 years from now, we're going to be using the rain stick.

ANTHONY AMBROSIO: It's in the new single. You'll hear it.

MIKE CASSON: It's subtle.

ANTHONY AMBROSIO: It's very subtle.

MIKE CASSON: But it's nice.

SCOTT LEWIS: Basically, we want, 40 years from now, to still have Sean have a credit on our record and he hasn't talked to us in like 30 years but we just want him to be there, just so he opens the record and he's like, "These idiots." So, we're looking forward to seeing how we can utilize the rain stick.  

ANTHONY AMBROSIO: This new EP, I am pretty sure on one track there is going to be some sort of instrument. Something. We don't know what yet, but something will be there, just for fun, you know? Horns or something.

MIKE CASSON: I personally think it's cool to collab with people that you like in the local scene.

ANTHONY AMBROSIO: Oh yeah, definitely. 

MIKE CASSON: Because there's so many talented people that we know that, you know, a lot of people, sometimes we get caught up in being a band and just focusing on what the band should sound like, but at the end of the day, we're just trying to get our music out there to as many people as possible, and sometimes a collab can just take a good song and make it something special. I definitely am open to that.

SCOTT LEWIS: Me, too. 

MIKE CASSON: If we know the people that would fit, you know?

ANTHONY AMBROSIO: It's not planned. It just kind of gets figured out as the process is happening.  

 

Since Spotify is so international, do you ever get messages from people in different parts of the country or different parts of the world that are surprising?

SCOTT LEWIS: We got a really lovely review from a music blog in Mexico, and we had to use Google Translate to understand what they were saying. It said something to the effect of, "This is a great blend of pop, funk, blues, disco" and I was like, "I guess there is disco in there." They were like, "You've gotta have this in your music library." As we're reading out the Google Translate, we were like, "These guys are so nice." So there's been little instances of that. We're going to try to have that same outreach with the next single.

ANTHONY AMBROSIO: We've been working with a radio promotion company called Twin Vision, and they were the ones that were helping us spread it around. We're going to be working with them with this new single as well. So hopefully we get the same kind of feedback with people reaching out.

SEAN FARRELLY: We're hoping they remember us from the last one, so they see that we released a new one and will be like, "Oh yeah, I remember these guys. We'll check it out."

Where are they based?

ANTHONY AMBROSIO: They're based out in Brooklyn. They work with everyone all over the country, but their main offices are in Brooklyn. They found us. We played at Rockwood Music Hall two years ago. They searched the website and found us through the website, listened to our music, and reached out to us about helping us promote shit, but we didn't have anything out at the time, so we used them last year and we reached out again this year for the new single. So, hopefully, it works out.

 

Is there anyone who you'd like to give a shout-out to?

ANTHONY AMBROSIO: I’d like to give a shout-out to "the two Jim’s." Sean's father and Mike's father, Jim Casson and Jim Farrelly. They come to every show we play.

SEAN FARRELLY: Every show. No matter where it is.

ANTHONY AMBROSIO: They just show up.

SCOTT LEWIS: Jim squared.

MIKE CASSON: They're a good duo.

ANTHONY AMBROSIO: Excellent duo..

SCOTT LEWIS: We've had this pipe dream of a photoshoot where we dress up our dads as us. 

ANTHONY AMBROSIO: And they're the band, they just wear outfits we happen to wear. Sweater vests and beards and stuff.

SCOTT LEWIS: Me in like a beer-stained shirt. Anthony in a snap-on jacket. Mike in a Nintendo T-shirt with a beanie on.

ANTHONY AMBROSIO: Man bun.

MIKE CASSON: I’ll wear something ridiculous, like tigers…

SCOTT LEWIS: Like a muscle shirt covered in watermelons.  

ANTHONY AMBROSIO: Jim's gotta start working out to do this.

SCOTT LEWIS: Didn't we have an idea where, for some reason, we were going to be in the background? Like, you know in a cartoon when a bunch of characters poke their heads around a corner and their heads are stacked? It's gonna be us looking around the corner at our dads as us.  

MIKE CASSON: It’s a good idea for a cover.

SCOTT LEWIS: We were really high when we came up with this idea, but it sounded great at the time.

Yeah, that could be the artwork for the cover.

ANTHONY AMBROSIO: We can't help that we're geniuses.

SCOTT LEWIS: If you saw that album cover, wouldn't you go, "I vaguely want to take a listen to this"?

ANTHONY AMBROSIO: You'd shut it off after the first 20 seconds.

SCOTT LEWIS: But at least you started it!

I would be intrigued, for sure.

ANTHONY AMBROSIO: Even if they didn't have their shirts on. Actually, our dads are almost in better shape than us. 

SCOTT LEWIS: Our dads are in way better shape than us.

 

Are any of them musical? Would they ever have a guest spot?

ANTHONY AMBROSIO: My dad's actually a drummer, almost like a casual hobby. When I was a kid, he'd put on Journey CDs and just play along to them. So that's kind of what got me into it. I started jamming on drums. He got me a guitar and a bass and whatnot. But other than that, not really.

SCOTT LEWIS: My dad learned "Badge" by Cream on the bass when he was, like, 25 and then never did anything else musical again.

SEAN FARRELLY: My dad kind of knows how to play drums because I've shown him a couple of things in recent past years. I think he just needs to get over the confidence part.

ANTHONY AMBROSIO: He is a black belt, though.

SEAN FARRELLY: Yeah. He needs to get out and just play in front of people. He is a black belt, though. I know that's not really a musical instrument.

MIKE CASSON: My dad did choir when he was younger and he'll sing, kind of. He's not into music really, but he's always had a great taste in music. I owe him a lot for all the insane catalogs of different genres, of all the classics that he had showed me growing up, that has just seeped into your subconscious and then you grow up and it’s kind of influences you.

ANTHONY AMBROSIO: Same with me. My dad introduced me to so much music. Never was a huge musician, but he was just a huge music fan.  

Shout-out to them!

ANTHONY AMBROSIO: Oh yeah. Other than that, everyone else can suck it, I would have to say, right?

A shout-out to our friend, Nicole. She helped us a lot.  

SCOTT LEWIS: Oh yeah. Let's give a shout-out to Nicole! She's always there for us, even when we are not there for ourselves. We really appreciate that.

ANTHONY AMBROSIO: She helps us with a lot of things. She's gotten us gigs. She's taken pictures.

MIKE CASSON: Helped us book.

SCOTT LEWIS: She's a jack-of-all-trades.

MIKE CASSON: Yeah, she's great.

ANTHONY AMBROSIO: She's a good friend.

MIKE CASSON: Shout-out to Nicole. Nicole's cool. She's a good friend.

 

OK, well, I will let you guys enjoy your gumbo and cornbread and pizza.

ANTHONY AMBROSIO: We've been waiting for the gumbo for hours.

SCOTT LEWIS: That's not true, it's ready. Don't listen to him! We should do this once a year. This is fun. This is nice.

Hey, it's always good to catch up.

MIKE CASSON: We should make a Patreon.  

SCOTT LEWIS: We should.

MIKE CASSON: We should.

ANTHONY AMBROSIO: I was thinking an OnlyFans.

MIKE CASSON: We could do an OnlyFans.

ANTHONY AMBROSIO: They think it's nudes and they click on it and it's one of our shitty songs. “We paid for this shit?!”

SCOTT LEWIS: They think it's nudes but they click on it and it's just me making gumbo for 11 hours straight.

ANTHONY AMBROSIO: And me yelling at him. "Where's dinner? Where's my dinner?!" 

SCOTT LEWIS: I’d pay for that. I’d watch that.

Yeah, you should do that on YouTube! What do they have? The yule log that plays in a loop for 24 hours?

SCOTT LEWIS: It’s Scott stirring gumbo.

SEAN FARRELLY: I love that idea!

ANTHONY AMBROSIO: We'll give you royalties.

You can have that, and then people can tip you along the way.

MIKE CASSON: Livestreaming on Twitch.tv.

ANTHONY AMBROSIO: With a City Limits track on repeat in the background.

SCOTT LEWIS: We'll give you a producer's credit, Sonia. 

In Music Tags Stanhope, Sussex County, The City Limit, Blues, Pop, Rock, funk, jazz, Folk, Scott Lewis, Anthony Ambrosio, Sean Farrelly, Mike Casson, Stephen Joseph Craig, Kenny's Cosmic Campout, The Grateful Dead, Wampus Cat Music Festival, Backroom Studios, Kevin Antreassian, The Vitamin String Quartet, Sean Meyers, Gates to the Morning, Twin Vision, Sonia Schnee

Interview with Sara Abdelbarry (Teen Idle)

April 13, 2022 Sonia Schnee

Photo credit: Emma Murphy

By Sonia Schnee | Posted Wednesday, April 13, 2022

In February of this year, Asbury Park alt-rock songwriter, producer, and multi-instrumentalist Sara Abdelbarry (a.k.a Teen Idle) released her first single in 2 years, entitled “Burning”, and this Friday, 4/15, she’ll also be releasing the official music video for it.

With the exception of drums recorded by Simon Ogilvie and Danny Murray, Sara played all the instruments featured in the song and recorded them in her basement. (Shoutout to Andy Schichter for mixing and Kramer for mastering!)

In March, Sara’s guitar and synth skills plus backing vocals were featured on the Arabic-language song “La ElWa2t Yesra2”, produced in collaboration with Egyptian artist 200 Shams, which you can listen to here.

If you’re craving more by Teen Idle, you can catch Sara performing live on 4/28 at Finnegan’s Pub in Hoboken, NJ with Sonic Blume and ØM-53, and again on 4/29 at Stage Dive in Glassboro, NJ with Awesome Possum, Winkler, and Nadir Bliss.

Sara/Teen Idle is currently working on a full-length album. If you want to be the first to find out when it drops, and stay up-to-date on upcoming shows and other announcements, be sure to follow @teenidlemusic on Instagram and Twitter.

To learn more about the inspiration behind “Burning”, Sara Abdelbarry’s personal and musical journey, and her plans for the future, check out our interview below.

 

Congratulations on the release of your recent single, “Burning." You had me hooked in the first 18 seconds. I was transported. Would you say “Burning” is a continuation of your past work or a departure from it?

Thank you so much. I’m glad the song was able to transport you — that to me is the best compliment. “Burning” feels like it grew naturally from the sounds of my EP, since I wrote it during the same time, but it’s also strikingly different in some ways (at least to my ears). Some people who listened to the single described it as shoegazey, which is interesting because I think of it as the least shoegaze inspired song I’ve released. The song incorporates a lot of the fuzzy guitars and sonic patterns of my prior releases, but with this song I definitely wanted the focus to be on vocals and lyrics in a way I wasn’t thinking about on my EP.

What can you tell us about the inspiration behind the song? Did you have a clear idea of what you wanted it to be about when you started writing? What was that journey like?

It was definitely a journey. I remember starting the song about 3 years ago when I was a senior in college. The first part I wrote was the instrumental, which I recorded into a computer. I remember thinking there was strong potential there. At that time I wasn’t thinking about subject matter or lyrics at all; I just thought I had a fun guitar riff. The instrumental ended up sitting around until one weekend when I came home from school. I was feeling torn about a crush I had, which sort of characterized my last few months of college, so I started to write some lines of poetry in a notebook. I was just spilling my feelings. Later, when I wanted to put those words to song, I remembered I had the instrumental for “Burning”; luckily it seemed to match up with the words.

I kept tinkering around with certain lyrics. I doubt anyone would think this a song about an unrequited crush by looking only at the lyrics, yet it is! Some of the lyrics are pretty dark without context — “glowing is the sunlight, but all I see is black” — but they‘re about being in a funk because of a complicated crush gone sour. For some reason, whenever I sing the song and get to that lyric, I end up smiling. I think it’s because this seemingly bleak lyric is actually empowering when I think about how tiny of a struggle this crush was in my life compared to what it felt like back then. Almost comically. It’s awesome to feel like you’ve matured.

Where did you record/who did you record with?

I actually produced the song alone and recorded it in my basement, which I turned into a DIY studio. I was lucky to have my friend Danny play live drums on the song and record it at a separate studio. Other than that, I played all the other instruments myself. It was definitely a learning experience, and super fun. You really have to commit to finding certain sounds for a song — in a dream situation they come in five minutes, and other times in five days. It took weeks for this one riff to come out that I think made the whole song. The nice thing about recording at home is that you’re not under some deadline or budget, but I definitely have more fun when friends play on my songs.

Is music-making something that runs in your family? How did you get to where you are today?

Boy, I feel like this is a fun one. I don’t know of anyone in my family, even generations back, who pursued music as a career, but one side of my family is definitely the more creative one — it seems like all my first and second cousins make art in some way, whether singing, visual art, or even tattooing. My mom used to make paint and collage and my grandmother used to write poetry. My dad also makes these doodles that I find artistic.

Back in Egypt, where my family is from, my one side of the family was involved in the film industry, with my grandmother’s first cousin managing to make a name for herself. Some of the family started acting or getting involved with film, so I feel like that’s a major influence for me. Even if it’s film, not music. The sentimentality of Arab cinema is actually a huge influence on my creativity, which I didn’t realize until recently.

The reason I became obsessed with music in the first place was because of family — my older cousins, who I thought were the coolest people ever, would watch MTV with me and illegally download songs for me on LimeWire. This is why I was listening to 50 Cent in kindergarten. I was so into MTV that the first album I ever bought as a child was Sweet Escape by Gwen Stefani, after seeing her music videos on there. This and Kelly Clarkson made me want to be a performer.

What do you hope people will walk away feeling or thinking about when they listen to “Burning”, specifically, and/or your music in general?

Dang, I just hope that you gain something from listening to this song or my other songs. Whether that’s a comforting feeling, a realization about something in your own life after listening to the lyrics, or just a new song that you can add to your playlist and bop your head to. I secretly (yet not so secretly) hope that people are playing “Burning” in the car and feeling nostalgia. I don’t think about this when I write, but it’s cool when someone listens to your song and walks away with a lingering feeling of happiness, hope, reflection, whatever, that they’re thinking about for days.

What’s next on the horizon for you? Are you playing any shows? When can we expect to hear your full-length album?

So many things! I’ve been hard at work on a full-length album for what seems like 5 million years now, so once I get around to reaching out to some people and making the moves I need to finish it, it’ll be out. Hopefully before the end of the year. I’m definitely starting to play more shows in NJ. I’m playing at the basement of Bond Street Bar on 4/7 with Idle Wave, and 4/28 at Finnegan’s Pub in Hoboken with Sonic Blume & 0M-53. Tickets for Hoboken are on sale at the link in my Instagram bio.

Is there anyone who you’d like to give a shout-out to?

Most definitely — everyone who listens to my music and especially those who take the time to message me about it. I appreciate you. Also my parents for being literally the most supportive people ever. Catch them at most of my shows. My mom helped me make some stop motion art for the promo of “Burning,” and it turned out incredible, so go take a look at the Canva video that Spotify plays on your phone with the song! My mom made that.

Is there anything else that you want people to know about you and your work?

I started putting together a compilation during Women’s History Month, which will include female artists from around the area and beyond (as far as Australia) covering songs by other female artists. It will be available on Bandcamp and all proceeds will go to Nomi Network, which helps women who are at risk or victims of human trafficking get a jumpstart on their lives through social and economic assistance. Follow my Bandcamp for notifications when it’s released. I wanted to do something to celebrate talented women making music, but it’s also important that we’ll be doing our small part to raise money for a great cause that empowers women globally.

Do you have any words of advice or encouragement that you'd like to share with people who need it?

When it comes to making music, I feel like the most success is had when people stop focusing on fancy gear or plugins, and instead just try to make the best song they can make. For life in general, my life started to open up in ways I could never have imagined when I stopped giving in to fears. If you take baby steps to get rid of whatever fear holds you back, you’ll see how magically the world starts to open up. Take a step out of your comfort zone! And eventually your old comfort zone will be uncomfortable.

Finally, where can people listen to your music and connect with you online?

You can find me on Spotify, Apple Music, Deezer, YouTube, all the usual streaming platforms! Even TikTok which I’m trying to master. My music is also on Bandcamp at teenidle.bandcamp.com

I’m on Instagram and Twitter as @teenidlemusic!

In Music Tags Teen Idle, Sara Abdelbarry, Alt Rock, Alternative Rock, Alternative, Rock, Shoegaze, Asbury Park, Monmouth County, Sonia Schnee

Jazz Appreciation Month 2022 Around Town with Gregory Burrus Productions

March 29, 2022 Sonia Schnee

By Gregory Burrus | Posted Tuesday, Marcy 29, 2022

JAZZ APPRECIATION MONTH

This April, jazz up for a month to celebrate Jazz Appreciation Month (JAM) to honor one of America’s earliest and iconic art forms. Rich with extraordinary heritage and cultural history, jazz music originated in the blues era in the early 20th century and bestowed the world with bebop tunes to which we can dance all night. Founded in 2001, JAM is a 30-day long festival held to learn and recognize the cultural significance of this hip music genre and the jazz pop stars, and offers a chance to jam to some boogie-woogie day in and out. https://nationaltoday.com/jazz-appreciation-month/

Events – Jazz Appreciation Month

Come on out and enjoy some of the best Jazz, Jazzy Nights and some Smooth Jazz Events available during Jazz Appreciation Month. We are starting the celebration early. Here’s some of the fabulous jazz performances you can experience this month..

 

March 30: Jazz973 Presents Kakuyon Mataeh Quintet

Kakuyon Shakur Mataeh – Trumpeter, Bandleader, and Composer born in Newark, NJ. Jazz education through the Jazz House Kids youth program led by Melissa Walker and Christian McBride, performing in their Montclair Jazz Festival nearly every year since 2014. Kakuyon grew up playing at speakeasies and his father’s many art gallery exhibitions from a young age. Kakuyon is in his junior year at Princeton University where he studies Computer Science, African American studies, and continues his jazz education under the tutelage of trumpeter Ted Chubb, bandleader James Darcey Argue, and saxophonist Rudresh Manhatthappa. Mataeh has played at notable venues such as Dizzy’s Club Coca-Cola, and more recently led his quintet at the 2022 Montclair Jazz Festival. He has also played with Christian McBride, Cyrus Chestnut, Don Braden, Trineice Martin, Mimi Jones, Vince Ector, and many other notable acts. He brings a swinging band:

Destiny Diggs – Bass
Miles Lennox — Keys
Peter Glynn — Drums
Joseph Miller — Sax

Check it out Wed., March 30, 7:00pm and 8:30 pm showtime. Clément’s Place, 15 Washington Street, Newark, NJ 07201

https://www.facebook.com/jazz973

 

April 1: Elmwood's Culture Club Summer Of Soul Screening

It's the Summer of Soul Film Screening hosted by Lynette Sheard for the Elmwood's Culture Club “Summer of Soul” is about the Harlem Cultural Festival of 1969. If you haven’t heard of it, that may be because it was—tellingly, if not deliberately—erased from public consciousness. The festival took place outdoors, in Mount Morris Park (now Marcus Garvey Park), and it was filmed, under lighting generously provided by the sun. The tapes then sat in a basement, largely unseen, for half a century. At last, they have been unearthed and, in the hands of Thompson and his editor, Joshua L. Pearson, given new life and shape.

https://www.newyorker.com/magazine/2021/07/05/questloves-summer-of-soul-pulses-with-long-silenced-beats

Following the screening, there will be a Zoom discussion led by Entertainment Personality Lynette Sheard and Ierviewer for Gregory Burrus Productions. Lynette Sheard is also Director and community education coordinator at the Mental Health Association in NJ, will host the event. Come join us to view the movie and discuss the event. Click here to register for this Zoom event or you can also email eupccultureclub@gmail.com.

 

April 1: Bradford Hayes Quintet at IJS Clements Place

Bradford Hayes Quintet at IJS Clements Place

  • Saxophonist Bradford Hayes, a native of Dinwiddie County, Virginia has been a force on the jazz scene in the northeastern U.S. for many years now. He has performed at a number of clubs, colleges and concert halls that include Birdland (NYC), Tavern on the Green (NYC), and the Beacon Theater (NYC). Bradford has performed or recorded in different musical settings with Gerald Alston, Yusef Lateef, Ted Curson, Michael Cochrane, Joe Lee Wilson, Jimmy Heath, Al Grey, Cecil Payne, Rufus Reid, Ray Bryant, Ben Riley, Dr. Lonnie Smith, Cecil Brooks III, Jerry Butler, and The Dells. For this performance Braford Hayes brings in the following professional musicians.

  • Michael Cochrane on Piano, A forward-leaning yet strongly swinging modern pianist, Cochrane studied with the noted Boston-based piano teacher Madame Margaret Chaloff (mother of Serge Chaloff) and the inimitable Jaki Byard. In a fruitful career, he has performed and/or recorded with saxophonists Michael Brecker, Sonny Fortune, Oliver Lake, David Schnitter and Chico Freeman and trumpeters Clark Terry, Valery Ponomarev, Jack Walrath and Ted Curson; also bassist Eddie Gomez, as well as many others. He has led a quintet that included Tom Harrell and saxophonist Bob Malach, and he has recorded several albums as a leader, including 1997’s “Cutting Edge.” He is also a prominent jazz educator and instrumental instructor in the New York and New Jersey area.

  • Peter Lin on Trombone. Peter Lin is a Taiwanese-American trombonist, producer, and educator based in New Jersey/New York City. Born in Baton Rouge, Louisiana and raised in northern New Jersey, Peter played violin and piano before picking up the trombone at 10 years old. His love for music continued, motivating him to pursue a jazz studies degree at the esteemed music programs of William Paterson University (undergraduate) and Rutgers University (graduate). Since then, he has become an integral part of the music scene, performing and sharing the stage with renowned artists including Slide Hampton, Winard Harper, Charli Persip, Valerie Ponomarev, JD Allen, and Radam Schwartz. He also spent a considerable amount of time studying with his influences, including trombone masters Slide Hampton, Steve Turre, Conrad Herwig, Robin Eubanks, Steve Davis, and Frank Lacy. He continues to perform prolifically as both a leader and sideman at established venues such as Blue Note, Dizzy’s, Birdland, Smalls, Fat Cat, Zinc Bar, and Candlelight Lounge.

  • Takashi Otsuka on Bass – A consummate bassist, Takashi also studied composition and arranging with Herb Pomeroy, Bob Freedman and Ken Pullig, and improvisation theory with Gary Burton at Berklee College of Music. Takashi has appeared with various artists including the Boston Symphony Orchestra under the direction of Seiji Ozawa, The Boys Choir of Harlem, Ben E. King, Swing Express under the direction of Bill Conway, the Latin Jazz Orchestra under the direction of Victor Rendon, Don Sebesky, Bob Mintzer, Charles McPherson, Marion Meadows, Lew Solof, Ted Curson, Claudio Roditi, Norman Simmons, Vic Juris, John Hart, Bob Devos, Ron Affif, Pete Levin, Virginia Mayhew, Jack Walrath, Billy Hart, Eliot Zigmund and many more.

  • Noel Sagerman on Drums – Noel Sagerman began playing drums at St. Cloud elementary school in West Orange, NJ. He started playing professionally while attending the University of Vermont, often gigging with ArtisShare founder Brian Camelio and Jazz Mandolin Project founder Jamie Masefield. After graduating he spent a year playing in Japan, including gigs with Chicago native Hank Hirsch and noted Japanese pianist and educator Sadayasa Fujii. In 1992 Noel returned to NJ and furthered his studies with teachers Bobby Thomas, Billy Higgins, and Tim Horner. He also became a regular at The Peppermint Lounge and started working regularly in the NY/NJ area. Some artists he has worked with include Irene Reid, Pharoah Sanders, “Big” John Patton, David “Fathead” Newman, Oliver Lake, Bruce Williams, Dave Stryker, Pat Tandy, Freddie Hendrix, Brandon McCune, Pete Rodriguez, and many others. He currently resides in Newark, NJ, and plays for gospel singer/pianist Joshua Nelson both on tour and at Hopewell Baptist Church.

Check out this performance on Friday, April 1, 7pm at Clément’s Place, 15 Washington Street, Newark, NJ 07201 https://www.bradfordhayes.com/

 

April 6: Gene Ghee Quartet featuring Bertha Hope

Gene Ghee Quartet featuring Bertha Hope with Kim Clarke and Luciana Padmore

Gene Ghee — Sax – Gene Ghee (saxophone, flute, clarinet) is long-time performer and educator. He graduated from NYU with a music education undergrad degree, from the Manhattan School of Music with an MA for music performance and from Columbia University Teachers College with a Master of Education degree. He has appeared as a sideman with an array of performers from Art Blakey to Stevie Wonder, and is also a recipient of the Daily News Music Teacher Recognition Award.

Bertha Hope — Piano — Jazz pianist Bertha Hope-Booker was born on November 8, 1936and was raised in western Los Angeles, California, As a youth, she performed in numerous Los Angeles clubs, studied piano at Los Angeles Community College and received her B.A. degree in early childhood education from Antioch College. In her youth, she played music with and learned from other young musicians in her neighborhood such as Richie Powell and Elmo Hope, the latter becoming her husband in 1957. She moved with Elmo Hope to the Bronx, New York, where she worked at a telephone company during the day while performing at night. After her husband’s passing in 1967, she continued to present his music and remained an active force in improvised music within the New York jazz scene.. Through the Jersey State Council on the Arts program, she performed with Dizzy Gillespie, Frank Foster, Nat Adderley and Philly Joe Jones. Hope-Booker later married Walter Booker, Jr., and the two worked to keep the music of Elmo Hope alive through Hope-Booker’s tribute ensemble called ELMOllenium and The Elmo Hope Project. She also performs with a Jazz program at Washington Irving High School in New York City, which was sponsored by Bette Midler. The Seattle-based trio, New Stories, has recorded a CD of Hope-Booker's music entitled, Hope Is In the Air. https://www.thehistorymakers.org/biography/bertha-hope-41

Bertha received two lifetime achievement awards; one in 2002 from Cobi Narita's Jazz Coalition and the second from Dr. Billy Taylorin 2005 at the Mary Lou Williams Jazz Festival in Washington, D.C. In 2014, Bertha's three year oral history project was made available in the Library of Congress, and she was celebrated as a Bronx Living Legend by the Bronx Music Heritage Center. In September 2016, the Bronx tree lined block of Lyman Place where Elmo, Bertha and baby daughter lived was co-named “Elmo Hope Way–Jazz Pioneer.” Sidenote Gregory Burrus was born and lived on Lyman place also and knew the Hope family so I am very excited for this performance.

Kim Clarke — Bass – bassist, composer, bandleader, educator performs alternately on the Acoustic Bass, Electric Upright , four and five-stringed Electric Bass Guitar. Holds B.A.’s in Communications and Music from City College and Long Island University respectively, and is a 3- time recipient of the coveted N E A Jazz Study Fellowship; under the tutelage of Bass Masters Ron Carter, Buster Williams and Lisle Atkinson respectively. Ms Clarke is also a long-time student of the Jazzmobile and Barry Harris Workshops.

Lucianna Padmore — Drums – New York based drummer Lucianna Padmore has been praised by Modern Drummer magazine for “Deep grooves and serious fusion chops.” Lucianna’s versatile drumming is featured with artists in the Jazz, Hip-Hop, Funk, Rock, Pop and Fusion genres. An alumnus of LaGuardia High School for Music and the Performing Arts and the New School University, she has received awards from Jazz at Lincoln Center and BMI for her jazz improvisation.

https://www.facebook.com/jazz973

Check it out on Wednesday, April 6th, 7:00pm showtime. Clément’s Place, 15 Washington Street, Newark, NJ 07201
Register: https://www.eventbrite.com/o/gregory-burrus-17227441816

 

April 7: George Gray Group Jazzical at IJS Clements Place

RUTGER’S INSTITUTE OF JAZZ STUDIES AT CLEMENT’S PLACE PRESENTS
GEORGE GRAY FEATURING THE GROUP JAZZICAL

By popular demand George Gray returns with the versatile jazz group Jazzical featuring Jeff Sheloff on sax, Mark Adams on piano, Derrick Barker on vibes, Donald Nicks on acoustic bass and George Gray on drums! We are here to play authentic jazz at its best so why not join us.

Check it out Thursday, April 7th, 7:00pm showtime. Clément’s Place, 15 Washington Street, Newark, NJ 07201 – Register: [link TBD]

 

April 8: Steve Slagle at IJS Clements Place

Steve Slagle – Alto Sax, Flute, Composer, Band Leader, Educator

Saxophonist, flutist and composer Steve Slagle makes his home in New York City. He has released 20 CD’s as a leader, and performed on countless others. His many original compositions are published by Slagle Music, BMI worldwide. Steve was musical director of the Mingus Big Band for many years, and wrote many of the bands arrangements as well with Joe Lovano’s Nonet, of which he is a member. He has received two Grammy Awards for recordings with each of those groups and continues his association with them. Steve attended Berklee College of Music in Boston on a Downbeat scholarship at age 18 and subsequently received his Masters in Music at MSM in NYC.

He has played with Stevie Wonder, Machito’s Afro-Cuban Orchestra, Steve Kuhn, Lionel Hampton, Jack McDuff, Charlie Haden’s Liberation Music Orchestra, Brazil’s Milton Nascimento and band, Carla Bley Orchestra, Ray Barretto, Beastie Boys, and many others.

Check it out on Friday, April 8th, 7:30pm showtime. Clément’s Place 15 Washington Street, Newark, NJ 07201

 

April 9: MPack Music at South Valley BBQ and Lounge

Jazzy Nights Presents MPack Music Live at South Valley BBQ and Lounge. Thankfully we can go back inside and this year as Jazzy Nights is happy to present MPack Music Live at South Valley BBQ & Lounge. This jazzy night will have our favorites performing:  

Groove Master Clarence Conover  – Bandleader, bassist, guitarist, keyboardist, drummer and vocalist . Clarence Conover ‘Groove Master’ Conover is the founder, and CEO of M-Pack Music productions whose motto is “Life Changing Sounds”. Clarence has performed and recorded with Patti Labelle, Teddy Pendergrass, Grover Washington Jr., The Delfonics, Bo Diddley, and more. Clarence has performed at numerous venues across the Tri-State area and more.

Vocalist Patricia Walton – ,Lead Vocal stylist – Jazz, Blues and R&B. Lead vocalist for MPack Band. Performs Solo gigs and has worked with many of New Jersey’s finest jazz musicians.  

Keyboardist – Larry Greenberg – Multi-keyboardist and synthesist, composer/arranger, bandleader, and studio musician performs in multiple genres of Funk, Jazz, Jazz Fusion, R&B and Latin Rock. A ‪Skyy band member “Call Me” topped Billboard’s R&B chart and was No. 26 on the pop side.

Drummer – Kevin Moore – This Master Drum from East Orange High Scholl has performed in numerous venues across the industry, was part of the popular Band Aurra – Interviewed by Don Cornelius and performed on the cutting edge of music, dance and culture Nationwide TV Show Soul Train.

Guitarist – Kenny Robinson – Newark Arts High School Alum is an in demand guitarist, a former long time band member of The Black Widow Blues Band along with Ricki Lewis and has played at numerous venues , churches and special events around the Tri State area.

MPack brings an explosive energy to the stage, guaranteed to rock the house all night long! Dinning, drinking, dancing, singing, talking, connecting, seat dancing, listening and more will be happening in the Blue Room.

Join Us -Jazzy Nights at South Valley BBQ and Lounge Jazzy Nights Presents MPack Music Live at South Valley BBQ and Lounge

 

April 15: Peter Lin – The Slide Sessions at IJS Clements Place

Peter Lin – The Slide Sessions Music and Legacy of Slide Hamptons

Slide Hampton was a trombonist, arranger, and composer with skills very few could match. He could take a small band and make it sound like an orchestra — not just in vastness, but in excitement, impression and intricate layers of sound. His arrangements found the visceral core of bebop classics and revealed their stunning beauty and spine-tingling glory. When he raised his horn to solo, the results were always impressive: a deep mix of profound blues and complex technique. He was a true original. As a jazz educator, Hampton was active at Harvard University, DePaul and several other institutions

This event will be a musical tribute to the legendary Slide Hampton. Bandleader Peter Lin will present an evening of Slide Hampton’s compositions and arrangements in a quintet setting, along with personal anecdotes and reflections on Slide’s legacy. According to Peter Lin, who first contacted Hampton for an interview for his graduate thesis, and later became his assistant: “Without Slide Hampton, I would not be playing trombone today, and I think many other musicians would feel the same sentiment.”

Joining him are veteran musicians of multiple generations. Mike Karn – Bass, Tadataka Unno – Keys, Jerome Jennings – Drums and Nicole Glover – Sax.

Check out this very special performance on Friday, April 15th, at 7:30pm. Clément’s Place, 15 Washington Street, Newark, NJ 07201 https://www.peterlinmusic.com

 

April 23: Smooth Vocals, R&B and All That Jazz at the Woodland Mansion

Spring fever is at its peak at the historic Woodland Mansion in Maplewood NJ.

This show is the brainchild of Rich Engel, a local resident, producer and promoter - who for decades produced numerous NYC Smooth Jazz cruises along with many other marquee live music concerts. Engel says he is determined to make contemporary jazz a staple in the SOMA (South Orange Maplewood) area and beyond and he is demonstrating that he is very committed. This show is a group of serious hardcore Smooth jazz and R&B veterans, all have performed with many legends in the industry and now they have also established themselves as stars of this music.

Smooth Vocals R&B with:

  • Maysa Leak (Singer) Deep Waters – Grammy-nominated, Soul Train Award Winning Soul/Jazz

  • Alexander Zonjic Jazz flutist (multiple winner Detroit Music Awards)

  • James Lloyd (Keyboardist) from Pieces of a Dream, Grover Washington Jr., Walter Beasley , Eric Darius, Everett Harp, Gail Jhonson, Hiroshima, Wayman Tisdale, Najee, and more.

  • Kris Kurzawa (Guitar), Most In Demand Detroit Guitarist – 5X’s Detroit Music Awardee

  • Jeff Candy (Drums),

  • Mike Harrington (Bass). Tours with Brian Culbertso, The Spinners, KEM, Jeff Lorber, Kirk Whalum, Kim Burrell, Angela Bofill, Marion Medows and more

Check it out on Saturday, April 23rd, 8:00pm showtime. The Woodlands – 60 Woodland Road. Maplewood, NJ 07040.

Buy tickets here: Smooth Vocals. R&B and All that Jazz at The Woodland Sat Apr 23, 2022 8:00 PM – 10:00 PM

 

April 29: Carla Cook at IJS Clements Place

Carla Cook
There’s a reason for that: Cook has been influenced by the jazz vocal masters, but equally influenced by phenomenal instrumentalists, like Miles Davis, Wes Montgomery and The Crusaders. The Detroit native also finds inspiration in R&B, Motown, pop, gospel and country. In fact, she has put her unique phrasing on everything from Marvin Gaye’s “Inner City Blues” to Bobbie Gentry’s “Ode to Billie Joe” to Neil Young’s  “Heart of Gold”.

As a result, Cook has an improvisational style that’s steeped in the swing tradition yet eclectic, and brimming with fresh interpretations. “Although I’ve been influenced by all the masters, I’ve been maturing into my own sound, “says Cook. “Today, I sound exactly like me.”
That sound is a warm contralto with a remarkably wide range of colors; known for her interpretive gifts, Cook can sing in a hefty, bluesy timbre, reach crystal clear high notes, then scat with sure-footed richness; and she does it all with an acute sense of rhythm and timing. As a result, says jazz critic John Murph of The Washington Post. “She has sass that enlivens her impeccable diction, and tremendous soul that lets her swagger with gutbucket finesse, but it’s all buttressed with sparkling optimism and innocence.”

Check it out on Friday, April 29th, 7:30pm showtime. Clément’s Place 15 Washington Street, Newark, NJ 07201

 

April 30: Special Event at South Valley BBQ and Lounge

International Jazz Day | April 30, 2022

Stay Tuned for a Special Event

Come join me around town. Hope to see you.

 

About the Author — Gregory Burrus

Gregory Burrus books bands, produces, promotes, captures, and records live music events along with various other community and private activities.

I love writing about it all. My mission is to help community groups, live music bands, and local nonprofits, reach their goals and accomplish their missions while enjoying the day-to-day process of life.

https://www.jerseyindie.com/ji-blogger-gregory-burrus
https://patch.com/users/gregburrus

In Music Tags jazz, Kakuyon Mataeh, Bradford Hayes, Michael Cochrane, Peter Lin, Takashi Otsuka, Noel Sagerman, Gene Ghee, Bertha Hope, Kim Clarke, Lucianna Padmore, George Gray, Jazzical, Jeff Sheloff, Mark Adams, Derrick Barker, Donald Nicks, Steve Slagle, Rutgers IJS, Clements Place Jazz Events, MPack Band, Clarence Conover, Patricia Walton, Larry Greenberg, Kev Moore, Kenny Robinson, The Woodland, Maysa Leak, Alexander Zonjic, James Lloyd, Kris Kurzawa, Jeff Candy, Mike Harrington, Carla Cook, Gregory Burrus Productions, Gregory Burrus March 2022

Women's History Month 2022 with Gregory Burrus Productions (RECAP)

March 29, 2022 Sonia Schnee

By Gregory Burrus | Posted Tuesday, March 29, 2022

As you know, Women’s History Month is an annual declared month that highlights the contributions of women to events in history and contemporary society (source: Wikipedia). Here, Gregory Burrus Productions has big fun discovering, acknowledging and celebrating the accomplishments of local women during Women’s History Month. While we celebrate women all year long, we take a special time to focus on some that we know that are doing significant and amazing work every day. Therefore, we either create events to celebrate those women who are performers and acknowledge others in our area who are just moving through life and making a huge difference in our lives every day.   

Let's get started as we recap our events for Women’s History Month 2022.

  • March 2 Kim Clarke, Lucianna Padmore and Yayoi Ikawa

  • March 4 WHM2022 Just Us Just Music

  • March 4 Sleep Out Montclair Community Edition

  • March 13 Equinox – Art and Music Exhibition

  • March 23 Dara Starr Tucker

 

March 2 Kim Clarke, Lucianna Padmore and Yayoi Ikawa

Event Overview 

Jazz973 Presents Kim Clarke Trio at Clements Place Jazz

Very happy that Bassist Kim Clarke Founder of Lady Got Chop Festival is joining us for Women’s History Month as Part of  The Lady Got Chop Festival. In its 20th year this festival presents some of the most notable women professionals playing Jazz in the industry.

Interview with Kim Clarke

We were very happy to have our Gregory Burrus Productions Interviewer, Lynette Sheard talk with Bassist Kim Clarke before our Jazz973 st Clements Place Jazz  honoring Women’s History Month.

Performance Short — Jazz973 Presents Kim Clarke Trio at Clements Place Jazz

For this Jazz973 event Kim Clarke is bringing with her some jazz industry heavyweights – Lucianna Padmore on Drums and Yayoi Ikawa on Keys to perform at Newark Rutgers Institute of Jazz Studies – Clements Place Jazz Club.

Full Performance

You can catch the full performance right here on my Youtube Channel.

 

March 4 WHM2022  Just Us Just Music 

Event Overview 

WHM2022 Womens History Month Celebration at the Cricket Club

Celebrating Ife Basim’s 9th Annual Women’s History Month Celebration, “Just Us. Just Music.” Always, a night you don’t want to miss, and a night you won’t forget. Just Us. Just Music.

Interview with Ife Basim

In its 9th year our Gregory Burrus Productions Interviewer, Lynette Sheard talk with the Founder Joy Topping Mann right before this very successful sold out event.

Performance Short

Over 125 folks showed up to have a great time on Friday March 4th at the Cricket Club,. The musicians featured were Kate Cosco on Keys, Caylen Bryant on Bass, Iyonna Herbert on Drums and Lee Odom on Saxophone.

Our vocalist included Jackie Harmon Johnson, Patricia Walton, Omisanya Karade, Phyllis Blanford, Zakiyyah Zai’meh and the founder Joy Topping Mann. The night was hosted by Norman Mann.

Full Capture of the nights events:

Click Ife Basim WHM2022 at the Cricket Club Entertainment Complex by Gregory Burrus Productions.

 

March 4 Sleep Out Montclair Community Edition 

Event Overview

2022 Sleep Out: Virtual Discussion Aging Out Foster Care and Homelessness

Every year we lose kids to gangs, jail, human trafficking, substance abuse, and even death. Covenant House, New Jersey mission is to provide comprehensive residential care and related services to help New Jersey’s youth who have suffered from abuse, neglect, abandonment, human trafficking and homelessness. The Junior League of Montclair – Newark, Inc (JLMN) is committed to helping resolve this situation by conducting this years’ 2022 Sleep Out: Montclair Community Edition,

Interview with Heather LeClair

Discussion on Homelessness, Aging Out of Foster Care and Mental Health

The Junior League Montclair – Newark  President Heather LeClair and our interviewer, the  Director of Mental Health in New Jersey, Lynette Sheard  conducted an important conversation to discuss this situation and help us understand the implications of aging out of Foster Care, Homelessness and the impacts upon one’s Mental Health.

Learn More

2022 Sleep Out: Montclair Community Edition Junior League Montclair – Newark  

 

March 13 Equinox – Art and Music 

Event Overview 

WHM2022 Art Exhibition featuring the Latin Jazzy Sounds of Marilyn Castillo

Equinox, the Exhibit

Through an exciting collaboration between photographer/artist Christine Keeley and collage/mixed media artist Maria Estrela, the idea of Equinox: The Birth and Rebirth of a Woman, a celebration of Women’s International History Month, was born.  The exhibition will be on view at The Jewish Museum of New Jersey in Newark, New Jersey from March 6th to April 3rd.

Interview with Artist Maria Estrela – Christine Feeley

We caught up with Maria Estrella and Christine Keeley to understand the exhibition and more importantly the connection between the artist and their work. Take a listen. 

Performance Short

Exhibition till April 4th.

Click here to read all about the event:
Equinox Art Exhibition Featuring Maria Estrela and Christine Keeley with Live Music by Marilyn Castillo and Nedelka Sotelo (Sunday, March 13, 2022)

Full Performance

Click here to see the  live music performance:
Castillo – Nedelka Sotelo – Antonios Cotez – at Equinox Exhibit by Gregory Burrus Productions

 

March 23 Dara Starr Tucker   

Overview Event Link

Jazz973 Presents Dara Tucker and her Band at Clements Place Jazz

Dara Starr Tucker is making her mark in the world of music and activism as a singer, satirist and social commentator. Her latest album, Dreams of Waking: Music For A Better World (2021), was featured on Grammy.com and in American Songwriter Magazine. On the album, Tucker embraces the urgent, topical works of songwriters of the protest era, along with her own compositions, as vessels for justice awareness, instruction and healing. Her album reached #7 on the Jazzweek National Radio Charts and reached #6 on the ITUNES jazz chart.

Interview with Dara Starr Tucker

Dara Starr Tucker Interviewed by Lynette Sheard for Gregory Burrus Productions

Today on Interviews by Gregory Burrus Productions, we encountered a truly fabulous, soulful multidimensional singer. As you may know, a live music career is a business that requires the performer to stay relevant in the audience’s mind. The performer in order to be successful must be committed to ensure long-term relevance. Dara Tucker has found many ways to stay in the minds of fans using multiple platforms and, as her bio proclaims, singer/songwriter Dara Tucker is no stranger to producing “composition as commentary.” Take a listen.

Performance Short

Jazz973 Presents Dara Tucker and her Band at Clements Place Jazz

This very special Womens History Month Celebration produced by Jazz973 featured the fabulous Dara Starr Tucker and her awesome band. Dara Starr Tucker – vocals, Mike King – piano, Greg Bryant – bass and Curtis Nowosad- drums.

Full Performance

You can catch the full performance right  here on my Youtube Channel.

Thank you for joining us - Hope you enjoyed our Women's History Month 2022 Recap.

 

About the Author — Gregory Burrus

Gregory Burrus is a local live music ambassador, producer, promoter, event planner, and community partner. He combines his extensive corporate business and technology expertise with his love of live music and being a strong community advocate.

I love writing about it all. My mission is to help community groups, live music bands, and local nonprofits, reach their goals and accomplish their missions while enjoying the day-to-day process of life.

https://www.jerseyindie.com/ji-blogger-gregory-burrus  
https://patch.com/users/gregburrus 

In Music, Community Tags Women's History Month, Kim Clarke, Lucianna Padmore, Yayoi Ikawa, Just Us Just Music, Sleep Out, Equinox, Dara Tucker, Gregory Burrus Productions, Gregory Burrus March 2022

Interview with Jackie June (Singer/Songwriter)

March 18, 2022 Sonia Schnee

By Sonia Schnee | Posted Friday, March 18, 2022

South Amboy singer/songwriter, alt-pop recording artist Jackie June just dropped a brand new single, “Falling Apart”, today. Written and recorded in collaboration with artists April Rose Gabrielli and Kulick, “Falling Apart” marks a sonic departure from Jackie’s previous music, while still being true to her penchant for deep, meaningful lyrics. As Jackie explains in her interview (Part 1 was filmed in March 2021, Part 2 in March of this year), while the subject matter of her songs may be serious, she likes to couple them with an upbeat, driving pop melody while also eliciting joy through refreshing and — as we’ll see with “Falling Apart” — playful music videos. Listening to Jackie June’s music, audiences are reminded to stop, reflect, and appreciate the beauty of the things and people around them.

Be sure to follow Jackie June on social media (Instagram, Facebook, Twitter) for up-to-date announcements about new music and show dates, and check out her YouTube channel to catch the official music video for “Falling Apart” which will premiere later this month.

To learn more about Jackie and the inspiration behind her music, watch our interview above or read the transcript below.

(Video and transcript have been edited for time and clarity.)

 

PART 1: March 2021

For first-time listeners, how would you describe your sound and your musical influences?

JACKIE JUNE: I think that my music is generally like pop-rock. I think sometimes people hear a little bit of a country influence depending on what the song is. I don't know where it comes from, but I do love country music. My influences tend to be a lot of pop artists and singer-songwriter-type artists.

Nice! And you're from around Toms River?

Yes. So I grew up in Toms River, but now I live in South Amboy, so Middlesex County.

Congratulations on the release of your music video for "Afterglow." It's a beautiful video. Beautiful lyrics. Where did you film it?

So we filmed the performance scenes up at Debonaire Music Hall in Teaneck. So shout out to David over there who's amazing and allowed us to use his space. The beach scenes in the video were over at Sandy Hook. So we went during sunset and got really lucky in capturing the most beautiful sunset, which we were really hoping for.

That shot is really gorgeous -- the colors and everything. It matches the colors in your hair, too.

It was literally pure luck. The filmmaker/director was Bart Lentini, and he had the idea to go to Sandy Hook. He's like, "I'm telling you, if it's a really good night, we're going to get really good shots" and I was like, "I trust you", and he nailed it. It was really perfect.

How did you and Bart meet up? Did you know each other before this?

So, probably a little over a year ago, I released a song called "On the Move", and at the time I was considering doing a music video for it. I wasn't really sure, and I had seen some work that I really liked. Taylor Tote had a video called "Heart's a Boomerang", and I had reached out to her and I said, "Hey, who did your video?" and she referred me to the woman who did her video. I reached out to her, and she introduced me to Bart. We talked a little bit. COVID happened, so no video, but as the year went on, I remembered that I loved his work and I reached back out to him and said, "Hey, how can we do a really cool COVID-safe music video?" We worked really well together. He was awesome to work with.

Who were your bandmates on stage?

So, I actually borrowed people from a bunch of different bands. So on the bass is Jamie McClanahan of The Victory Drive. On the guitar is Chris Laurie, and he's in the band Triple Addiction -- these are all Jersey bands -- and on the drums is Jimmy Meyer of The Dives. Fun fact: Jimmy Meyer is also the co-writer of the song, so we wrote it last summer [2020] via Zoom during COVID and all that good stuff.

How did you and Jimmy meet?

We somehow connected on Facebook because I guess we had heard each other's music. We had never met. We talked about a potential collaboration at some point and obviously, COVID happened, but we were like, "You know what? Even though we've never met and it's the middle of COVID, let's write something." So we actually wrote the song before we ever even met in person, which was kind of crazy.

Who produced the song? Where did you record it?

So that was recorded up an Audio Pilot Studio by Rob Freeman of the band Hidden in Plain View. They're a really awesome band, and he's such an incredible producer and just musician and person in general.

"Afterglow" has such beautiful lyrics. Thank you for including them underneath the music video. It's really a nice thing to be able to follow along!

Thank you, I felt really proud of these lyrics, and I think there are a lot of things that sometimes can get easily missed, or maybe my inflection, or the way I sing something. It happens all the time with music. There's misunderstood lyrics and stuff. So I was like, "You know what? I'm going to put these lyrics in the bottom." There's a lyric video, but I didn't do anything crazy with that, so I figured I might as well include them.

How would you describe this reference: "I dance with Marilyn, Norma's cutting in. How can one girl have two smiles?" What is that a reference to, for those who don't know?

That is literally one of my favorite lines in the song. I am a huge fan of Marilyn Monroe. I have pictures of her all over my music room in here. So when I was writing with Jimmy, I was kind of just looking around my room and I was looking at Marilyn and I'm like, "Oh man, I love her", blah blah blah, and I thought it would be interesting to incorporate her somehow in the song. Her birth name is Norma Jean Baker, for those who don't know, so the idea behind that line is, number one, the song is about kind of going a little crazy during -- I mean, for me personally, it's quarantine -- but it could be anything for anyone, where things are just raw and you just feel like you're going bonkers. I think that the imagery of having these two personalities in one person kind of combined, to me just seemed like a cool visual. I think it also shows that there's always going to be a little bit of two sides to how someone feels. I thought it was a good representation for feeling that way.

You also released another single during 2020, entitled "Can't Quit You", which you co-wrote with Jes Hudak. Tell us a little bit about that. You have a little bit of co-writing history with her as well.

Yes, I do. Jes Hudak, she is my mentor and I love her to death. So quick back story about Jes. I started off as her vocal student a few years ago, and this is before I had even started even thinking about writing. We were working together and she said, "Try songwriting, I feel like there's this artist within you and I think you should do it" and I was like, "You're nuts, I can't write a song." She really motivated me, and we wrote my whole first EP together, my EP "Wildflower."

We kind of came back together early-2020, maybe even by the end of 2019, and we started writing "Can't Quit You" together. It kind of came about because I had been having such an emotional roller coaster about, "Do I want to keep doing music? Do I not want to keep doing it?" There's just always this constant battle as an artist about whether or not you should even try. So funny enough, the song comes off as a love song, but it's really my love song to music, about how it doesn't matter what's going on and how much sometimes it can hurt, being an artist and really trying to do this thing, I just can't quit it. So I always love writing with Jes. She's the reason I do this. She's awesome.

What can you tell us about the music video? It's really beautiful. I got teary-eyed while I was watching it.

So, with a release during COVID and quarantine, there was really no opportunity to do any sort of music video. I thought, wouldn't it be really cute if "I can't quit you" kind of has like this double meaning? It's a love song, but for me personally, it means one thing. For someone else, it could mean something else. So I thought it would be a cool idea to reach out to people on social media -- friends, family, anyone who is interested -- to submit a really short clip of them showing me something that they could never quit, or something they just couldn't live without.

I got some really cool video submissions of people who like to run, so they're running, or there's people with their kids, and there's people with their girlfriends or their boyfriends, or eating chicken wings. I mean, just all these really cool ways that I feel like people were able to get creative. I just loved it and it came out really cool. I'm very proud of that video, so I'm really glad you liked it. It was really important to put out something that was really like a feel-good kind of thing. I think everybody has had some kind of loss, or hasn't been able to do the things that they can't quit, the things that they can't live without, and I like to think it was a nice little reminder for everyone to be like, "We still have these things. We're still going to be able to do them. Let's just have a little fun." Shout out to Ryan Hanratty of Frosted Green Productions for the editing. He did a great job.

In October 2020, I saw on Instagram that you were interviewed for a documentary about the New Jersey music scene. How did that happen?

So, this is cool. His name is Fulvio, and he is a filmmaker/documentarian. He's been interviewing musicians of all types and of all genres of people from the past and the present. Initially, I think it was going to be a movie documentary, but so many people wanted to be involved in it that I think he's going to make it more into a series now. Big shout out to Rory D'Lasnow, who's a singer/songwriter here in Jersey as well. He made the introduction. It was a really cool project and was excited to be a part of it, for sure. It's called The Jersey Sound, and I've been following them on Instagram and been following Fulvio. He's still out there and he's still meeting people and filming and interviewing. I'm excited to see when the videos start to come out.

Speaking of Rory, you also did a livestream with him sometime during the pandemic, in Asbury Park was it?

Caroline Davidson opened up a beautiful art and music-type studio in Asbury Park called Ghost Harbor Creative. She has an adorable little stage in there, and obviously, with COVID, it was hard to make it a public event, so she had the idea of coming up with livestreams recorded from Ghost Harbor. So I met with Caroline, and we set something up for me and Rory to perform there, and we did kind of a back and forth set, like a mini songwriters round. It was a lot of fun. It's a great place, and people should definitely check out Ghost Harbor because they're really doing a great job supporting the art scene in Jersey.

Do you come from a musical family or are you kind of a trailblazer?

My mother did a lot of theater growing up. My mom has a beautiful singing voice, but she didn't really pursue that. My father, he's a music fan, but not very musical. But my father's family is very musical. A lot of them live out in California and do a lot of singing and performing. My aunt's a belly dancer -- like a famous belly dancer. It's crazy. So she does all of that, and there are a lot of vocalists on that side of the family. Definitely artistic people.

Looking back, what have been some of the highlights that you've experienced as an artist so far?

I would say there are probably two really specific moments that stand out for me. No, three. I'm going to say three. The first one is playing a Sofar Sounds show in Atlanta last year, which first of all, it's so cool to play a Sofar show. I always heard really great things about how engaged the audience can be at a Sofar show, and they were not kidding -- very attentive and welcoming and just such a cool experience that I won't forget.

The second thing is there's an adorable little girl named Olivia who actually used my song "Chasing Nightmares" in her dance routine for her dance competitions. So that was really cool to see. I have the video up on my YouTube. She's so talented. So that was really cool.

The third thing that really stands out as being like a super highlight for me: I played a show last year -- again, this is right before COVID -- in Baltimore, and there was a little girl sitting with her parents, probably about 5-6 years old, she really little, and after the show, her father came up with her and said, "I just want you to know this little girl has been listening to 'Chasing Nightmares' over and over and over and over again. She found you on a playlist on Spotify, and we saw you were randomly coming to Baltimore, so we drove 45 minutes to come see you." I started bawling because I'm still such a small artist, you know? To even hear, number one, that anybody would even come that far to see me is crazy, and then people who I don't know, that's cool, too. To be completely out of New Jersey and have that happen with like... I think I cried for hours after that. I would say those are my highlights, for sure.

That's always a great feeling to know -- in any profession -- that what you do means something to somebody, and that that's how they're spending their downtime, their free time. They're connecting with something you created.

It's literally crazy. I've only been doing this for about three years, and I'm just a local artist here in New Jersey. So the fact that people want to hear it and it's not going on deaf ears, it's just one of those things that keeps you going.

Are there any words of advice or encouragement that you would give to people -- and not just artists, but really anyone -- who are trying to wrap their heads around how much the world has changed and are trying to stay productive, or just stay mentally healthy? What would you say to them?

Oh man, I wish I had the answers because I'm still working on it myself. I think, personally, what's helped me is I think I allow myself the time to take a break if I need to, instead of forcing it. So for me, specifically when it comes to being creative or trying to put this pressure on myself to write a new song that I think is great, I think sometimes it's OK to tell yourself, "You know what? I need a break right now. There's no pressure. The song will come when it comes," and I think that's with anything that anyone wants to do or create. Just let yourself off the hook a little bit and be kind to yourself because I definitely think it's hard when a lot of things in the world right now are out of our control. The only thing we can control right now is ourselves and how we handle it. For me, it's been working on being kinder to myself and not putting so much pressure on myself to create. Also, I've actually been journaling a lot. I find that it can be very therapeutic, especially in these times where, although we have social media and we have video chats and things like that, it still does feel lonely and disconnected sometimes. So I think it definitely helps to write things down and get it out.

Is there anyone who you'd like to give a shout-out to, whether it's family or friends or other artists or favorite restaurants that are closed or business or anything?

I think it's important to think about supporting independent artists and independent music, but also local mom and pop businesses. I think right now they are the ones that are hurting the most. So my shout-out is to all those who have been pushing through when it's been a difficult time, when it's hard, and just a shout out to all the people who've been staying strong and pushing through and still creating. I know it's been hard, too, as a musician, with shows canceled and we're trying our best. So shout out to all the people that are struggling and doing their best.

 

PART 2 - March 2022

I saw that on Instagram that you had posted a little sneak peek clip of your new single, "Falling Apart." How long has this song been brewing, and how did it get to where it is now?

That's a very good question because I feel like this song has been the longest journey of all my originals. During 2020, when we were obviously all in lockdown, I found myself not super inspired, but there was one day where I just got this melody and idea in my head for a song, and I would play it on the piano over and over again, and I knew that this would be a really catchy chorus. I had lyrics ready for it and everything, but no matter what I did, I couldn't finish the song. So I just kind of put it on the shelf, put it aside and was like, "Whatever, maybe I'll finish it another someday."

I had already been familiar with April Rose Gabrielli's music prior to all of this. She was in a bunch of different rock bands and we had connected a little bit on social media at some point. When I first started doing music in 2018-2019, I had always been a big fan of her writing and her music, and so she released her first solo single called "Do You" and as soon as I heard it, I was like, "You need to tell me who produced this. This is just incredible. I love it. I've been trying to figure out a way to take my music to a different... I don't want to say a "different level" because that sounds so cliché, but literally try and go a little bit more outside my comfort zone." She was like, "Oh, actually, I produced it, along with Kulick" and I was like, "Well, how do I work with you guys? I need to find a way to make this happen."

I brought them the chorus, the melody that I had, and the lyrics that I had, and I went out to see them for a week --  they live out in Pennsylvania -- and we just spent the weekend finishing the song, writing and producing and recording it. Everything was done in two days. I was just so proud of it, and it was just such a really good experience working with the two of them because I absolutely admire them as artists, but as writers as well. So I a lot of fun.

I love the lyrics, "I keep on falling apart in all of the right places, taking my time to find the right pieces." What can you tell us about the lyric-writing process? What initially inspired it? Was it something from personal experience?

It definitely came from a personal experience. I'm trying to be to honest and more vulnerable when I talk about the stories behind my songs. Around that time, I had just been diagnosed with an eating disorder, and I felt very confused. I had been doing a lot of reflecting about how it took me this long to kind of figure out what was going on and how hard the work was and the healing process was. So the idea behind the song was that, yeah, sometimes you have to fall apart and you have to break and you have to do all these really hard things in order to get to a better place and to be, whether it be in recovery or whatever it might be, that your struggle is, right? Sometimes you just have to pull out that splinter. It's going to hurt, but afterward it's going to be a lot better. So one of the things I wanted to do with this song was show that it's OK to feel vulnerable. It's okay that we have to suffer and struggle and all of those things. But I wanted it to be uplifting and empowering, that it's worth it.

That's a beautiful message. Thank you for sharing that.

A great thing about music is the way that it can make people feel less alone, give them a sense of belonging, and keep them pushing through. I know music has helped me get through some really tough times. It's just such an amazing medium in that way.

It also is a testament to your artistry, that you can write/create something that can bring people in. It's kind of like you give your listeners permission to just sit and stop and reflect on the things and the people that they have in their lives, which I think is really important to soak up.

That makes me so happy to hear that you hear that because I feel like that's something I've been working on for myself. I think I've always been very good at just being like, "OK, I don't need to feel sad. I need to find something to make me feel better, or what is the point of feeling this feeling," right? I feel like I have been working really hard to embrace that. Embrace those feelings, allow yourself to feel them. It's OK. We don't have to sit in them forever, but there's nothing wrong with having them. A lot of times, I write these songs as my own sort of therapy to remind myself, "OK, you know, Jackie, it's OK if you're crying right now. It's OK if you're having a tough time right now because you know what? It will get better. This is all part of life and you're going to be OK." My music, I feel like there are these very serious topics, but I tend to make the music and production... I like it to be fun and uplifting. There is that pop element. This song, it's just such a serious topic, but I have made it very playful, which you'll see in the video. I took a very emotional, serious topic for myself, but things can be serious but you can still laugh and you can still be playful regardless of that, you know? Hopefully, that will come across in the video.

Yes! How did you meet the director? Who came up with the concept for the music video?

So his name is Tom Flynn, and he is amazing. He was actually a referral from April Rose Gabrielli and Kulik. They both have worked with him for some of their different music videos, and when I saw the work that he had done, I was like, "Oh my God, I have to work with this guy!" We had a call about the song, he listened to the song, I sent him lyrics, gave him some understanding about what my intentions were behind the song and what it meant for me, and he was like, "I have this crazy idea. You're either going to love it or you're going to hate it." He kind of gave me the idea, and then we worked together to flesh it out a little bit more. But yeah, it was mostly Tom. I just thought it was great because it kind of has that whimsical feeling, that kind of vibe that I go for.

The people that were in this video were all friends of mine. Some are other musicians in the Jersey music scene. They were really good sports. It was a very cold day. It was late fall or early winter. I want to say like November or December. So yeah, it was very cold. I felt terrible. But they're all good friends.

Where did you film? Is it filmed in New Jersey?

Yeah, actually it's in my neighborhood, in South Amboy.

How did you find the costume for the main character? Was it handmade?

Oh my gosh, no. We bought it online.

Who is the actor who's in the costume?

So, he is going to create a reveal video that I will post on social media so you can see who it is. He's an amazing guy and really knocked it out of the park. To be able to do any sort of acting while wearing a head like that, it just shows he did a great job.

Tell us more about April Rose and Kulick.

They are like the dynamic duo. I swear, they make magic when they work together. They're both touring musicians. April's actually in Kulick's band. She plays the keys and backup vocals. She also has her solo project, which is going incredible. Her song "Do You", which was her first single, was charting on Billboard Hot A/C [Adult Contemporary] Charts and things like that. They're both just amazing, and I feel so incredibly blessed and lucky to have had the opportunity to work with them, but also to now say they're my friends. They're just really great people.

When we went to write this song together, when I went out to Pennsylvania, it was maybe October. I honestly was really forcing myself to do it. I had not been very inspired. I had not really done much with my music in a while. I released some covers last year, but for the most part, I hadn't released anything original in about a year. I was like, "I'm going to do this. You're going to work with new people. You're going to. It's going to be good. It's going to be good." I left that weekend feeling so re-inspired and feeling like, "OK, I still love this, thank God!"

Where did you record “Falling Apart”?

With them. They co-wrote with me, produced, mixed, mastered -- all of the above. They're very multitalented people. They have a home studio, and it's amazing and beautiful. It was just such a great experience, and it was a very comfortable experience, too. I think sometimes when you're in these more formal big studios, it can be very intimidating -- at least for me. I felt very comfortable being there with them, and it was just really nice. They have this adorable dog named Ellie who made it even more fun. It was really a great experience.

Do you have any other songs/projects in the works?

It's funny, I feel like in the past -- because I started doing this whole music thing so late in life -- I felt like I was rushing everything and having to get the next song out and the next one, and this and that. I feel like I'm at a point now where I'm like, "You know what? That's exhausting." If I get a bunch of song ideas in my head and I decide to record and release them, great, I will do that. But for now... I mean, I definitely have a phone filled with melody, ideas, and concepts and things, but nothing fleshed out. Everything is really just in lots of little pieces, and hopefully they'll turn into something kind of like "Falling Apart" did, where it just kind of started with a little piece of a couple of things and then it came to life when I found the right collaborators. So, we will see.

The music business, whether it be on a local level or a global level, moves very quickly and people can forget about you very quickly and people want to hear the next thing right away. But you know what? Putting the pressure on yourself to keep up with that just takes a lot of the joy out of what you're doing. For me, I do this because I love it, and if people listen to it, that's a bonus. If people want to play it, and when it comes to a show, that's a bonus. But I just don't I don't want to feel that pressure, you know?

Is there anyone new who you'd like to give a shout-out to?

I have to give a huge shout-out to April and Kulick. You guys need to check them out! April Rose Gabrielli and Kulick. They are both incredible artists that are releasing just such great music, and they're also really wonderful people to support and they have been so supportive of me. They've really changed my way of thinking with a lot of stuff in music that can sometimes make you feel a little bad or make you feel a little bit knocked down. They are just so uplifting, talented, wonderful human beings. So, everyone, check them out! They're great.

Last year, you mentioned some of the career highlights that you had. Have fans still been reaching out to you?

I actually just saw a family friend last night and her daughter was like, "I told my friends that I know a singer." The little kids are just too cute. She was telling me, she's like, "I love your song 'Wildflower.'" I think she's 8 years old. Just hearing that, especially from little girls, I just wish I had someone like that in my life, especially with music, growing up as a kid.

Yeah, that is so important for little girls to have positive role models.

I noticed from this interview and also from your last one, you're so modest. For the caliber that your music is at in terms of the lyrics and the melody and the artistry, really, you have some bragging rights. You've got really solid work that you've put out.

Oh, you're going to make me cry now.

Feel free to brag. You've earned bragging rights!

Thank you. I'm definitely very proud of myself. I never thought I would be able to do any of this, let alone write originals, record them, and share them with people. So it's just... To me, I'm just very proud of myself.

I'm so excited for the music video for "Falling Apart" to drop and see what people's responses are.

Me, too! When you listen, you're going to know it's Jackie June song, but it's definitely taking it to a different place, which I'm really excited about.

In Music Tags Jackie June, South Amboy, Middlesex County, Singer-Songwriter, Pop, Alt Pop, April Rose Gabrielli, Kulick, Debonaire Music Hall, Bart Lentini, Jamie McClanahan, Chris Laurie, Jimmy Meyer, Audio Pilot Studio, Rob Freeman, Jes Hudak, Ryan Hanratty, Frosted Green Productions, Fulvio, Rory D'Lasnow, The Jersey Sound, Ghost Harbor Creative, Sofar Sounds, Tom Flynn, Sonia Schnee

Interview with Paul Haley and John Ramsburg of Thrill Ride

March 12, 2022 Sonia Schnee

By Sonia Schnee | Posted Saturday, March 12, 2022

Punk n’ roll band, Thrill Ride, brought some much-needed joy to passersby in South Orange-Maplewood (SOMA, for short) when they decided to move their practice sessions outdoors during the pandemic. I spoke with Paul Haley (guitar/vocals) and John Ramsburg (bass/vocals) of Thrill Ride at the end of March 2021, and now, almost a full year later, it’s interesting to see what things have changed and what has stayed the same. Paul and John are both cool guys, so it was a blast to learn about the inspiration behind their sound, their songs, and how their music has been received locally as well as internationally.

Joined by their drummer, Will Kramer — plus the band Forget the Whale — Thrill Ride will be performing live at Picket’s Village Bar in Maplewood on Saturday, March 19th, 7-10pm. Be sure to check it out! Also, be sure to follow Thrill Ride on social media for up-to-date announcements about new recordings and shows.

Thrill Ride is on Portland, OR via NYC via Buffalo, NY's Honey Puller Records.

Watch our interview above, or read the transcript below.

(Video and transcript have been edited for time and clarity.)

 

What are your names, where are you from, and what do you do? What do you play?  

JOHN RAMSBURG: I'm John Ramsburg. I play the bass, I sing, and I write some of the songs in Thrill Ride.

PAUL HALEY: My name is Paul Haley. I'm the guitarist. John and I, we share songwriting responsibilities. We live in SOMA, NJ. I don't know what the outsiders think of that term, but we in South Orange or Maplewood call it "SOMA" for short. Will Kramer, our drummer, also lives in Maplewood.

Thrill Ride is actually the remaining members of our previous band, Dollar Store Riot. Thea Kearney, our singer at the time, needed to take a break. Dollar Store Riot went on hiatus, and John, Will, and I looked at each other and said, "Well, do we want to keep going or what?" We decided to keep going, so we came up with a new name, Thrill Ride, and we've been going ever since.

John came into the band shortly after Dollar Store Riot played Maplewoodstock back in 2016. It's probably the biggest musical event in Maplewood every year, every summer. Of course, last summer they canceled it because of the pandemic and, hopefully, we'll get back to that, but it's a very fun event. Dollar Store Riot had the opportunity to play. That was our original bass player's last show. I think John saw us playing and we offered him the job, which he happily took. Do I have the history right, John?

JOHN RAMSBURG: Yeah. So I've been friends with the drummer, Will, for quite some time. Our boys are the same age, went to school together. So when their bass player left, he knew that I played bass and asked me to audition. I got the part, learned all their songs, and we played for a while.

PAUL HALEY: It's kind of funny, John. You were in the band for, like, 17 minutes and then we put him in a Dollar Store Riot video.

JOHN RAMSBURG: Yeah, I'm in a video. It's not even my bass!  

For first-time listeners, how would you describe your sound, and who are your musical influences?

PAUL HALEY: Oh, God. It'll take me three days to list mine. You go first, John.  

JOHN RAMSBURG: Basically, your standard alternative garage. "Dad bands" is what they call us around town now. Our influences are The Police, The Clash, Buffalo Tom. All three of us come from very similar yet varied enough backgrounds where we each bring something interesting when we're working on new songs. If you liked to listen to 120 Minutes back in the day on MTV, you'd probably enjoy watching one of our shows.

PAUL HALEY: John and I share a bunch of favorite bands. When I hear our music, especially that last song that you added to the NJ Artists You Should Know (2021) playlist, "Shelf", it kind of reminds me of a The-Police-meets-The-Clash kind of thing.

I also hear a lot of what I like to call "punk n' roll." I hear Social Distortion. I hear many different influences coming in. Definitely, I wouldn't be playing guitar if it wasn't for bands like Buffalo Tom and The Lemonheads —that pop-influenced fuzz rock, overdriven rock, and things like that.

Will [Kramer] went to college out in the Seattle area — I think Evergreen State — and he grew up in the Boston area, so he definitely brings a lot of influences from there. It's kind of interesting how it all comes together. Will, John, and I definitely click. We could start playing something and it'll all start falling together.

Thrill Ride performs "Last Night" while in social isolation for a "Live" remote gig!

I saw that you did a quarantine series on social media and YouTube. Whose idea was that?

PAUL HALEY: Well, we just can't sit around. I mean, the funny thing is — and I kind of said this to the band — even though the pandemic hit last year, Thrill Ride was very productive, and I don't know if it was just a timing thing, but John, didn't we release like five or six songs?

JOHN RAMSBURG: Well, we got lucky in that we had gotten in the studio and recorded a bunch of scratch tracks right before they shut everything down. So then I was able to record from home and sent tracks in to our buddy, Tom. He does all of our mixing and recording. Will and Paul would pop in when it was safe. Paul gets tested every week, so it was safer for him to go in than for me. I was more comfortable staying home. But yeah, it was frustrating because we had planned a five-song EP. We recorded a bunch of the scratch tracks, and then we had to stop everything. So we used part of that to put out the videos. So, we all recorded separately, listening to the same song. I edited a bunch of it together and posted it up. Then when we had time, we'd work through one of the songs, get it mixed, and put it out. So then our five-song EP became this slow drip of singles that kept coming out. It kept us moving, which is good.

Congrats on your most recent release, "Catching a Reset." I like the lyrics!

PAUL HALEY: Oh yeah. Ha!

What's the story behind that? Is that about someone specific?

PAUL HALEY: I was trying to remember who wrote the lyrics, and I said, "Oh, wait, I wrote those!" I'll plead the fifth on a lot of that. Especially the chorus.

John handled that song very well. When he was learning to sing this song, I sent him the lyrics. Then when we went to record, he had the original lyrics that I had since revised. When I heard him do it, I was like, "I thought I gave you revised lyrics" and he was like, "No, these are it", and I'm like, "Well, those are the original lyrics." You remember that, John? I said, "OK, we'll leave that. I like that." I guess I had to hear the original ones again. I'm kind of glad that he got the original lyrics as opposed to the revised ones.

JOHN RAMSBURG: He had so many words per minute, it was off the charts, especially for one of our songs. We're very short, succinct. Tom Lucas, our engineer, said it's our “prog” song.

I like it! What's the name of Tom's studio?

JOHN RAMSBURG: Laughing Boys Recording.

PAUL HALEY: Laughing Boys is out of South Orange. I'll probably get this wrong a little bit, but Tom was a producer in New York for many years and then he built a home studio. It's a home away from home. He's a great guy, I mean, all-around good guy. He plays in every band in South Orange and Maplewood. I can't think of one band he never stepped into, except maybe ours. He added tracks to some of our songs, and even Dollar Store Riot songs. Some, we didn't even know he was going to do. I was listening to, I think it was the last Dollar Store Riot song we recorded. I heard organs in the chorus and I'm like, "Did we record that?" So I went to Tom. Tom, he is a sweetheart. I always say he's "the glue of SOMA", the music. He's just so involved. I said, "Tom, did you record organ?" He goes, "Yeah, I felt like doing that. What do you think?" I said, "Yeah, it sounds great!" I recommend everybody to go to his studio to record, for sure. One block off of South Orange Avenue.

That's nice that you have a short commute from your homes to the recording studio.

PAUL HALEY: John can basically hit Tom's house with a rock. I'm a little bit farther, but it's still very close. Tom's great to work with. He'll give you feedback. You know, a lot of studios, they're demanding money. With Tom, you've got to remind him, "Hey, we owe you some money." He'll be like, "Oh, yeah." You know what I mean? He does it for the love of the music. That's a great person to work with, for sure. So we're very lucky in that respect.

The song that was added to the playlist, "Shelf", has some French in it. I speak zero French, so I went into Google Translate.

PAUL HALEY: That was John's brilliant idea. Those organs that you have, it’s all John. That's a John song from start to finish. I mean that in the highest regard. It's a fantastic song. John, I don't think I ever told you, but I love the fact that you put French in it. I think it's great.

JOHN RAMSBURG: I woke up one morning and I had the whole song, the verse-chorus. I ran downstairs. It's one of those moments where I was like, "I gotta write this down." I got my phone, a recorder, and I just played it straight out and it was done, the song was over. I showed it to the guys and we came up with the bridge, so it wasn't a minute long. The French is the first verse just repeated. I don't know where I got the idea for the French, but I just started singing it in French, my broken high school French, and it stuck. In just, like, five minutes I had the song done. That's the only time that's ever happened to me in my life.

PAUL HALEY: I have to say, that's definitely one of my favorite songs in our catalog. It's a fun, catchy song. John really put a great song together for us.

Thrill Ride. Top: Paul Haley (Bass/Vocals). Left: Will Kramer (Drums). Right: John Ramsburg (Bass/Vocals).

Do you have any special collaborations, any tidbits that you can drop about what we can expect for this new selection?

JOHN RAMSBURG: Well, the one song we were working on at this last rehearsal, it's called "Started to Stop." I actually wrote it with my daughter. She's 11 now, but she was 10 when we wrote it.

PAUL HALEY: The next song we're working on is a song called "Ride" that John also wrote. Again, a fun song to play.

JOHN RAMSBURG: I like working with Will and Paul because a lot of the times when I write songs at home, it's more like alt-country for the sound because I just sit with my acoustic guitar and play something either sad or trying to tell a bit of a story. Then I bring it to them, and they're like, "OK, so we're going to play it faster than this, right?" and then it progresses and becomes our grungy, punky feel that we have. So "Ride" started like that. When I play it on the piano, it sounds more like a Springsteen song than when we play it together as a band. It's like a straight Social Distortion-esque rockabilly style. So it comes at you really fast and just keeps on going right to the end. Very danceable. I want to see people dancing at our gigs.  

So you both have a hand in the songwriting. So do you start with the lyrics first? What's that process like, and do you draw largely upon personal experiences?

JOHN RAMSBURG: For me, it all happens at the same time. I'll be messed around with some chords or have an idea and the words will just come out. They might be nonsensical, but I might get a core of something I want to talk about, and then I'll expand off of that on the lyrics. Sometimes I'm inspired by sitting on the train, New Jersey Transit. I heard a couple talking. They were basically saying, "We've gotta slow this relationship down." That's where "Chill Out" came from.

"Half as Much" is more about the social media obsession I was going through at the time, where I was just never present, I was always looking at my phone, and there was no reciprocation because it's social media — it doesn't care. Things like that. So I've pulled from all over. Sometimes I hear a song and I'll say, "I really like the way that song sounds" and I try to figure out that chord structure and see what I can change to make it mine and then build on that. So just a little bit of everything. It's a potpourri of songwriting.

PAUL HALEY: I would say usually it's the guitar riff that comes together. I'll dig through a bunch of lyrics and not like any of them. I tend to be more of a stickler with the lyrics. I can tell you that every line that I write means something. The meaning may be a subtle joke or somebody in mind. I would argue that all the lyrics that I write are usually about somebody.

When I think of songs like "Over His Emo", it's about one specific person.

"Beat a Skip" is, again, about a specific person. We wrote a really, really heroin chic version of it, and then one day we just decided to speed it up, and so we got two versions of it. We tend to play to the methamphetamine version of it now. I like playing it both ways, but I have to say the faster way is the fun way to play it.  

I got this little acoustic guitar that I bought my son a long time ago. It's one of those three-quarter travel ones. I have it right next to the couch. I'll be watching March Madness and working on a riff and be like "Oh, this works!" But it's usually the riff first and then the lyrics, for sure.

You have a pretty international following.  

PAUL HALEY: That's all John. He's got the connections. 

What was it like, the first time you had someone outside of the US contact you and say, "Hey, I discovered you"?

JOHN RAMSBURG: I was checking either CD Baby or Spotify for Artists, and I saw someone in Vietnam had listened to our whole album, which I thought was great. So that was cool because Paul's right, I have friends who live in Europe and Canada. Their friends are nice, they take a listen to it. But now it's starting to pop up in different playlists, which is pretty cool because I'm not doing this to be famous. I really enjoy writing and playing music, and I have a fun time doing it, and if other people like what I put down, that's great.

PAUL HALEY: There were some interesting ones that popped up. It makes you wonder. Actually, while we're talking, I think I'll look!

JOHN RAMSBURG: To hear or see that there are other people who like the music enough to listen to it again on Spotify, or they're discovering it on their own separate from me somehow, I just think it's cool. I'm very grateful. It's very humbling.

You both have kids that are in their teen years. Do all their friends know about the band? Do they come to shows? Have they given you feedback? What's that like?

PAUL HALEY: My kids are a little bit older than John's. I've got a junior and a freshman. I don't know if they ever listen to it, but every once in a while my oldest son, Aiden, will come and say, "Oh, I saw somebody in town wearing your band shirt." He'll say it just like that. My youngest, Liam, none of his friends say anything, but some of Aiden's friends have said things to me, like "Oh, I heard your new song. It sounds great."

JOHN RAMSBURG: My boy's older. He's in seventh grade, and one of his friends really, really likes us. He has our stickers on his wall, on his desk. He has both versions of our T-shirt. His parents come and see our shows a lot. You know, we're a neighborhood band. A lot of our friends come see us when we do gigs around town.

My daughter, she does backing vocals on "Bleed For Three", but that's about it. Her friends are like, they don't care. My kids don't care when we're playing. It's like, "Oh, are you going to come to the gig?" They're like, "Well, who's going to be there?" and then they go play with their friends while we're doing the show, you know? That's about it.

PAUL HALEY: I think the funniest thing is when you walk around SOMA or you're driving somewhere and you see somebody with the shirt. I saw someone a couple of months ago, and I just started laughing because you just don't expect to see it. I'm like, "Oh, wow, somebody actually owns one of our shirts!" It's cool. It's fun.

Do your coworkers know what you do? Have they come to shows?

JOHN RAMSBURG: When we play in the city, a couple of people I work with will come out, which is nice. It's good, too, because we're normally one of the first sets. At 7 or 8 o'clock, no one's in the bar anyway, so actually having people show up makes it more than just a glorified practice. Some of my coworkers and ex-coworkers from previous jobs still keep tabs on the band. I let them know when we have a new release out and they'll listen. Some of them ask for the new shirts, so Paul's kind enough to ship them out.  

PAUL HALEY: With my new job here, our office is officially open but we only have about four or five people, and I don't really know everybody yet. It was kind of weird, like this week there was somebody actually sitting a safe distance away from me. After months of nobody, it was like a Cast Away kind of moment. I was like, "Whoa! Are you going to be here tomorrow?" because it kind of freaked me out! I'm just not used to so many people here, you know? But my bigger point is I really am just starting to get to know people, and it's kind of difficult when no one's in the office and you're just depending on Teams or Zoom and stuff like that. No one even knows that I play music yet, and that's OK.

JOHN RAMSBURG: In my office, our global office newsletter actually included either the video for "Last Night" or "Chill Out." It was in the beginning of the pandemic when they were saying, "This is what people are doing while they're at home." So a whole bunch of people in my company found out that way, and I got positive feedback from that. So that was nice, to get exposure any way you can.

What would you say are some of the highlights that you've experienced so far, either as individual musicians/songwriters or collectively as a band? 

PAUL HALEY: I think 2020 is a highlight for me. I think we played two shows before the pandemic hit, and then we were able to play an outdoor show on November 20th or something like that, right, John? You would think would be cold and nasty, but it turned out to be, like, 68 degrees and we were playing outdoors on Springfield Ave at this open market kind of thing. So many people showed up.

 There are so many bands in SOMA, NJ and beyond that we're friends with, that we get to play with. Recording and getting those singles out in 2020, I think those are the highlights for me — just continuing to play despite the pandemic and everything else and playing with our friends and having friends come and see us. People were aching so much [to see live music] in November. I got so many texts like, "Hey, I drove by and saw your band!" I would consider that a highlight, and just getting those songs out. That momentum.

JOHN RAMSBURG: This band is actually the first one where I actually got to step up front and do the writing and singing and have a lot of support. The other bands I've been with have been supportive, I really liked working with them. One of my really good friends from college and I've been in a band forever and he is an amazing musician and singer, and I was always happy to be playing bass and working with him on his songs, but being able to finally come out in Thrill Ride and say, "Here are my songs. Do you want to play them?" and Paul and Will are like, "Yes, let's do this" and the affirmation that comes along with that, it's like, "I can do this!" Also, accepting the fact that a song's never really going to be finished, but I'm going to say it's good enough for me to play it out loud for people to hear. I think those are good personal highlights for me, just accepting that I can do this, and I'm really enjoying it. It's fun.

I was a theater major in school, so acting and stuff and being in front of people was fine for me, but I always felt that songwriting and singing was never something I was very strong at. So being able to overcome that with this group is the biggest highlight.

Also, some of the places we've gotten to play, like Asbury Park, Pianos in the city, just a lot of venues that I'd walk by or see other friends' bands play, and just popping in and getting to meet all these other great bands. This community here in South Orange-Maplewood, getting to play with our friends Tri-State, there's Maplewolf. They're a country cover band and they're great and it's fun to do a set with them because it just flips everything on its head when you're doing sets together. I love playing in this town. Everyone's so supportive. I can't wait to play gigs with some of the new bands that are coming up, like Thea [Kearney]'s band, Megasparkle. I think it'd be fun to go play with them, too.

Paulie’s Boutique. SOMA NJ rocker Paul J. Haley (Thrill Ride, Die-Cast Cars, Dollar Store Riot, Drunken Bird) plays 60 minutes of an eclectic musical mix (hardcore/punk to indie rock to hip-hop and more), including Local SOMA/NJ band spotlights and theme-based episodes for your auditory and spiritual healing.    

LISTEN LIVE! Tuesdays at 10 p.m. & Wednesday at 11 p.m.

Listen at bonepoolradio.com.

PAUL HALEY: John and I also have radio shows on Bone Pool Radio. I tend to do a lot of mixed shows. I'm 30 shows in — Paulie’s Boutique, it's called. Whenever I do a mixed show, it's an eclectic mix. I always made sure to put a local band in the show. Then, I increased it from one local band — and this basically means SOMA, NJ and beyond, but in New Jersey — and then I decided, well, I can't keep up with this, I have to add two. Then eventually it turned into where I just put together two exclusive shows about all the great bands in New Jersey, and I'm not even done yet! You can probably relate to that. Then I realize that every time I put one of those exclusive shows together, I forgot about all these bands over here.

SOMA, NJ has so many great bands within close vicinity, a lot of fantastic bands. I don't want to speak on behalf of John, but I feel very lucky to be part of that whole musical scene, being friends with all these bands. Everybody gets along playing along, and it's just a great thing. I hope to see it continue. It's definitely a fun scene. It took a little bit of time to come to fruition, but it definitely did. There are all these great bands, from the doom metal Green Dragon, to what I call the "Indigo Girls-sound" of Marry the Sea, to Tom Lucas of Laughing Boys Recording. He's got that great band, Sad About Girls. It's just crazy.

Two last questions. Are there any dream collaborations you would love to do with artists or bands — alive or dead? Also, where can people find you and connect with you online?  

JOHN RAMSBURG: We are on Instagram, Facebook, and Twitter @thrillridebandnj. You can find us on Spotify, Apple Music, and iTunes. Google "Thrill Ride." You can also hear us played on Bone Pool Radio. That's an iHeartRadio station, so you can check them out there. That's the New Jersey local station where Paul and I have shows.

You can reach out to me on Instagram and Facebook if you want to talk about band stuff. I'm always happy to chat. Same with Paul Haley. You can look us up any time.

So Paul, who would you want to play with?

PAUL HALEY: You said "alive or dead." I would love a chance to play with The Clash, or maybe when hell freezes over and The Smiths get back together. Another one of my favorite bands, Buffalo Tom. If I had to collaborate, I'd probably do it with members of local bands. Members of Tri-State, I would love to have a chance to play with. Allied Chemical is no more, but I would love to have a chance to play with some of those guys. Tom Lucas of Laughing Boys Recording and Sad About Girls, for sure. So, definitely a lot of local bands.

JOHN RAMSBURG: I like a lot of different styles. I'm obsessed with Toad the Wet Sprocket ever since I was in high school, so I would love to get a chance just to play, let alone hang out with Glen Phillips and just see how he does his songwriting or just playing, jamming some songs, just having a good time with them. Lucero, an alt-country band. Not everybody's heard of them, but they write some really beautiful, heartfelt music. I really enjoy the way they write a song. If I had a chance to go back and sit with Black Sabbath and play bass along. I love blues metal. It's just fantastic. I was just listening to an earlier Wolfmother record. That guy changes his band every three weeks, so if I can get a cycle in there for one tour, that'd be awesome.

To what Paul was saying about collaborating locally, I've had this idea knocking around my head for a while where we do a charity record, but we all do a cover of somebody else's song in town. I think that would be a lot of fun.

Is there anything else that you'd like to add that I haven't asked you about or that we haven't discussed yet? 

PAUL HALEY: I want to give a plug for Bone Pool Radio. Everybody should give Bone Pool Radio a listen, not necessarily for John or my show, but just overall listen to it, www.BonePoolRadio.com. They've got the app, iHeartRadio. They have their own app. It's just a great radio station. John and I are friends with the owner [Michelle S. Lomuscio]. She always wanted to have a radio station, so she made one. It's a lot of fun to do, and it's just great to have a radio station again. So whoever wants to listen, definitely give it a listen. It's a great station.

In Music Tags South Orange, Maplewood, Essex County, Thrill Ride, band, Paul Haley, John Ramsburg, punk n' roll, Rock, Post Punk, Dollar Store Riot, SOMA, Honey Puller Records, Sonia Schnee

Equinox Art Exhibition Featuring Maria Estrela and Christine Keeley with Live Music by Marilyn Castillo and Nedelka Sotelo (Sunday, March 13, 2022)

March 11, 2022 Sonia Schnee

By Gregory Burrus | Posted Friday, March 11, 2022

Equinox, the Exhibit

Through an exciting collaboration between photographer/artist Christine Keeley and collage/mixed media artist Maria Estrela, the idea of Equinox: The Birth and Rebirth of a Woman, a celebration of Women’s International History Month, was born.  The exhibition will be on view at The Jewish Museum of New Jersey in Newark, New Jersey from March 6th to April 3rd.

We caught up with Maria Estrella and Christine Keeley to understand the exhibition and more importantly the connection between the artist and their work. Take a listen. 

The work focuses on the connection between women and nature; how women’s spiritual, emotional, and psychological being changes through the seasons. Equinox comes from a response to those changes. It's the yin/yang, the dark/light, black/white, sun/moon, past/future. We need to feel deeply the importance of our ancestors and what we are creating for the future generations. As we make those connections we understand that Equinox can bring moments of happiness, warmth, and love.  Even in the midst of the long, dark days, we can still find happiness.

 

The Artists

Christine Keeley

“Christine has a natural gift for capturing the human form and spirit.”

Christine Keeley is a studio owner and independent photographer based in NY and Summit NJ, best known for her bold and emotive imagery. Christine’s lifelong passion for the visual and performing arts is reflected in her unique photographic style, capturing the natural movement and expressions of her subjects.  Inspired by feminine strength, she uses the camera as a tool to elevate and inspire her subjects.

Christine developed her keen eye for visual storytelling at a young age, influenced by her father and maternal grandfather- both physicians and avid photography enthusiasts. Her large extended Irish-American family became her own visual time capsule of the complex moments in time of human love, innocence,  joy, sorrow, hope and contradiction.  

With a lengthy corporate career and the rise of digital art, Christine was able to envision a path to a successful business as an entrepreneur. After raising her two young children, she made the bold career move to the visual arts, where she naturally felt the transition to photography. She invested heavily in fine-tuning her craft, shooting in the studios of some of the world’s top fashion and beauty photographers. A year later, Christine’s instagram @christinek_nyc led to her first commercial shoot - and she never looked back. In 2018, Christine was invited to join a boutique art gallery in New York as Associate Art Director which led to a position on the board of Summit Public Arts. From there, Christine embarked on her own exhibition projects in NYC and NJ.  You can learn more here:

Christine Keeley Photography

www.christinekeeley.com

info@christinekeeley.com

Instagram: @christinek_nyc

 

Maria Estrela

I make art to heal and inspire myself and to transform the resilience and strength women carry in themselves into a visual form that encourages and empowers all women, from young to old. My collages reunite women with nature by placing them in landscapes, decorating them with found objects, and re-contextualizing their power. I want to emphasize the beauty of nature and the natural beauty of all women. By paying attention to the changing seasons, I understand more deeply the seasons in my own life and connect the world around me to the phases in a woman’s life. 

Maria Estrela was born in Cascais, Portugal and raised in a large extended family from Cape Verde, West Africa. Settling in Newark, NJ in 2002, she attended The Newark School of the Arts in 2008, where she was able to further develop, explore, and broaden her interest in digital photography. Estrela’s photographs of nature and scenes from independent travels serve as a means of self expression, escape, and self-healing. Photography is where she finds stillness, freedom, and a doorway to connect to her inner self.  Maria’s interest in collages started when she met Artist Mansa Mussa in 2018 in one of his collage workshops. Since that first experience, collages and mixed media have become part of her artistic development. You can learn more here:  IG @estrela37_ and www.mariaestrela.com 

 

Live Music Performance

This wonderful event will contain a performance by up and coming singers Marilyn Castillo and Nedelka Sotello. 

Singer Marilyn Castillo

"Marilyn is a rising Latin Diva with a soulful voice" - Ilana Martin, Vocal Workout

Marilyn Castillo is an independent Chicana singer-songwriter who comes from a long lineage of musicians and troubadours who passed on the passion for fine, bold and moving music that make both her singing and songwriting exotic and glamorous.

She is currently co-producing her first solo album “Chicana en Nueva York” with themes of her authorship, her first single “Todavia” granting her the Latin Artist Revelation of Premios Latinos Fama in 2019. In 2020 she released her second single "Noche de Marzo".

Born and raised in El Paso, Texas and Ciudad Juarez, México her love for these borderlands and in order to take her music career to another level Marilyn moved to New York in 2014 and has lived there ever since. She has shared the stage with Bobby Cruz, Richie Ray, Arturo Ortíz, and Latin Grammy winners Samuel Torres Flor de Toloache among others. In 2018 she became the female lead singer of Calpulli Mexican Dance Company. She is also the lead singer of Mexican Latin Alternative band Adderesound.

https://www.marilyncastillo.com/ 

 

Singer Nedelka Sotelo

Nedelka Sotelo is a performer/teaching artist born and raised in Mexico City. Currently living in New York acting with different theater companies (Teatro SEA, Mexico Beyond Mariachi, etc) and singing with her Mexican Reggae Band "Nedelka & Latin Roots".

https://www.facebook.com/NedelkaSoteloArtist/  

 

Equinox Art Exhibition

Won’t you join us, March 13 - 2-5 PM. Let us know you are coming.

https://www.eventbrite.com/e/whm2022-art-exhibition-featuring-the-latin-jazzy-sounds-of-marilyn-castillo-tickets-288314084187

 

About the Author — Gregory Burrus

Gregory Burrus is a local live music ambassador, producer, promoter, event planner, and community partner. Gregory Burrus combines his extensive corporate business and technology expertise with his love of live music and being a strong community advocate. 

I love writing about it all. My mission is to help community groups, live music bands, and local nonprofits, reach their goals and accomplish their missions while enjoying the day-to-day process of life. 

https://www.jerseyindie.com/ji-blogger-gregory-burrus   
https://patch.com/users/gregburrus 

In The Arts Tags Newark, Essex County, Equinox, art exhibit, Art exhibition, Christine Keeley, Photographer, digital creator, Maria Estrela, collage, mixed media, artist, Marilyn Castillo, singer, Nedelka Sotelo, jazz, bossa nova, Womens History Month, Gregory Burrus March 2022
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